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$99.99
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
Publication:
June 1996, Cambridge, Mass.
June 1996, Cambridge, Mass.
Title:
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
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books
books
Publication:
June 1996, Cambridge, Mass.
June 1996, Cambridge, Mass.
Form:
books
books
Title:
The new downtown library
The new downtown library
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$45.00
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Summary:
The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not(...)
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
January 2007, Minneapolis / London
January 2007, Minneapolis / London
Title:
The new downtown library
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not changed over the years, the processes by which they accomplish these goals have. These new processes, and the public debates surrounding them, have radically influenced the utility and design of new library buildings. In The New Downtown Library, Shannon Mattern draws on a diverse range of sources to investigate how libraries serve as multiuse public spaces, anchors in urban redevelopment, civic icons, and showcases of renowned architects like Rem Koolhaas, Cesar Pelli, and Enrique Norton. Mattern’s clear and careful analysis reveals the complexity of contemporary dialogues in library design, highlighting the roles that staff, the public, and other special interest groups play. Mattern also describes how the libraries manifest changing demographics, new ways of organizing collections and delivering media, and current philosophies of librarianship. By identifying unifying themes as well as examining the differences among various design projects, Mattern brings to light the social forces, as well as their architectural expressions, that form the essence of new libraries and their vital place in public life. Featured libraries are located in Brooklyn, Cincinnati, Cleveland, Chicago, Denver, Los Angeles, Minneapolis, Nashville, New York, Phoenix, Salt Lake City, San Antonio, San Francisco, Seattle, and Toledo.
The new downtown library
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The past twenty years have seen a building boom for downtown public libraries. From Brooklyn to Seattle, architects, civic leaders, and citizens in major U.S. cities have worked to reassert the relevance of the central library. While the libraries’ primary functions—as public spaces where information is gathered, organized, preserved, and made available for use—have not changed over the years, the processes by which they accomplish these goals have. These new processes, and the public debates surrounding them, have radically influenced the utility and design of new library buildings. In The New Downtown Library, Shannon Mattern draws on a diverse range of sources to investigate how libraries serve as multiuse public spaces, anchors in urban redevelopment, civic icons, and showcases of renowned architects like Rem Koolhaas, Cesar Pelli, and Enrique Norton. Mattern’s clear and careful analysis reveals the complexity of contemporary dialogues in library design, highlighting the roles that staff, the public, and other special interest groups play. Mattern also describes how the libraries manifest changing demographics, new ways of organizing collections and delivering media, and current philosophies of librarianship. By identifying unifying themes as well as examining the differences among various design projects, Mattern brings to light the social forces, as well as their architectural expressions, that form the essence of new libraries and their vital place in public life. Featured libraries are located in Brooklyn, Cincinnati, Cleveland, Chicago, Denver, Los Angeles, Minneapolis, Nashville, New York, Phoenix, Salt Lake City, San Antonio, San Francisco, Seattle, and Toledo.
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books
books
Publication:
January 2007, Minneapolis / London
January 2007, Minneapolis / London
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$127.50
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Summary:
Sebastiano Serlio (1475-1554) was the most important architectural writer and theorist of the sixteenth century; despite this, his writings have been virtually inaccessible until now. This translation of Serlio's five-volume treatise--he died before publishing two further volumes--replaces the only other English version, one that was produced in 1611 from an inaccurate(...)
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Sebastiano Serlio (1475-1554) was the most important architectural writer and theorist of the sixteenth century; despite this, his writings have been virtually inaccessible until now. This translation of Serlio's five-volume treatise--he died before publishing two further volumes--replaces the only other English version, one that was produced in 1611 from an inaccurate(...)
Title:
Sebastiano Serlio on architecture : volume one
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Sebastiano Serlio (1475-1554) was the most important architectural writer and theorist of the sixteenth century; despite this, his writings have been virtually inaccessible until now. This translation of Serlio's five-volume treatise--he died before publishing two further volumes--replaces the only other English version, one that was produced in 1611 from an inaccurate Dutch translation of the Italian original. Vaughan Hart and Peter Hicks, working directly from Serlio's own corrected editions, here provide new access to his highly influential treatise. Serlio introduced northern Europe to the principles of classical design. When Christopher Wren was building St. Paul's Cathedral and when John Wood designed the streets of Bath, for example, both architects had Serlio's books on hand. Serlio begins with the rules of geometry and perspective, and continues with a description of the ornamental splendor of the baths, temples, arches, and palaces of ancient Rome. He includes advice on how to incorporate classical features into interior designs. In an innovative discussion of Tuscan, Doric, Ionic, and Corinthian columns, to which he added Composite, Serlio established a canon of Five Orders that held authority for over a century. He illustrates the use of these orders in twelve temple designs. Serlio's attempt to codify the rules of a design language that utilized tradition while facilitating invention mirrors similar efforts by architects in the twentieth century to establish an architectural order through rules governing proportion and form. Serlio's beautiful woodcut illustrations are reproduced in this edition, which also includes a thorough introduction, commentary, and glossary of terms.
