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Recent years have seen the creation of many new parks, gardens, forests, and valleys where modern sculpture and nature form a special bond. Designed nature serves as an inspiring setting for artworks that in turn enliven and animate the vibrant tension between the artificial and natural aspects of the grounds. This guidebook presents some eighty parks from eighteen(...)
$44.95
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Summary:
Recent years have seen the creation of many new parks, gardens, forests, and valleys where modern sculpture and nature form a special bond. Designed nature serves as an inspiring setting for artworks that in turn enliven and animate the vibrant tension between the artificial and natural aspects of the grounds. This guidebook presents some eighty parks from eighteen(...)
Subject:
Public Space
Public Space
Publication:
August 2006, Basel / Boston / Berlin
August 2006, Basel / Boston / Berlin
Title:
Sculpture parks in Europe : aguide to art and nature
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Recent years have seen the creation of many new parks, gardens, forests, and valleys where modern sculpture and nature form a special bond. Designed nature serves as an inspiring setting for artworks that in turn enliven and animate the vibrant tension between the artificial and natural aspects of the grounds. This guidebook presents some eighty parks from eighteen different European countries. Each park and the artworks in it are presented with photographs, plans, and texts. The parks include both classics like the Fondation Maeght in Saint-Paul de Vence, which attracts more than two hundred thousand visitors a year, and the Louisiana Museum in Humlebaek as well as new parks like the Europos Parkas in Vilnius, Sculpture at Schoenthal in Switzerland, and the Österreichische Skulpturenpark in Graz.
Sculpture parks in Europe : aguide to art and nature
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Recent years have seen the creation of many new parks, gardens, forests, and valleys where modern sculpture and nature form a special bond. Designed nature serves as an inspiring setting for artworks that in turn enliven and animate the vibrant tension between the artificial and natural aspects of the grounds. This guidebook presents some eighty parks from eighteen different European countries. Each park and the artworks in it are presented with photographs, plans, and texts. The parks include both classics like the Fondation Maeght in Saint-Paul de Vence, which attracts more than two hundred thousand visitors a year, and the Louisiana Museum in Humlebaek as well as new parks like the Europos Parkas in Vilnius, Sculpture at Schoenthal in Switzerland, and the Österreichische Skulpturenpark in Graz.
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books
books
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August 2006, Basel / Boston / Berlin
August 2006, Basel / Boston / Berlin
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Public Space
Public Space
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books
books
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$32.00
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Disparu en 2020 (après les morts de Roberto Magris en 2003 et Cristiano Toraldo di Francia en 2019), Adolfo Natalini datait le dénouement de « l'utopie Superstudio » à trois « fins de l'histoire » possibles : 1972-1973, après les trois expositions de New-York, Graz et Minneapolis venant clore le grand cycle de leur architecture « radicale » ; 1978, après la fin de charges(...)
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Disparu en 2020 (après les morts de Roberto Magris en 2003 et Cristiano Toraldo di Francia en 2019), Adolfo Natalini datait le dénouement de « l'utopie Superstudio » à trois « fins de l'histoire » possibles : 1972-1973, après les trois expositions de New-York, Graz et Minneapolis venant clore le grand cycle de leur architecture « radicale » ; 1978, après la fin de charges(...)
Title:
La vie secrète de Superstudio
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Disparu en 2020 (après les morts de Roberto Magris en 2003 et Cristiano Toraldo di Francia en 2019), Adolfo Natalini datait le dénouement de « l'utopie Superstudio » à trois « fins de l'histoire » possibles : 1972-1973, après les trois expositions de New-York, Graz et Minneapolis venant clore le grand cycle de leur architecture « radicale » ; 1978, après la fin de charges de cours et l'échec de Global Tools ayant mis un terme à leur « recherche sur la culture matérielle » ; puis 1986, après une agonie à petit feu, où « nous avons continué à signer du nom de Superstudio – apposé tel un label », jusqu'au moment où « nous avons décidé que le temps était venu d'y mettre un terme ». Au-delà de la légende, la « vie secrète » des membres de Superstudio devenait enfin déclassifiable.
