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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two(...)
Contemporary Art Monographs
December 2025
Liam Gillick: A variable quantifier. Fogo Island Arts
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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two separate films that make use of the same footage. In "Variability quantified" we hear Nobel Prize winning climatologist Syukuro Manabe explaining the science of global heating and his pioneering work modeling earth’s climate in the 1960s. In "Quantified variability" the artist dramatically altered the natural colors in the footage and set it to a layered soundtrack of automated industrial production. This book is a record of the two films alongside a discussion with art historian Tom McDonough.
Contemporary Art Monographs
Index architecture
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"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically(...)
Architectural Theory
May 2003, Cambridge / London
Index architecture
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"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology. Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.
Architectural Theory
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Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts(...)
Architectural Drawing
September 2002, Los Angeles
Ruins of Ancient Rome : the drawings of French architects who won the Prix de Rome 1786-1924
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Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles. Drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1786 through 1924 are reproduced. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an understanding of how the modern imagination recorded and transformed ancient fragments into a modern architectural idiom.
Architectural Drawing
books
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous(...)
Graphic Design and Typography
December 2006, Zürich
Poster collection 14 : Zurich-Milano
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous Kunstgewerbeschule Zürich. Supplied with a type of education that was not available in Italy at the time, Swiss graphic artists encountered an optimistic and undogmatic attitude that was inspiring and new. Italy’s path to a widely admired form of visual communication was marked by a profound transalpine dialogue and earned Milan a reputation as a city for which it was worth leaving behind one’s homeland. The publication includes such icons of the history of poster design as Max Huber and Walter Ballmer.
books
December 2006, Zürich
Graphic Design and Typography
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
November 2019
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a(...)
Art and the city : civic imagination and cultural authority in Los Angeles
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II.
Urban Theory
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house(...)
Archphoto 2.0 03: Holiday Houses
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house and can very well use a rental house for this purpose. And not even any house at that, but the result of a project of education to modernity like the one developed by philosopher Alain de Botton who asked celebrated and less known architects to address the issue of home-living in different locations in Great Britain. An interesting project in its attempt to establish a “modern” collective conscience although conflicting in its fluctuating between vernacular cottages and more contemporary designs.
Magazines
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the(...)
Oxford: a living history of English architecture
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the focus is on architectural detail, Rice also describes how the city has been shaped by its history, most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands. More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today's streets, lanes, parks and meadows.
History until 1900
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Half of the world’s population currently lives in cities, and within two decades, this figure will increase to 60 per cent. For many, cities offer the opportunity for work and income, education and better living conditions. Cities are also the sites of extraordinary inequality, hosting extremes of wealth and poverty side by side. "Cities in Transition" takes stock of(...)
Cities in transition: power, environment and society
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Half of the world’s population currently lives in cities, and within two decades, this figure will increase to 60 per cent. For many, cities offer the opportunity for work and income, education and better living conditions. Cities are also the sites of extraordinary inequality, hosting extremes of wealth and poverty side by side. "Cities in Transition" takes stock of these developments and our global urban future, investigating recent political and economic developments in North America, South America, Europe, South Africa and China. This volume features contributions from 30 experts in the field, including Saskia Sassen, Fulong Wu, M. Christine Boyer, Vittorio Lampugnani, Eric Swyngedouw, Marc Angélil, Joan Busquets, David Grahame Shane, George Baird and many others. "Cities in Transition" concludes with recent urban developments in China, an accelerated test case offering intriguing insights into the future of global urbanization.
Urban Theory
Dutch design a history
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Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about(...)
Dutch design a history
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Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Design, Periods and Styles