Sebastiano Serlio on architecture : volume one
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$127.50
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Sebastiano Serlio (1475-1554) was the most important architectural writer and theorist of the sixteenth century; despite this, his writings have been virtually inaccessible until now. This translation of Serlio's five-volume treatise--he died before publishing two further volumes--replaces the only other English version, one that was produced in 1611 from an inaccurate Dutch translation of the Italian original. Vaughan Hart and Peter Hicks, working directly from Serlio's own corrected editions, here provide new access to his highly influential treatise. Serlio introduced northern Europe to the principles of classical design. When Christopher Wren was building St. Paul's Cathedral and when John Wood designed the streets of Bath, for example, both architects had Serlio's books on hand. Serlio begins with the rules of geometry and perspective, and continues with a description of the ornamental splendor of the baths, temples, arches, and palaces of ancient Rome. He includes advice on how to incorporate classical features into interior designs. In an innovative discussion of Tuscan, Doric, Ionic, and Corinthian columns, to which he added Composite, Serlio established a canon of Five Orders that held authority for over a century. He illustrates the use of these orders in twelve temple designs. Serlio's attempt to codify the rules of a design language that utilized tradition while facilitating invention mirrors similar efforts by architects in the twentieth century to establish an architectural order through rules governing proportion and form. Serlio's beautiful woodcut illustrations are reproduced in this edition, which also includes a thorough introduction, commentary, and glossary of terms.
Form:
books
books
Publication:
October 1996, New Haven
October 1996, New Haven
Subject:
Treatises
Treatises
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books
books
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Description:
160 pages : illustrations (chiefly color) ; 23 cm
Description:
160 pages : illustrations (chiefly color) ; 23 cm
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Publication:
Paris : Éditions Hazan, [2015]
Paris : Éditions Hazan, [2015]
Title:
Le Corbusier, le jeu du dessin = Le Corbusier, Zeichnen als Spiel / les auteurs, Tim Benton [and 15 others].
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Description:
160 pages : illustrations (chiefly color) ; 23 cm
Le Corbusier, le jeu du dessin = Le Corbusier, Zeichnen als Spiel / les auteurs, Tim Benton [and 15 others].
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Description:
160 pages : illustrations (chiefly color) ; 23 cm
Form:
books
books
Publication:
Paris : Éditions Hazan, [2015]
Paris : Éditions Hazan, [2015]
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books
books
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$46.95
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Summary:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the(...)
$46.95
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Summary:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the(...)
Title:
Uncertainty : Experiments in making from the Chinese countryside
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Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardized mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanizing transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language- these remote areas speak their own dialects- has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.
Uncertainty : Experiments in making from the Chinese countryside
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$46.95
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Summary:
Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardized mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanizing transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language- these remote areas speak their own dialects- has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.
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books
books
Publication:
June 2022
June 2022
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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$63.95
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In his introductory essay on building in alpine areas, Otto Kapfinger brings out the common features in the architectural scenes of the two most western federal states in Austria – the Tyrol and Vorarlberg. At the same time he underlines the regional differences, considering the Rhine valley as opposed to the Inn valley. This book, written to accompany an international(...)
$63.95
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Summary:
In his introductory essay on building in alpine areas, Otto Kapfinger brings out the common features in the architectural scenes of the two most western federal states in Austria – the Tyrol and Vorarlberg. At the same time he underlines the regional differences, considering the Rhine valley as opposed to the Inn valley. This book, written to accompany an international(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
September 2003, Basel / Boston / Berlin
September 2003, Basel / Boston / Berlin
Title:
Austria West : new architecture
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In his introductory essay on building in alpine areas, Otto Kapfinger brings out the common features in the architectural scenes of the two most western federal states in Austria – the Tyrol and Vorarlberg. At the same time he underlines the regional differences, considering the Rhine valley as opposed to the Inn valley. This book, written to accompany an international travelling exhibition, documents the most important examples of the architecture of the last ten years. The publication reveals that the architecture in the Austrian region of Vorarlberg is grounded in regional tradition. In recent years it has developed towards industrial building due to the changing social and economic situation. Tyrolean architecture, on the other hand, is a rather more recent phenomenon but can also be said to have made a significant contribution to contemporary building in its own right. Architects include : Baumschlager & Eberle; Arno Bereiter; Cukrowicz & Nachbaur; Dietrich & Untertrifaller; Georg Driendl; Hugo Dworzak; Roland Gnaiger ; Gohm.Hiessberger; Henke & Schreieck; Margarethe Heubacher-Sentobe; Hermann Kaufmann; Rainer Köberl; Christian Lenz; Peter Lorenz; Manzl & Sandner; Marte & Marte; Noldin & Noldin ; Johann Obermoser; Wolfgang Pöschl; Helmut Reitter; Riccione Architekten; Wolfgang Ritsch; Hanno Schlögl; Bruno Spagolla; Steinmayr & Mascher.
