373 Results
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books
books
Title:
Ant Farm 1968-1978
Ant Farm 1968-1978
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Price:
$7.99
(available to order)
Summary:
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring(...)
$7.99
(available to order)
Summary:
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring(...)
Subject:
sale books
sale books
Publication:
February 2004, Berkeley
February 2004, Berkeley
Title:
Ant Farm 1968-1978
Actions:
Price:
$7.99
(available to order)
Summary:
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy. Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power. Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise.
Ant Farm 1968-1978
Actions:
Price:
$7.99
(available to order)
Summary:
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy. Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power. Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise.
Form:
books
books
Publication:
February 2004, Berkeley
February 2004, Berkeley
Subject:
sale books
sale books
Form:
books
books
Price:
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the(...)
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the(...)
Title:
Erik van Egeraat associated architects : for Russia with love
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$19.95
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Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the architecture of these Eastern Europe countries, Erick van Egeraat set himself the task to develop a contemporary response to their architectural heritage. Connecting the demands of contemporary life with the quality of the historical surroundings, he defines his approach to architecture as ‘Modern Baroque’. Seeking to develop an architecture that can inspire, offering temptation as well as solace, the opportunity to work in the capital of the former USSR, and working closely together with the client, Capital Group, on a number of projects, the context of Russia today, has been proven to be completely different from previous experiences in Eastern Europe. The EEA Moscow projects seek to express a new sensuality, catering for the new lifestyle of Moscow citizen after generations of communism. The projects - housing as well as offices and entertainment- express a desire to bridge the potential gap between progress and development and the quality of historic architecture. The invitation to be part of the international competition for the extension of the Mariinsky theatre in St. Petersburg gave EEA the opportunity to further explore the possibilities of ‘Modern Baroque’. Challenged by the intricate detailing and materialization of the classical architecture of the existing theatre, and supported by extensive experience in theatre design in the UK and the Netherlands, the proposal for the Mariinsky is an example of Erick van Egeraat’s quest for contemporary architecture.
Erik van Egeraat associated architects : for Russia with love
Actions:
Price:
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the architecture of these Eastern Europe countries, Erick van Egeraat set himself the task to develop a contemporary response to their architectural heritage. Connecting the demands of contemporary life with the quality of the historical surroundings, he defines his approach to architecture as ‘Modern Baroque’. Seeking to develop an architecture that can inspire, offering temptation as well as solace, the opportunity to work in the capital of the former USSR, and working closely together with the client, Capital Group, on a number of projects, the context of Russia today, has been proven to be completely different from previous experiences in Eastern Europe. The EEA Moscow projects seek to express a new sensuality, catering for the new lifestyle of Moscow citizen after generations of communism. The projects - housing as well as offices and entertainment- express a desire to bridge the potential gap between progress and development and the quality of historic architecture. The invitation to be part of the international competition for the extension of the Mariinsky theatre in St. Petersburg gave EEA the opportunity to further explore the possibilities of ‘Modern Baroque’. Challenged by the intricate detailing and materialization of the classical architecture of the existing theatre, and supported by extensive experience in theatre design in the UK and the Netherlands, the proposal for the Mariinsky is an example of Erick van Egeraat’s quest for contemporary architecture.
Form:
books
books
Publication:
July 2003, Berlin
July 2003, Berlin
Subject:
small format
small format
Form:
books
books
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Price:
$85.95
(available in store)
Summary:
The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a(...)
$85.95
(available in store)
Summary:
The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
July 2007, Stuttgart, London
July 2007, Stuttgart, London
Title:
Gypsy architecture : house of the Roma in Eastern Europe
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Summary:
The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a remarkable architecture created by Gypsies. It seems to have been created from a dream : unreal, abstruse, and colourful, it is a composition of all the architectural styles of this world. Uninfluenced by any deeper knowledge of architectural culture, each family head chose the style, size and finishings on the basis of his own personal tastes or memories of travels, houses and things seen in other countries. The result has been the creation of bizarre and fantastic jumbles of buildings that it is hard to classify in terms of western stylistic features. Very often the houses are the result of enormous jigsaw puzzles created from an assembly of images or photographs of various different buildings, and their execution precisely follows these crazy guidelines, perhaps because they are incomprehensible to those carrying out the project. Otherwise, how could one possibly explain Indian-style roofs crowning neoclassical buildings, mansard roofs on structures of improbable style, Frenchified Chinese pagodas, heterogeneous assemblies of diverse and contrasting elements. The structures, the villas gradually soften their bizarre and fantastic imagery the closer they are built to European countries. Undoubtedly, the cultural influence of neighbouring countries already immersed in the culture and lifestyle of Europe has helped to "contaminate" the owners and bring their dwellings, the expression of their wishes, more into line with the ruling culture. What, however, remains staggering is the quality of the execution of the complex decorations, of the architectural elements and buildings that are very often contrasting, of widely differing façades surmounted by steepling roofs of no practical use whose only function is to represent, through their lack of proportion and absolute needlessness, the financial and social power of the family. Besides pieces of sculpture that are undoubtedly ritual and symbolic and originating from Indian culture, suns with spiny rays, various forms of pinnacle, geometrical moons, zoomorphic decorations,the tops of the roofs bear metalwork inscriptions giving the date of building and the name of the family or that of the wife, symbolizing a desire for display and the proclamation of ownership.
Gypsy architecture : house of the Roma in Eastern Europe
Actions:
Price:
$85.95
(available in store)
Summary:
The fact that there is Gypsy architecture may surprise quite a few people, for Gypsies are regarded as nomads who roam through the world and settle now here, now there, never stay long in one place, and consider everything that normal citizens find important to be an unreasonable restriction of their freedom. Nevertheless, in southeastern Europe, there exists a remarkable architecture created by Gypsies. It seems to have been created from a dream : unreal, abstruse, and colourful, it is a composition of all the architectural styles of this world. Uninfluenced by any deeper knowledge of architectural culture, each family head chose the style, size and finishings on the basis of his own personal tastes or memories of travels, houses and things seen in other countries. The result has been the creation of bizarre and fantastic jumbles of buildings that it is hard to classify in terms of western stylistic features. Very often the houses are the result of enormous jigsaw puzzles created from an assembly of images or photographs of various different buildings, and their execution precisely follows these crazy guidelines, perhaps because they are incomprehensible to those carrying out the project. Otherwise, how could one possibly explain Indian-style roofs crowning neoclassical buildings, mansard roofs on structures of improbable style, Frenchified Chinese pagodas, heterogeneous assemblies of diverse and contrasting elements. The structures, the villas gradually soften their bizarre and fantastic imagery the closer they are built to European countries. Undoubtedly, the cultural influence of neighbouring countries already immersed in the culture and lifestyle of Europe has helped to "contaminate" the owners and bring their dwellings, the expression of their wishes, more into line with the ruling culture. What, however, remains staggering is the quality of the execution of the complex decorations, of the architectural elements and buildings that are very often contrasting, of widely differing façades surmounted by steepling roofs of no practical use whose only function is to represent, through their lack of proportion and absolute needlessness, the financial and social power of the family. Besides pieces of sculpture that are undoubtedly ritual and symbolic and originating from Indian culture, suns with spiny rays, various forms of pinnacle, geometrical moons, zoomorphic decorations,the tops of the roofs bear metalwork inscriptions giving the date of building and the name of the family or that of the wife, symbolizing a desire for display and the proclamation of ownership.
Form:
books
books
Publication:
July 2007, Stuttgart, London
July 2007, Stuttgart, London
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
