Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely(...)
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely celebrated “Bird’s Nest” Beijing National Stadium, a collaboration between Ai and the Swiss architecture firm Herzog & de Meuron that was constructed for the 2008 Olympic Games. Another feature is a new work based on a project titled “Ordos 10” for which Ai invited 100 young architectural firms worldwide to design single-family houses for Ordos City in Inner Mongolia. An essay in the catalogue examines the role of architecture in relation to Ai’s political activities, an issue of particular relevance since his arrest and conditional release in 2011.
Contemporary Art Monographs
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101 Things that Open and Close the City. 50 leading experts provide tools for analyzing how the Open City is made and unmade. Urban History 101 teaches us that the built environment is not the product of invisible, uncontrollable market forces, but of human-made tools that could have been used differently (or not at all). The Arsenal of Exclusion & Inclusion is an(...)
Arsenal of exclusion/inclusion: 101 things that open and close the city
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101 Things that Open and Close the City. 50 leading experts provide tools for analyzing how the Open City is made and unmade. Urban History 101 teaches us that the built environment is not the product of invisible, uncontrollable market forces, but of human-made tools that could have been used differently (or not at all). The Arsenal of Exclusion & Inclusion is an encyclopedia of the human-made tools used by architects, planners, policy-makers, developers, real estate brokers, activists, and other urban actors in the United States to restrict or increase access to the spaces of our cities and suburbs. The Arsenal of Exclusion & Inclusion inventories these tools—or what we call weapons—examines how they have been used, and speculates about how they might be deployed (or retired) to make more open cities in which more people feel welcome in more spaces.
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Designers and architects have to make decisions regarding color every day. But how does one find the necessary inspiration? The appropriate color? How do other designers and artists deal with the issue? With "Chroma," the Greek word for color, as its title, this illustrated book provides answers to these questions and makes it clear that color is much more than mere(...)
Chroma design architecture & art in color
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Designers and architects have to make decisions regarding color every day. But how does one find the necessary inspiration? The appropriate color? How do other designers and artists deal with the issue? With "Chroma," the Greek word for color, as its title, this illustrated book provides answers to these questions and makes it clear that color is much more than mere decoration – it is one of the central problems of creative work. In the process, "Chroma" embraces the sensuous experience of color, inspiring and seducing the reader with unusual projects, from industrial products to color field painting. The book presents works by younger designers like Stefan Diez and Arik Levy as well as famous artists like Ellsworth Kelly. All of the works are presented in large-scale reproductions and also in a kind of color gradient, in which they are assigned to the chapters "monochromatic," "multichromatic," and "achromatic."
Colour Theory and Design
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature(...)
October 2010
Casa Modernista: A history of the Brazil Modern house
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe’s Modern home becomes a graceful arabesque. Casa Modernista features not only the work of Niemeyer, but also that of the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.
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This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio called OAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, the activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields(...)
OAB: Carlos Ferrater and partners
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This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio called OAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, the activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields such as teaching and academic research. OAB draws on the collaborative nature of Carlos Ferrater’s previous studio, incorporating new ways of understanding the contributions of each team member to generate richer, more varied, and flexible projects. Their most relevant projects are the Beach Promenade in Benidorm, the Mandarin Hotel, the Zaragoza-Delicias Station, House A and Roca Barcelona Gallery, among many others. Recent works and projects presented by means of extensive photoreportages, plans, drawings and QR codes which link the printed matter and the digital world.
Architecture Monographs
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Across Europe, cities are rapidly changing. How to account for the requirements of culture and humanity amid urban planners' brisk intentions? Hans Venhuizen is a specialist in what he calls culture-based planning, which takes existing culture - architecture, art and the contemporary culture of an area's inhabitants - as the point of departure for planning efforts.(...)
Game urbanism : manual for cultural spatial planning
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Across Europe, cities are rapidly changing. How to account for the requirements of culture and humanity amid urban planners' brisk intentions? Hans Venhuizen is a specialist in what he calls culture-based planning, which takes existing culture - architecture, art and the contemporary culture of an area's inhabitants - as the point of departure for planning efforts. Venhuizen is well known for his use of ingenious large-scale social games to identify the culture and explore the interests at stake: one such game, called "Life, the Game," involved 20 participants in reenacting the entire life cycle. This publication presents Venhuizen's working practices and shows how they can be applied by anybody (citizens, planners, artists, architects, local authorities, administrators) working in spatial planning, architecture, community arts or other creative industries. Charles Landry, author of The Creative City (2000) and The Art of City Making (2006), contributes an introduction.
Urban Theory
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his(...)
