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Après avoir exploré les méandres de la violence interpersonnelle dans notre dernier numéro, Violence Psycho, nous abordons ici même les effets de la violence dans le contexte d'une mondialisation galopante. Violence sans fin, violence sans frontières, l'aspect illimité de la chose est flagrant. Et même, pourrait-on dire, plus il y a de mondialisation, plus il y a de(...)
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Après avoir exploré les méandres de la violence interpersonnelle dans notre dernier numéro, Violence Psycho, nous abordons ici même les effets de la violence dans le contexte d'une mondialisation galopante. Violence sans fin, violence sans frontières, l'aspect illimité de la chose est flagrant. Et même, pourrait-on dire, plus il y a de mondialisation, plus il y a de(...)
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Parachute 124 : violence unlimited
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Après avoir exploré les méandres de la violence interpersonnelle dans notre dernier numéro, Violence Psycho, nous abordons ici même les effets de la violence dans le contexte d'une mondialisation galopante. Violence sans fin, violence sans frontières, l'aspect illimité de la chose est flagrant. Et même, pourrait-on dire, plus il y a de mondialisation, plus il y a de violence. On peut se demander pourquoi, en chercher les fondements, rationaliser la chose, il reste que la violence tient de l'irrationnel, de la démesure et de la folie collective, à toutes fins utiles. // After having explored the meanders of interpersonal violence in the previous issue, Violence Psycho, we now focus our attention on the effects of violence in the alarmingly unbounded context of globalization. Violence without end, violence without borders; the unlimited aspect of the phenomenon is flagrant. One could say that the more globalization makes itself manifest, the more violence appears. Also, one could ponder on the reasons for this and attempt to comprehend the underpinnings of such violence and rationalize it; the fact remains: violence stems from an irrational source, from collective folly and excess, for all intents and purposes. Textes de / texts by : Slavoj Zizek, Frédéric Maufras, Guitemie Maldonado, Nicolas Exertier, Derek Conrad Murray, Kinga Araya, Rana Dasgupta, Mariella Pandolfi + Chowra Makaremi.
Parachute 124 : violence unlimited
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Après avoir exploré les méandres de la violence interpersonnelle dans notre dernier numéro, Violence Psycho, nous abordons ici même les effets de la violence dans le contexte d'une mondialisation galopante. Violence sans fin, violence sans frontières, l'aspect illimité de la chose est flagrant. Et même, pourrait-on dire, plus il y a de mondialisation, plus il y a de violence. On peut se demander pourquoi, en chercher les fondements, rationaliser la chose, il reste que la violence tient de l'irrationnel, de la démesure et de la folie collective, à toutes fins utiles. // After having explored the meanders of interpersonal violence in the previous issue, Violence Psycho, we now focus our attention on the effects of violence in the alarmingly unbounded context of globalization. Violence without end, violence without borders; the unlimited aspect of the phenomenon is flagrant. One could say that the more globalization makes itself manifest, the more violence appears. Also, one could ponder on the reasons for this and attempt to comprehend the underpinnings of such violence and rationalize it; the fact remains: violence stems from an irrational source, from collective folly and excess, for all intents and purposes. Textes de / texts by : Slavoj Zizek, Frédéric Maufras, Guitemie Maldonado, Nicolas Exertier, Derek Conrad Murray, Kinga Araya, Rana Dasgupta, Mariella Pandolfi + Chowra Makaremi.
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October 2006, Montréal
October 2006, Montréal
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Forensic Architecture Goldsmiths, University of London 2021
Forensic Architecture Goldsmiths, University of London 2021
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Forensic Architecture Goldsmiths, University of London 2021
Forensic Architecture Goldsmiths, University of London 2021
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European Center for Constitutional and Human Rights Akademie der Künste 2019
European Center for Constitutional and Human Rights Akademie der Künste 2019
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European Center for Constitutional and Human Rights Akademie der Künste 2019
European Center for Constitutional and Human Rights Akademie der Künste 2019
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L’Internationale Online 2024
L’Internationale Online 2024
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L’Internationale Online 2024
L’Internationale Online 2024
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The Avery Review 2022
The Avery Review 2022
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The Avery Review 2022
The Avery Review 2022
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Forensic Architecture Goldsmiths, University of London Forensic Oceanography 2017
Forensic Architecture Goldsmiths, University of London Forensic Oceanography 2017
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Forensic Architecture Goldsmiths, University of London Forensic Oceanography 2017
Forensic Architecture Goldsmiths, University of London Forensic Oceanography 2017
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Cincinnati : Punctum Books, 2013 ; North Charleston : CreateSpace Independent Publishing Platform [distributor]
Cincinnati : Punctum Books, 2013 ; North Charleston : CreateSpace Independent Publishing Platform [distributor]
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Cincinnati : Punctum Books, 2013 ; North Charleston : CreateSpace Independent Publishing Platform [distributor]
Cincinnati : Punctum Books, 2013 ; North Charleston : CreateSpace Independent Publishing Platform [distributor]
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Text(e)s sur/ on : Franko B., David Cronenberg, Bruno Dumont, Philippe Grandrieux, Michael Haneke, Maria Marshall, Paul McCarthy, Shahryar Nashat, Orlan, Gina Pane, … Par / by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernest Joos, Thomas Y. Levin, Thérèse St-Gelais, Giovanna Zapperi … '' Comment aborder le problème de la violence dans le monde quand on est(...)