Austria West : new architecture
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In his introductory essay on building in alpine areas, Otto Kapfinger brings out the common features in the architectural scenes of the two most western federal states in Austria – the Tyrol and Vorarlberg. At the same time he underlines the regional differences, considering the Rhine valley as opposed to the Inn valley. This book, written to accompany an international travelling exhibition, documents the most important examples of the architecture of the last ten years. The publication reveals that the architecture in the Austrian region of Vorarlberg is grounded in regional tradition. In recent years it has developed towards industrial building due to the changing social and economic situation. Tyrolean architecture, on the other hand, is a rather more recent phenomenon but can also be said to have made a significant contribution to contemporary building in its own right. Architects include : Baumschlager & Eberle; Arno Bereiter; Cukrowicz & Nachbaur; Dietrich & Untertrifaller; Georg Driendl; Hugo Dworzak; Roland Gnaiger ; Gohm.Hiessberger; Henke & Schreieck; Margarethe Heubacher-Sentobe; Hermann Kaufmann; Rainer Köberl; Christian Lenz; Peter Lorenz; Manzl & Sandner; Marte & Marte; Noldin & Noldin ; Johann Obermoser; Wolfgang Pöschl; Helmut Reitter; Riccione Architekten; Wolfgang Ritsch; Hanno Schlögl; Bruno Spagolla; Steinmayr & Mascher.
Form:
books
books
Publication:
September 2003, Basel / Boston / Berlin
September 2003, Basel / Boston / Berlin
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Price:
$56.00
(available to order)
Summary:
He was the most iconoclastic of architects, and at the height of his career his output of writings about architecture was as prolific and visionary as his architecture itself. Frank Lloyd Wright pioneered a bold new kind of architecture, one in which the spirit of modern man truly "lived in his buildings." "The Essential Frank Lloyd Wright" is a one-volume compendium of(...)
$56.00
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Summary:
He was the most iconoclastic of architects, and at the height of his career his output of writings about architecture was as prolific and visionary as his architecture itself. Frank Lloyd Wright pioneered a bold new kind of architecture, one in which the spirit of modern man truly "lived in his buildings." "The Essential Frank Lloyd Wright" is a one-volume compendium of(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
March 2008, Princeton, Oxford
March 2008, Princeton, Oxford
Title:
The essential Frank Lloyd Wright : critical writings on architecture
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He was the most iconoclastic of architects, and at the height of his career his output of writings about architecture was as prolific and visionary as his architecture itself. Frank Lloyd Wright pioneered a bold new kind of architecture, one in which the spirit of modern man truly "lived in his buildings." "The Essential Frank Lloyd Wright" is a one-volume compendium of Wright's most critically important - and personally revealing - writings on every conceivable aspect of his craft. Wright was perhaps the most influential and inspired architect of the twentieth century, and this is the only book that gathers all of his most significant essays, lectures, and articles on architecture. Bruce Pfeiffer includes each piece in its entirety to present the architect's writings as he originally intended them. Beginning early in Wright's career with "The Art and Craft of the Machine" in 1901, the book follows major themes through "The Disappearing City", "The Natural House", and many other writings, and ends with "A Testament" in 1957, published two years before his death. This volume is illustrated with original drawings and photographs, and is complemented by Pfeiffer's general introduction, which provides history and context.