The letters of Colin Rowe: five decades of correspondence
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Legendary architect, historian and critic, Colin Rowe was an inveterate letter writer. From his student days at Liverpool in the early 1940s until his death in Washington in 1999, he wrote innumerable letters to his parents, renowned architects and scholars, friends, colleagues and former students on both sides of the Atlantic; and most consistently and intimately to his brother, David, and sister-in-law, Dorothy, in England. Informal and elegant ruminations, they illuminate moments in Rowe's migratory life, addressing a wide range of subjects from books, furniture, landscapes, politics, history and education, to architecture and the urban condition and a host of other engaging topics. Rich with wit and an astonishing array of scholarship, each is written in the incomparable style for which Rowe has long been famous, making evident his love affair with words and revealing a man of great humour, warmth and charm.
Architectural Theory
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Log 33 delivers emerging currents and renewed interests in architectural thought. It includes a thorough examination of object-oriented philosophy: two essays offering contrasting positions on its value for the architectural discipline as well as a conversation between philosopher Graham Harman and architects Todd Gannon, David Ruy, and Tom Wiscombe. Objects are invoked(...)
Log: 33
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Log 33 delivers emerging currents and renewed interests in architectural thought. It includes a thorough examination of object-oriented philosophy: two essays offering contrasting positions on its value for the architectural discipline as well as a conversation between philosopher Graham Harman and architects Todd Gannon, David Ruy, and Tom Wiscombe. Objects are invoked throughout the issue in myriad other ways – in essays on the postcritical legacy, architecture and objecthood, shape and character, history and machines – highlighting the currency and multivalence of the term object in the discourse today. Log 33 also presents Wolfgang Schivelbusch’s “World Machines,” the new preface to his recently republished book The Railway Journey (plus an introduction to his work by Sanford Kwinter) as well as critical commentary on architectural events from around the world, essays on urban noise and architectural acoustics, new explorations of the architect’s hand in drawing, and more.
Magazines
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Between 1998 and 2005, the Structural Engineers Association of New York, along with the Museum of Modern Art's Department of Architecture and Design and the School of Architecture at both Princeton University and MIT, co-sponsored a lecture series in honor of the renowned Spanish and Mexican structural engineer Felix Candela, who led the early exploration of concrete(...)
Seven structural engineers: the Felix Candela lectures
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Between 1998 and 2005, the Structural Engineers Association of New York, along with the Museum of Modern Art's Department of Architecture and Design and the School of Architecture at both Princeton University and MIT, co-sponsored a lecture series in honor of the renowned Spanish and Mexican structural engineer Felix Candela, who led the early exploration of concrete shell structures. These lectures are now available in the format of this book: discussed is the work of the Uruguayan engineer Eladio Dieste, who pioneered the use of thin, light-filled shell structures in masonry. Cecil Balmond recounts his collaboration with architects Rem Koolhaas and Daniel Libeskind. The Swiss bridge designer Christian Menn discusses his iconic long-span prestressed concrete bridges, including the new Charles River Bridge in Boston. Leslie E. Robertson, who is especially known for his work on the structural design of the World Trade Center complex with Minoru Yamasaki, discusses this design along with many other projects. Mamoru Kawaguchi recounts his own work in fabric structures and his collaboration with architects Kenzo Tange and Arata Isozaki. Joerg Schlaich talks about his creative collaboration with Frank Gehry. Heinz Isler's contribution is in the aerea of freeform concrete shell constructions. David Billington and Maria Garlock recount the work of master builders Anton Tedesko, Pier Luigi Nervi, Felix Candela, and Heinz Isler.
Engineering Structures
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After a century largely dominated by discussions of space and form, there is now renewed interest in the material and tectonic aspects of architecture. This illustrated book takes a detailed and timely look at the importance of materials in architecture, focusing particularly on modern and contemporary buildings. Richard Weston begins with a brief cultural history of(...)
Materials, form and architecture
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After a century largely dominated by discussions of space and form, there is now renewed interest in the material and tectonic aspects of architecture. This illustrated book takes a detailed and timely look at the importance of materials in architecture, focusing particularly on modern and contemporary buildings. Richard Weston begins with a brief cultural history of major building materials--such as timber, earth, stone, steel, and glass--exploring how they have been produced, considered, worked, and used in a variety of buildings and cultures. He then explores the ways that architects, theorists, and critics have articulated the relationship between materials and architectural forms and spaces throughout modern history. Other featured topics include the importance of place, time, junctions, finish, and meaning; the proposition that in an increasingly global and virtual world, many architects emphasize the material qualities of buildings to ensure a heightened sense of reality; and a comprehensive survey of current and prospective developments in materials, from refinements of such familiar materials as fiber-reinforced concrete and “intelligent” glass to new synthetic compounds and working methods. Together, these varied perspectives on the material art of building offer insights into the impact that the type and treatment of materials has on how buildings can be constructed and designed, how they function, and how they fare over time.
Materials and Lighting