Vanishing British Columbia
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The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may(...)
Architecture in Canada
October 2005, Vancouver Toronto Seattle
Vanishing British Columbia
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$39.95
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The old buildings and historic places of British Columbia form a kind of “roadside memory,” a tangible link with stories of settlement, change, and abandonment that reflect the great themes of our history. With small towns declining and old rural properties changing, so little of the history of these places has been recorded in museums or archives, and so much of it may disappear as families disperse and memories dim. More than a decade ago, Michael Kluckner began painting these dots on his personal map of the province in a watercolour sketchbook. In 1999, after he put a few of the sketches on his website, a network of correspondents emerged that eventually led him to the family letters, photo albums, and memories – all from a disappearing era of the province. Vanishing British Columbia is a record of these places and the stories they tell. It combines engaging and insightful historical commentary with over 160 of the author’s original paintings. It has an exceptional assortment of historic imagery, including old postcards, architectural plans, and photographs. The study of roadside memory demonstrates the visceral connection that people, especially those who are part of the rural-to-urban diaspora of modern times, have for the sites of their family memories. On a grander scale this approach leads to a broader understanding of more abstract historical themes and of the province’s history and culture. It also presents a compelling argument for stewardship of regional history in the face of urbanization and globalization.
Architecture in Canada
books
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xii, 132 pages : color illustrations ; 31 cm
Salt Lake City : Gibbs Smith, 2000.
Greene & Greene : the Blacker House / Randall L. Makinson, Thomas A. Heinz ; with a photographic essay by Brad Pitt.
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xii, 132 pages : color illustrations ; 31 cm
books
Salt Lake City : Gibbs Smith, 2000.
books
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xiv, 336 pages : illustrations (some color) ; 31 cm
Washington, D.C. : American Institute of Architects Press, [1992], ©1992
The White House : the history of an American idea / William Seale.
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xiv, 336 pages : illustrations (some color) ; 31 cm
books
Washington, D.C. : American Institute of Architects Press, [1992], ©1992
books
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232 pages : illustrations (chiefly color), maps, plans ; 29 cm
London : Thames and Hudson, ©1994.
The royal palaces of India / George Michell ; photographs by Antonio Martinelli.
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232 pages : illustrations (chiefly color), maps, plans ; 29 cm
books
London : Thames and Hudson, ©1994.
books
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xiv, 401 pages : illustrations, maps, portraits ; 24 cm
New York : W. Morrow, ©1997.
Grand tours and Cooks' tours : a history of leisure travel, 1750-1915 / Lynne Withey.
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xiv, 401 pages : illustrations, maps, portraits ; 24 cm
books
New York : W. Morrow, ©1997.
$80.00
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The(...)
Intimacies: The architecture of Youssef Tohme
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$80.00
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Founded in 2008, the French-Lebanese firm of Youssef Tohme Architects and Associates has a delicate signature that takes the regional context as its starting point in developing an individual architectural language. By using a wide variety of materials that interact with the built environment, they create buildings that evolve over time alongside their inhabitants. The book documents twelve of the firm’s projects – from a single-family home to a museum, including urban interventions in Beirut, Paris, Bordeaux, Marseille, and Bucharest. The book also includes an essay that takes a comprehensive look at the working methods of this firm, focusing in particular on the dimension of time and the changes that occur as the buildings are used.
Architecture Monographs
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American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Brian Donahue addresses this modern conundrum by(...)
Slow wood: Greener building from local forests
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$42.00
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American homes are typically made of lumber and plywood delivered by a global system of ruthless extraction, or of concrete and steel, which are even worse for the planet. Wood is often the most sustainable material for building, but we need to protect diverse forests as much as we desperately need more houses. Brian Donahue addresses this modern conundrum by documenting his experiences building a timber frame home from the wood growing on his family farm, practicing “worst first” forestry. Through the stories of the trees he used (sugar maple, black cherry, black birch, and hemlock), and some he didn’t (white pine and red oak), the book also explores the history of Americans’ relationship with their forests.
Timber Construction
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The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families. Suspended shell structures, underground living rooms and luminous domes. On the Lombard plain between the Ticino valley and the industrial outskirts of Milan, ensconced amid fields of crops, lies Inveruno, home to the architecture(...)
Architecture Monographs
November 2024
Temples for Industrious Lombards : Architecture by Mario Galvagni in Inveruno
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The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families. Suspended shell structures, underground living rooms and luminous domes. On the Lombard plain between the Ticino valley and the industrial outskirts of Milan, ensconced amid fields of crops, lies Inveruno, home to the architecture of Mario Galvagni, designed between the 1960s and 1980s for local industrial families. These villas would host large dinner parties and masked balls, as captured in the photographs unearthed from Gianni Saracchi's archive. Each house is unique while still sharing something with the others: each is a temple where the industrious Lombard lives with his family and hosts fruitful business meetings.
Architecture Monographs
$72.00
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Known for his architecture, writing, and teaching, Peter Eisenman (b. 1932) has shaped the field of contemporary architecture through innovative design and thinking. His works include single-family residences such as his "House" series (1968–75) and cultural structures such as the Wexner Center for the Arts, Ohio (1989), and the Memorial to the Murdered Jews of Europe in(...)
Notes on Peter Eisenman: The gradual vanishing of architecture
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Known for his architecture, writing, and teaching, Peter Eisenman (b. 1932) has shaped the field of contemporary architecture through innovative design and thinking. His works include single-family residences such as his "House" series (1968–75) and cultural structures such as the Wexner Center for the Arts, Ohio (1989), and the Memorial to the Murdered Jews of Europe in Berlin (2005). Both his writings and his buildings have integrated architecture with philosophy in a manner that is playful and evocative. This volume brings together a distinguished group of architects and historians, teachers and students, and friends and colleagues to frame and explore Eisenman’s many extraordinary contributions to the architectural discourse and to consider his legacy.
Architecture Monographs
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began(...)
Ruth Asawa and the artist-mother at midcentury
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.
Art Theory