La vie secrète de Superstudio
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Disparu en 2020 (après les morts de Roberto Magris en 2003 et Cristiano Toraldo di Francia en 2019), Adolfo Natalini datait le dénouement de « l'utopie Superstudio » à trois « fins de l'histoire » possibles : 1972-1973, après les trois expositions de New-York, Graz et Minneapolis venant clore le grand cycle de leur architecture « radicale » ; 1978, après la fin de charges de cours et l'échec de Global Tools ayant mis un terme à leur « recherche sur la culture matérielle » ; puis 1986, après une agonie à petit feu, où « nous avons continué à signer du nom de Superstudio – apposé tel un label », jusqu'au moment où « nous avons décidé que le temps était venu d'y mettre un terme ». Au-delà de la légende, la « vie secrète » des membres de Superstudio devenait enfin déclassifiable.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Materialien (J)
Materialien (J)
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$34.95
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For more than twenty years Peter Piller has been making peripheral excursions, or Peripheriewanderungen (Periphery Walks) in various European cities. In Hamburg, the Ruhr region, Bonn, Graz, and Barcelona he has explored small sections of areas marking the outer borders of urban settlement in cities and regions of varying size. In carrying out these walks Piller follows(...)
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For more than twenty years Peter Piller has been making peripheral excursions, or Peripheriewanderungen (Periphery Walks) in various European cities. In Hamburg, the Ruhr region, Bonn, Graz, and Barcelona he has explored small sections of areas marking the outer borders of urban settlement in cities and regions of varying size. In carrying out these walks Piller follows(...)
Title:
Materialien (J)
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For more than twenty years Peter Piller has been making peripheral excursions, or Peripheriewanderungen (Periphery Walks) in various European cities. In Hamburg, the Ruhr region, Bonn, Graz, and Barcelona he has explored small sections of areas marking the outer borders of urban settlement in cities and regions of varying size. In carrying out these walks Piller follows things that catch his eye as well as cues from his memory, ending his excursion once he feels unable to take in anything more. When something particularly interests him on one of his explorations, he departs from his determined routes, wanders around through the area, or even simply waits for a key moment. Archives of photographs result, which he subsequently expands upon in his studio with his Erinnerungszeichnungen (Drawings from Memory).
Materialien (J)
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For more than twenty years Peter Piller has been making peripheral excursions, or Peripheriewanderungen (Periphery Walks) in various European cities. In Hamburg, the Ruhr region, Bonn, Graz, and Barcelona he has explored small sections of areas marking the outer borders of urban settlement in cities and regions of varying size. In carrying out these walks Piller follows things that catch his eye as well as cues from his memory, ending his excursion once he feels unable to take in anything more. When something particularly interests him on one of his explorations, he departs from his determined routes, wanders around through the area, or even simply waits for a key moment. Archives of photographs result, which he subsequently expands upon in his studio with his Erinnerungszeichnungen (Drawings from Memory).
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Photography monographs
Photography monographs
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books
books
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Description:
xlv pages, 40 leaves of plates : facsimiles ; 36 x 50 cm
Description:
xlv pages, 40 leaves of plates : facsimiles ; 36 x 50 cm
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Milano : "Le Grazie", Centro internazionale d'arte, [1960], ©1960
Milano : "Le Grazie", Centro internazionale d'arte, [1960], ©1960
Title:
Pietro Gonzaga, scenografo e architetto veneto (1751 Longarone - Pietroburgo 1831) e l'ambiente artistico del suo tempo / Ugo Sofia-Moretti.
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xlv pages, 40 leaves of plates : facsimiles ; 36 x 50 cm
Pietro Gonzaga, scenografo e architetto veneto (1751 Longarone - Pietroburgo 1831) e l'ambiente artistico del suo tempo / Ugo Sofia-Moretti.
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xlv pages, 40 leaves of plates : facsimiles ; 36 x 50 cm
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books
books
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Milano : "Le Grazie", Centro internazionale d'arte, [1960], ©1960
Milano : "Le Grazie", Centro internazionale d'arte, [1960], ©1960
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books
books
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$87.00
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2005, Vienna
December 2005, Vienna
Title:
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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$87.00
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"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
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$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Form:
books
books
Publication:
December 2005, Vienna
December 2005, Vienna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Hans Hollein
Hans Hollein
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$145.00
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Title:
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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books
books
Publication:
April 2012
April 2012
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books
books
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$52.00
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
Title:
Model Martin Kippenberger: Utopia for Everyone
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$52.00
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Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Model Martin Kippenberger: Utopia for Everyone
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$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Form:
books
books
Publication:
March 2008, D
March 2008, D
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$58.00
(available to order)
Summary:
Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This(...)
