Bit Rot: stories and essays
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose.(...)
Bit Rot: stories and essays
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$34.00
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Summary:
A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, “Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones.” "Bit Rot" the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art.
Architecture and the imaginary
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Je crois que tout ce qu'on a fait à cette époque-là a permis de montrer plein de formes de militantisme et, du coup, de rajeunir l'image du féminisme. Il y a plein de meufs qui ne supportaient pas ce qu'elles croyaient être les féministes qui se sont dit d'un coup : « Mais ça peut être ça, le féminisme, c'est chanmé, en fait je suis féministe! » En octobre 2017, dans le(...)
Féminisme et réseaux sociaux : une histoire d'amour et de haine
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Je crois que tout ce qu'on a fait à cette époque-là a permis de montrer plein de formes de militantisme et, du coup, de rajeunir l'image du féminisme. Il y a plein de meufs qui ne supportaient pas ce qu'elles croyaient être les féministes qui se sont dit d'un coup : « Mais ça peut être ça, le féminisme, c'est chanmé, en fait je suis féministe! » En octobre 2017, dans le monde entier, des millions de femmes se mettent à écrire « moi aussi ». Dénonçant ainsi les violences qui leur ont été imposées par des hommes, elles se rendent aussi visibles en tant que personnes partageant des expériences, des luttes et des espoirs communs. Ce moment marque un tournant dans l'histoire du féminisme, qui voit alors démarrer une nouvelle vague d'une grande ampleur, tout en expérimentant une nouvelle façon de s'organiser et de s'exprimer. Que s'est-il passé en France entre les mouvements féministes et Internet avant #metoo? Qu'impliquent ces nouveaux canaux, quels en sont les enjeux et les limites? Et surtout, comment éviter de s'en faire déposséder?
Social
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the(...)
Cities, museums and soft power
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the vantage point of museums and demonstrates how they are quietly changing the world. With contributions by thirteen experts from ten countries, Cities, Museums and Soft Power reveals the world’s 80,000 museums to be sleeping giants. Two major characteristics of soft power—the rise of cities and the role of civil society—are pushing museums from the margins toward the center as these institutions serve as education hubs, employers, magnets for creative industries, and engines of economic development. Meanwhile, the growth of technological networks and connectivity has enabled this soft power to spread even farther and deeper across the Internet and groups of people. Whether cozy and local or internationally renowned, museums possess a cultural strength that extends far beyond their walls.
Museology
books
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287 pages : illustrations (chiefly color), plans ; 28 cm
Zurich, Switzerland : Park Books, [2016], ©2016
Demo polis : the right to public space / edited by Barbara Hoidn ; translations, Lisa Rosenblatt, Yuma Shinohara, Wilfried Wang.
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287 pages : illustrations (chiefly color), plans ; 28 cm
books
Zurich, Switzerland : Park Books, [2016], ©2016
books
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205 pages : illustrations ; 21 cm
[Brussels, Belgium] : Impressions nouvelles, ©2010.
Paul Otlet : fondateur du Mundaneum (1868-1944) : architecte du savoir, artisan de paix / [coordination, Jacques Gillen ; avec l'aide de Stéphanie Manfroid e de Raphaèle Cornille].
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205 pages : illustrations ; 21 cm
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[Brussels, Belgium] : Impressions nouvelles, ©2010.
books
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339 pages : illustrations, facsimiles ; 25 cm
Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
Publishing manifestos : an international anthology from artists and writers / edited by Michalis Pichler.
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339 pages : illustrations, facsimiles ; 25 cm
books
Berlin : Miss Read ; Cambridge, Massachusetts : The MIT Press, [2019], ©2019
books
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75 pages ; 19 cm
Paris : ArTec ; Dijon : Les presses du réel, [2019]
L'esthétique du déplaisir / Carmelo Bene ; préface Laetitia Dumont-Lewi ; postface, Emiliano Morreale ; sous la direction de Laetitia Dumont-Lewi ; traduction par Laetitia Dumont-Lewi.