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Text(e)s sur/ on : Franko B., David Cronenberg, Bruno Dumont, Philippe Grandrieux, Michael Haneke, Maria Marshall, Paul McCarthy, Shahryar Nashat, Orlan, Gina Pane, … Par / by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernest Joos, Thomas Y. Levin, Thérèse St-Gelais, Giovanna Zapperi … '' Comment aborder le problème de la violence dans le monde quand on est(...)
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Parachute 123 : violence , psycho ,
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Text(e)s sur/ on : Franko B., David Cronenberg, Bruno Dumont, Philippe Grandrieux, Michael Haneke, Maria Marshall, Paul McCarthy, Shahryar Nashat, Orlan, Gina Pane, … Par / by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernest Joos, Thomas Y. Levin, Thérèse St-Gelais, Giovanna Zapperi … '' Comment aborder le problème de la violence dans le monde quand on est artiste ? Est-ce que la violence est innommable, intraitable ? Le cinéma ou les médias nous la montrent pourtant à profusion : guerre, sexes, criminalité, tortures psychologiques et physiques. Quand est-il de la question de la représentation quand il s'agit de violence. La montrer, est-ce la recréer ou l'encourager ? Les pratiques artistiques des dernières années abordent la violence en photographie et en vidéo par exemple. L'exacerbation de la violence et sa propagation par les images provoquent des questionnements inédits. Retrouve-t-on ce questionnement en art contemporain ? Comment se montre-t-il ? Quelles formes prend-il ? /// How do artists broach the question of violence in the contemporary world? Is violence unutterable, untouchable? Cinema and the media do not cease to showcase violence in its most varied manifestations: war, sexuality, criminality, psychological and physical torture, etc. What is the status of representation when it comes to showing violence? Do representations of violent acts necessarily disseminate and recreate them? Many recent artistic practices address violence by means of photography or video. The exacerbation of violence and its dissemination by means of countless images raises new and important questions. How are such questions formulated in the field of contemporary art? How do they manifest themselves? What are their forms? '' Chantal Pontbriand.
Parachute 123 : violence , psycho ,
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Text(e)s sur/ on : Franko B., David Cronenberg, Bruno Dumont, Philippe Grandrieux, Michael Haneke, Maria Marshall, Paul McCarthy, Shahryar Nashat, Orlan, Gina Pane, … Par / by : Christa Blümlinger, Tim Clark, Amelia Jones, Jean-Ernest Joos, Thomas Y. Levin, Thérèse St-Gelais, Giovanna Zapperi … '' Comment aborder le problème de la violence dans le monde quand on est artiste ? Est-ce que la violence est innommable, intraitable ? Le cinéma ou les médias nous la montrent pourtant à profusion : guerre, sexes, criminalité, tortures psychologiques et physiques. Quand est-il de la question de la représentation quand il s'agit de violence. La montrer, est-ce la recréer ou l'encourager ? Les pratiques artistiques des dernières années abordent la violence en photographie et en vidéo par exemple. L'exacerbation de la violence et sa propagation par les images provoquent des questionnements inédits. Retrouve-t-on ce questionnement en art contemporain ? Comment se montre-t-il ? Quelles formes prend-il ? /// How do artists broach the question of violence in the contemporary world? Is violence unutterable, untouchable? Cinema and the media do not cease to showcase violence in its most varied manifestations: war, sexuality, criminality, psychological and physical torture, etc. What is the status of representation when it comes to showing violence? Do representations of violent acts necessarily disseminate and recreate them? Many recent artistic practices address violence by means of photography or video. The exacerbation of violence and its dissemination by means of countless images raises new and important questions. How are such questions formulated in the field of contemporary art? How do they manifest themselves? What are their forms? '' Chantal Pontbriand.
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journals and magazines
journals and magazines
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June 2006, Montréal
June 2006, Montréal
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Magazines
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Hatje Cantz 2012
Hatje Cantz 2012
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Hatje Cantz 2012
Hatje Cantz 2012
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xiii, 241 pages : illustrations ; 26 cm
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xiii, 241 pages : illustrations ; 26 cm
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New York : Princeton Architectural Press, [2015]
New York : Princeton Architectural Press, [2015]
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Slow manifesto : Lebbeus Woods blog / Clare Jacobson, editor.
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xiii, 241 pages : illustrations ; 26 cm
Slow manifesto : Lebbeus Woods blog / Clare Jacobson, editor.
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xiii, 241 pages : illustrations ; 26 cm
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New York : Princeton Architectural Press, [2015]
New York : Princeton Architectural Press, [2015]
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