$58.00
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2002, Luzern / Basel
April 2002, Luzern / Basel
Title:
Daniele Marques : 2 x 2 +3 wohnhäuser, houses
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This publication accompanies an exhibition on Daniel Marques' work at the Architecture Gallery Lucerne. Along with photographs by Hannes Henz, Zurich, it documents and provides in-depth analyses of five residential buildings, all of which have been realised in the last few years. Martin Steinmann commented "The reduction that determines the architecture of Daniele Marques - at least in these houses - turns out to be a method of providing the things -with intensity: by postponing the moment in which they transform into specific meanings."
Daniele Marques : 2 x 2 +3 wohnhäuser, houses
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Daniel Marques was born in 1950 in Aarau, Switzerland. He studied under Aldo Rossi and Dolf Schnebli at the Federal Institute of Technology in Zurich and went on to found his own office in Lucerne in 1977. Besides working as an architect he has taught at various schools of architecture and in 2000 he became professor at the Technical University in Graz. This publication accompanies an exhibition on Daniel Marques' work at the Architecture Gallery Lucerne. Along with photographs by Hannes Henz, Zurich, it documents and provides in-depth analyses of five residential buildings, all of which have been realised in the last few years. Martin Steinmann commented "The reduction that determines the architecture of Daniele Marques - at least in these houses - turns out to be a method of providing the things -with intensity: by postponing the moment in which they transform into specific meanings."
Form:
books
books
Publication:
April 2002, Luzern / Basel
April 2002, Luzern / Basel
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
Title:
Detail 10 2011 : Toitures
Detail 10 2011 : Toitures
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$24.95
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Summary:
An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered(...)
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An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered(...)
Title:
Detail 10 2011 : Toitures
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An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered with different materials: Adam Kahn uses wood shingles for his 'swimming visitors' centre; Diller Scofidio designs a park on top of a restaurant's green roof; Hopkins Architects gives the steel supporting frame of the Olympic cycling stadium a dynamic swing; Zaha Hadid wallows in Glasgow, with curves made of zinc sheeting and Jürgen Mayer H. is under huge umbrellas in the Spanish sun. In the chapter »technology« the complex supporting structure of the polyurethane-laminated, veneer-layered timber construction will be explained in detail.
Detail 10 2011 : Toitures
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$24.95
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An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered with different materials: Adam Kahn uses wood shingles for his 'swimming visitors' centre; Diller Scofidio designs a park on top of a restaurant's green roof; Hopkins Architects gives the steel supporting frame of the Olympic cycling stadium a dynamic swing; Zaha Hadid wallows in Glasgow, with curves made of zinc sheeting and Jürgen Mayer H. is under huge umbrellas in the Spanish sun. In the chapter »technology« the complex supporting structure of the polyurethane-laminated, veneer-layered timber construction will be explained in detail.
Form:
journals and magazines
journals and magazines
Publication:
October 2011
October 2011
Subject:
Magazines
Magazines
Form:
books
books
Price:
$40.00
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Summary:
EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared(...)
$40.00
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Summary:
EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared(...)
Title:
Europan 15: Austria, productive cities 2. Resources, mobility, equity
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$40.00
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EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared proposals for forty-seven towns. This book features the twelve winning submissions to the 2019 edition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in impeccable detail through photos, drawings, and visualizations, along textual commentary. The projects focus on architectural and urban planning interventions and processes. They offer innovative concepts for the use of public space, models for cross-functional use of space, and holistic solutions for sustainable construction. Taken as a whole, the book is a rich source of trendsetting ideas about our future cities and the development of a new urban lifestyle.
Europan 15: Austria, productive cities 2. Resources, mobility, equity
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$40.00
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Summary:
EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared proposals for forty-seven towns. This book features the twelve winning submissions to the 2019 edition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in impeccable detail through photos, drawings, and visualizations, along textual commentary. The projects focus on architectural and urban planning interventions and processes. They offer innovative concepts for the use of public space, models for cross-functional use of space, and holistic solutions for sustainable construction. Taken as a whole, the book is a rich source of trendsetting ideas about our future cities and the development of a new urban lifestyle.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Urban Theory
Urban Theory
