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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects,(...)
Architects + engineers = structures
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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects, and a number of architects have been encouraged and supported by their engineer-collaborators in designing structures that appear to defy gravity. "Architects + engineers = structures" focuses on the ideal: on a cohesive building design team where the members contribute equally, resulting in unique and exceptional designs. These are architects and engineers who entice beauty into buildings not just with lines on paper and calculations but with intuition, innovation and feeling for the needs of people, materials, strength, proportion, lightness and elegance.
Engineering Structures
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of(...)
Come closer: the Biennale reader
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of "us" and "them" can potentially emerge. The reliance on a common language to bring people closer often does the opposite, leading to feelings of contempt, anxiety, and fear. By drawing attention to themes of intimacy, care, and empathy, the contributions in this book search for new types of communication that can bring people together. Like language, art can be used to mediate these differences, and to examine issues relating to how people coexist in society.
Art Theory
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Digitalization is one of the elements of our modern world. While it is true we enjoy the benefits brought to our society by modern technology, we are beginning to rediscover the value of handmade effects and elements in design, advertising, and products. Inspired by the recent "healing boom" in Japan and the simple, modern designs in Europe, promotions, advertisements(...)
By hand: handmade elements in graphic design
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Digitalization is one of the elements of our modern world. While it is true we enjoy the benefits brought to our society by modern technology, we are beginning to rediscover the value of handmade effects and elements in design, advertising, and products. Inspired by the recent "healing boom" in Japan and the simple, modern designs in Europe, promotions, advertisements and/or graphic tools of trendy shops are using a homemade feeling in graphic design. Featuring many examples of "handmade elements" —designs that look as if they are hand drawn; homey collages with photographs, papers, and fabrics; warm and cozy designs with handwritten fonts or typographic letters; and old and weathered designs using rustic effects—By Hand is loaded with designs for posters, direct mails, flyers, shop tools, and more.
Graphic Design and Typography
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one(...)
Philippe Chancel: desert spirit
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one air-conditioned space to another, from apartment to limousine, from limousine to shopping mall, from shopping mall to theme park, Chancel found irresistible pictures to take at every turn. Under his gaze, the United Arab Emirates is laid bare as the realization of the consumer society ideal, in which humans exist in a wholly manmade domain. With his characteristic frontal, distanced framing, devoid of judgment and emotion, Chancel portrays a country that is at once baffling and fascinating.
Photography monographs
books
onestar press Fälth & Hässler 2008
books
onestar press Fälth & Hässler 2008
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"Room for thought" is an illuminating collection of twenty-one essays by Avi Friedman. The essays are about the points where design touches life and the big and small things that make us appreciate, or become disconnected from, our homes and neighborhoods. Drawing on his experiences as an architect, planner, world traveler, and educator, Friedman delves into issues(...)
Room for thought : rethinking home and community design
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"Room for thought" is an illuminating collection of twenty-one essays by Avi Friedman. The essays are about the points where design touches life and the big and small things that make us appreciate, or become disconnected from, our homes and neighborhoods. Drawing on his experiences as an architect, planner, world traveler, and educator, Friedman delves into issues such as the North American obsession with monster homes, the impact of scale on the feeling of comfort in our communities, environmental concerns such as deforestation, innovative recycling methods in building materials, the booming do-it-yourself industry, the decline of craftsmanship, and the role of good design in bringing families together. Written with Friedman's trademark flair, "Room for thought" offers a compelling vision of the influence of design on our everyday lives from one of the world's most innovative thinkers.
Architectural Theory
Imperfect solidarities
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Can empathy deliver political change? Does art that elicits emotional identification with others take us where we need to go? In ''Imperfect Solidarities'', writer and art historian Aruna D’Souza offers observations pulled from current events as well as contemporary art that suggest that a feeling of understanding or closeness based on emotion is an imperfect ground for(...)
Imperfect solidarities
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Can empathy deliver political change? Does art that elicits emotional identification with others take us where we need to go? In ''Imperfect Solidarities'', writer and art historian Aruna D’Souza offers observations pulled from current events as well as contemporary art that suggest that a feeling of understanding or closeness based on emotion is an imperfect ground for solidarity. Empathy—and its correlate, love—is a distraction from the hard work that needs to be done to achieve justice. Rather, D’Souza contends, we need to imagine a form of political solidarity that is not based on empathy, but on the much more difficult obligation of care. When we can respect the unknowability of the other and still care for and with them, without translating ourselves into their terms, perhaps we will fare better at building political bridges.
Art Theory
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably(...)
gruppo A12: N33° 51.917' E130° 47.808'
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'Feeling of uselessness: what are we doing here? We just walk around, take pictures randomly, try to get an image of the place where we are staying: but we seem to be lacking the whole meaning of it. The idea of making a map (not 'mapping', which seems to have been an infectious term in esthetical practices throughout the last ten years) was happily adopted, but probably not sufficiently questioned before coming here. Maps are everywhere in Kitakyushu; we cannot avoid coming across them constantly, so the whole trick of imitating ancient explorers and geographers has soon vanished. We are experimenting while doing. The final result, if there will be any, will address issues of representation: it will be unfinished, rough and raw. We should go farther. Maybe the ones, who will come after us, can do so.'
Contemporary Art Monographs
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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the(...)
Landscape Architecture, Monographs
September 2008, Rotterdam
Michael Van Gessel: Landscape Architect: Invisible work
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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the design." Accordingly, van Gessel embraces a diversity of projects, from private gardens to urban planning. He supervised the renovation of Amsterdam's Vondel Park, drew up the master plan to restore the landscaping around Utretch's Castle De Haar and managed to integrate the inner courtyards of the Ministry of Agriculture in The Hague into the urban fabric. This comprehensive volume places van Gessel's myriad approaches into context and illuminates his pivotal role in the formation of contemporary Dutch landscape architecture.
Landscape Architecture, Monographs
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'',(...)
Trust: Building on the cultural commons
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'', featuring drawings by Karina Beumer (born 1988), sociologist of art and cultural politics Pascal Gielen (born 1970) highlights the crucial role played by the cultural commons, shared "common" life and its customs, practices, knowledge and values. Trust is, after all, a matter of culture, of feeling and even of aesthetics. Broad societal trust begins with sharing vulnerabilities, and the commons, according to Gielen, provides space for that—breathing space and experimental space. How could a society and a policy further build on this?
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