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285 pages : illustrations (chiefly color), maps ; 27 cm.
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285 pages : illustrations (chiefly color), maps ; 27 cm.
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Paris : Somogy éditions d'art, [2013]
Paris : Somogy éditions d'art, [2013]
Title:
Meaux : patrimoine urbain : Île-de-France / Judith Förstel ; avec la collaboration de Louis-Marie Asselineau [and twenty-one others] ; direction de la publication, Arlette Auduc ; photographies, Stéphane Asseline, Jean-Bernard Vialles, avec la collaboration de Yvan Bourhis, Laurent Delage ; dessins et cartographie, Diane Bétored, Sharareh Rezaï Amin, avec la collaboration de Frédéric Barenghi [and six others].
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285 pages : illustrations (chiefly color), maps ; 27 cm.
Meaux : patrimoine urbain : Île-de-France / Judith Förstel ; avec la collaboration de Louis-Marie Asselineau [and twenty-one others] ; direction de la publication, Arlette Auduc ; photographies, Stéphane Asseline, Jean-Bernard Vialles, avec la collaboration de Yvan Bourhis, Laurent Delage ; dessins et cartographie, Diane Bétored, Sharareh Rezaï Amin, avec la collaboration de Frédéric Barenghi [and six others].
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285 pages : illustrations (chiefly color), maps ; 27 cm.
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books
books
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Paris : Somogy éditions d'art, [2013]
Paris : Somogy éditions d'art, [2013]
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$16.95
(available to order)
Summary:
This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty(...)
$16.95
(available to order)
Summary:
This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty(...)
Title:
Inside the Getty : the fascinating story of the Getty - its origins and programs, two campuses, art and architecture, and inner workings
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$16.95
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Summary:
This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty Conservation Institute to the worldwide philanthropy of the Getty Foundation; and from the public places and programs of the J. Paul Getty Trust to the secret spaces and stories of this landmark organization.
Inside the Getty : the fascinating story of the Getty - its origins and programs, two campuses, art and architecture, and inner workings
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$16.95
(available to order)
Summary:
This publication takes readers on a tour from J. Paul Getty's original museum in his home near Malibu to the seemingly endless corridors that run underneath the Getty Center in Los Angeles; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute; from the scientific laboratories of the Getty Conservation Institute to the worldwide philanthropy of the Getty Foundation; and from the public places and programs of the J. Paul Getty Trust to the secret spaces and stories of this landmark organization.
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books
books
Publication:
December 2008
December 2008
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
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192 pages : illustrations (some color) ; 29 cm
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192 pages : illustrations (some color) ; 29 cm
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Regensburg : Schnell & Steiner, ©1998.
Regensburg : Schnell & Steiner, ©1998.
Title:
Sehnsucht des Raumes : St. Peter und Paul in Dettingen und die Anfänge des modernen Kirchenbaus in Deutschland : Dominikus Böhm, Martin Weber, Reinhold Ewald / herausgegeben von Michael Pfeifer.
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192 pages : illustrations (some color) ; 29 cm
Sehnsucht des Raumes : St. Peter und Paul in Dettingen und die Anfänge des modernen Kirchenbaus in Deutschland : Dominikus Böhm, Martin Weber, Reinhold Ewald / herausgegeben von Michael Pfeifer.
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192 pages : illustrations (some color) ; 29 cm
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books
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Regensburg : Schnell & Steiner, ©1998.
Regensburg : Schnell & Steiner, ©1998.
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160 pages : chiefly color illustrations, with maps, plans, and facsimiles) ; 32 cm
Description:
160 pages : chiefly color illustrations, with maps, plans, and facsimiles) ; 32 cm
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[London] : Mack [2024], ©2024
[London] : Mack [2024], ©2024
Title:
Italia in miniatura / Luigi Ghirri & Ivo Rambaldi.
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160 pages : chiefly color illustrations, with maps, plans, and facsimiles) ; 32 cm
Italia in miniatura / Luigi Ghirri & Ivo Rambaldi.
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160 pages : chiefly color illustrations, with maps, plans, and facsimiles) ; 32 cm
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books
books
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[London] : Mack [2024], ©2024
[London] : Mack [2024], ©2024
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Description:
viii, 576 pages ; 25 cm
Description:
viii, 576 pages ; 25 cm
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Publication:
Toronto ; New York : Oxford University Press, 1976.
Toronto ; New York : Oxford University Press, 1976.
Title:
Colombo's Canadian references / John Robert Colombo.
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viii, 576 pages ; 25 cm
Colombo's Canadian references / John Robert Colombo.
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viii, 576 pages ; 25 cm
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books
books
Publication:
Toronto ; New York : Oxford University Press, 1976.
Toronto ; New York : Oxford University Press, 1976.
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$49.95
(available to order)
Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
September 2007, Montreal Kingston
September 2007, Montreal Kingston
Title:
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
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books
books
Publication:
September 2007, Montreal Kingston
September 2007, Montreal Kingston
Subject:
Architecture in Canada
Architecture in Canada
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audio
audio
Title:
Always a Floor.
Always a Floor.
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1 online resource.
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Publication:
[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
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audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
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audio
audio
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1 online resource.
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[Place of publication not identified] : Site Visit, 2017.
[Place of publication not identified] : Site Visit, 2017.
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audio
audio
Publication:
[Place of publication not identified] : Site Visit, 2017.
[Place of publication not identified] : Site Visit, 2017.
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books
books
Title:
Murder / Guillaume Simoneau.
Murder / Guillaume Simoneau.
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1 volume (unpaged) : illustrations (chiefly color) ; 32 cm + 1 booklet (7 unnumbered pages ; 29 cm)
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1 volume (unpaged) : illustrations (chiefly color) ; 32 cm + 1 booklet (7 unnumbered pages ; 29 cm)
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[Place of publication not identified] : Mack, [2019], ©2019
[Place of publication not identified] : Mack, [2019], ©2019
Title:
Murder / Guillaume Simoneau.
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1 volume (unpaged) : illustrations (chiefly color) ; 32 cm + 1 booklet (7 unnumbered pages ; 29 cm)
Murder / Guillaume Simoneau.
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1 volume (unpaged) : illustrations (chiefly color) ; 32 cm + 1 booklet (7 unnumbered pages ; 29 cm)
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books
books
Publication:
[Place of publication not identified] : Mack, [2019], ©2019
[Place of publication not identified] : Mack, [2019], ©2019
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books
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114 pages : illustrations (some color) ; 18 cm.
Description:
114 pages : illustrations (some color) ; 18 cm.
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Publication:
Humlebæk, Denmark : Louisiana Museum of Modern Art, ©2003.
Humlebæk, Denmark : Louisiana Museum of Modern Art, ©2003.
Title:
Renzo Piano Building Workshop.
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Description:
114 pages : illustrations (some color) ; 18 cm.
Renzo Piano Building Workshop.
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Description:
114 pages : illustrations (some color) ; 18 cm.
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books
books
Publication:
Humlebæk, Denmark : Louisiana Museum of Modern Art, ©2003.
Humlebæk, Denmark : Louisiana Museum of Modern Art, ©2003.
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