The essential Frank Lloyd Wright : critical writings on architecture
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$56.00
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He was the most iconoclastic of architects, and at the height of his career his output of writings about architecture was as prolific and visionary as his architecture itself. Frank Lloyd Wright pioneered a bold new kind of architecture, one in which the spirit of modern man truly "lived in his buildings." "The Essential Frank Lloyd Wright" is a one-volume compendium of Wright's most critically important - and personally revealing - writings on every conceivable aspect of his craft. Wright was perhaps the most influential and inspired architect of the twentieth century, and this is the only book that gathers all of his most significant essays, lectures, and articles on architecture. Bruce Pfeiffer includes each piece in its entirety to present the architect's writings as he originally intended them. Beginning early in Wright's career with "The Art and Craft of the Machine" in 1901, the book follows major themes through "The Disappearing City", "The Natural House", and many other writings, and ends with "A Testament" in 1957, published two years before his death. This volume is illustrated with original drawings and photographs, and is complemented by Pfeiffer's general introduction, which provides history and context.
Form:
books
books
Publication:
March 2008, Princeton, Oxford
March 2008, Princeton, Oxford
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$75.99
(available to order)
Summary:
In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape(...)
$75.99
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Summary:
In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape(...)
Title:
A genius for place: American landscapes of the country place era
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In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape design based on the principles of the English Picturesque which also emphasized a specifically American experience of nature and scenery. After Olmsted's retirement in 1897, these precepts continued to ground a new generation of American landscape architects through the next four decades, a period known as the “country place era,” a time of rapid economic, social, and cultural change. The chapters in this book trace a progression in the period from the naturalistic wild gardens of Warren Manning to the mysterious “Prairie style” landscapes of Jens Jensen to the proto-modernist gardens of Fletcher Steele. Other practitioners cov ered are Charles Platt, Ellen Biddle Shipman, Beatrix Farrand, Marian Coffin, and Lockwood de Forest Jr. The projects profiled follow a broad geographic arc, from Stockbridge, Massachusetts, to Santa Barbara, California. All seven landscapes are now open to visitors.
A genius for place: American landscapes of the country place era
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$75.99
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Summary:
In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape design based on the principles of the English Picturesque which also emphasized a specifically American experience of nature and scenery. After Olmsted's retirement in 1897, these precepts continued to ground a new generation of American landscape architects through the next four decades, a period known as the “country place era,” a time of rapid economic, social, and cultural change. The chapters in this book trace a progression in the period from the naturalistic wild gardens of Warren Manning to the mysterious “Prairie style” landscapes of Jens Jensen to the proto-modernist gardens of Fletcher Steele. Other practitioners cov ered are Charles Platt, Ellen Biddle Shipman, Beatrix Farrand, Marian Coffin, and Lockwood de Forest Jr. The projects profiled follow a broad geographic arc, from Stockbridge, Massachusetts, to Santa Barbara, California. All seven landscapes are now open to visitors.
Form:
books
books
Publication:
November 2007, Amherst
November 2007, Amherst
Subject:
Gardens
Gardens
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books
books
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$60.00
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Summary:
What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the(...)
$60.00
(available to order)
Summary:
What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the(...)
Title:
The Abrams guide to American house styles
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$60.00
(available to order)
Summary:
What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the identification of house styles a breeze. Each style is described by author William Morgan, a Pulitzer Prize-nominated architectural historian, in a short historical summary, alongside a list of its distinguishing features. Multiple examples of each house style are provided - the book includes 350 houses from more than 40 states - so the reader can see the region-specific variations. Complementing the beautiful colour photographs is a selection of line drawings highlighting each style's key attributes. Both at the desk and in the field, for a wide audience of discerning house hunters, homeowners, and realtors; architects, builders, and students; and the ever-increasing public with a seemingly insatiable curiosity about residential design, this elegant, informative, portable volume will be an invaluable resource for years to come.
The Abrams guide to American house styles
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$60.00
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Summary:
What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the identification of house styles a breeze. Each style is described by author William Morgan, a Pulitzer Prize-nominated architectural historian, in a short historical summary, alongside a list of its distinguishing features. Multiple examples of each house style are provided - the book includes 350 houses from more than 40 states - so the reader can see the region-specific variations. Complementing the beautiful colour photographs is a selection of line drawings highlighting each style's key attributes. Both at the desk and in the field, for a wide audience of discerning house hunters, homeowners, and realtors; architects, builders, and students; and the ever-increasing public with a seemingly insatiable curiosity about residential design, this elegant, informative, portable volume will be an invaluable resource for years to come.
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
History until 1900
History until 1900
Form:
books
books
Title:
Robert Polidori's metropolis
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
$84.50
(available to order)
Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2004, New York
November 2004, New York
Title:
Robert Polidori's metropolis
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$84.50
(available to order)
Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Robert Polidori's metropolis
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Price:
$84.50
(available to order)
Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Photography monographs
Photography monographs