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75 pages ; 19 cm
books
Paris : ArTec ; Dijon : Les presses du réel, [2019]
$45.95
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Cell phones and E-mail, home shopping and the Internet - "old" industrial societies have been turning into globally connected information societies on the sly. At the same time, the population is tending to retreat into its own four walls. Yet - or maybe for this reason - public urban spaces are becoming more and more important, having lost none of their significance as(...)
Urban Theory
January 1900, Ostfildern-Ruit
No art = no city! : urban utopias in contemporary art
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Cell phones and E-mail, home shopping and the Internet - "old" industrial societies have been turning into globally connected information societies on the sly. At the same time, the population is tending to retreat into its own four walls. Yet - or maybe for this reason - public urban spaces are becoming more and more important, having lost none of their significance as interfaces of human communication. This catalogue is published in conjunction with the thirtieth anniversary of the Bremen program for public art. It features over thirty artists who have confronted urban and social aspects of the city and developed their own personal visions, utopias and fantasies of a life in and with the city. Artists featured: Kim Adams, Louise Bourgeois, Stephen Craig, Bogomir Ecker, Olafur Eliasson, Ayse Erkmen, Isa Genzken, Dorothee Golz, Wiebke Grösch/Frank Metzger, Hans Haacke, Rudolf Herz, Stephan Huber, Rolf Julius, Emilia und Ilya Kabakov, Andree Korpys/Markus Löffler, Mischa Kuball, Atelier Van Lieshout, M+M, Joachim Manz, Olaf Nicolai, Julian Opie, Panamarenko, Hermann Pitz, Marjetica Potrc, Tobias Rehberger, Thomas Ruff/Florian Baudrexel/Jens Ullrich, Roman Signer, Bert Theis, herman de vries, Wolfgang Winter/Berthold Hörbelt
Urban Theory
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Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship(...)
Graphic Design and Typography
September 2003, Minneapolis
Metro letters : a typeface for the Twin Cities
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Can a typeface communicate the unique character of a city? This is the question the University of Minnesota Design Institute proposed when it began the project “Typeface: Twin Cities” and commissioned six teams of talented typographers to create a custom font for Minneapolis and St. Paul. “Typeface: Twin Cities” was an experiment to further understand the relationship between typography and urban identity that sought not to brand the cities themselves but to engage the public’s awareness and appreciation of design and typography throughout the metro area. What began as an attempt to discover a subtle form of civic identity evolved into the invention of a truly unique concept. The Twin font is accompanied by a software program that can link the typeface via the Internet with live databases detailing the Twin Cities’ urban conditions—wind, temperature, traffic congestion—and these variations visibly affect the type’s appearance. "Metro Letters" recounts the complete process behind the development of a font that aims to visually represent the diversity of the Twin Cities and inspires other designers to devise their own new ideas, innovative prototypes, and creative experiments.
Graphic Design and Typography
Atlas of the senseable city
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What have smart technologies taught us about cities? What lessons can we learn from today’s urbanites to make better places to live? Antoine Picon and Carlo Ratti argue that the answers are in the maps we make. For centuries, we have relied on maps to navigate the enormity of the city. Now, as the physical world combines with the digital world, we need a new generation of(...)
Atlas of the senseable city
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$48.00
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What have smart technologies taught us about cities? What lessons can we learn from today’s urbanites to make better places to live? Antoine Picon and Carlo Ratti argue that the answers are in the maps we make. For centuries, we have relied on maps to navigate the enormity of the city. Now, as the physical world combines with the digital world, we need a new generation of maps to navigate the city of tomorrow. Pervasive sensors allow anyone to visualize cities in entirely new ways—ebbs and flows of pollution, traffic, and internet connectivity. This book explores how the growth of digital mapping, spurred by sensing technologies, is affecting cities and daily lives. It examines how new cartographic possibilities aid urban planners, technicians, politicians, and administrators; how digitally mapped cities could reveal ways to make cities smarter and more efficient; how monitoring urbanites has political and social repercussions; and how the proliferation of open-source maps and collaborative platforms can aid activists and vulnerable populations. With its beautiful, accessible presentation of cutting-edge research, this book makes it easy for readers to understand the stakes of the new information age—and appreciate the timeless power of the city.
Urban Theory