The beauty of impermanence: An architecture of adaptability from the Sharjah Architecture Triennial
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''The Beauty of Impermanence'' is a scholarly documentation of the 2023 Sharjah Architecture Triennial. It explores architectural responses to sustainability, resource scarcity, and adaptability, highlighting the contrasting resource management strategies of the global North and South over the last four hundred years. The North exploited resources through a belief in(...)
The beauty of impermanence: An architecture of adaptability from the Sharjah Architecture Triennial
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$85.00
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''The Beauty of Impermanence'' is a scholarly documentation of the 2023 Sharjah Architecture Triennial. It explores architectural responses to sustainability, resource scarcity, and adaptability, highlighting the contrasting resource management strategies of the global North and South over the last four hundred years. The North exploited resources through a belief in endless abundance and technological advances, underpinned by religious and mythological justifications for colonialism and slavery. The South, characterized by resource scarcity, has innovated within these constraints, developing adaptable, sustainable solutions that may offer a blueprint for future global resource management. The book advocates for a shift away from a consumption-driven approach to one that is ecologically and ethically responsible, urging a collective resolve to create systemic change for a sustainable future. It is structured around the thematic strands of “Renewed Contextual,” “Extraction Politics,” and “Intangible Bodies” and features essays by noted scholars and practitioners. Detailed project spreads from Triennial participants, showcasing innovative practices that integrate environmentally friendly methods and materials, round off this volume that serves as a vital resource for those engaged in the fields of architecture, sustainability, and urban planning.
Biennial
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
Postcolonial Dublin : imperial legacies and the built environment
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
Architecture since 1900, Europe
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Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's(...)
Photography and the optical unconscious
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Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche.
Theory of Photography
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251 pages, 1 unnumbered page : illustrations (some color), portraits ; 29 cm
Berlin : Berlinische Galerie ; Leipzig : Spector Books, [2024], ©2024
Akinbode Akinbiyi : being, seeing, wandering : Hannah-Höch-Preis 2024 = Hannah Höch Prize 2024 / herausgegeben von = edited by Thomas Köhler, Katia Reich.
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251 pages, 1 unnumbered page : illustrations (some color), portraits ; 29 cm
books
Berlin : Berlinische Galerie ; Leipzig : Spector Books, [2024], ©2024
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
Photography monographs
January 2006, Göttingen
Burtynsky - China : the photographs of Edward Burtynsky
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
Photography monographs
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a(...)
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indegenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.
Illustration
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried(...)
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried history. The book focuses on the student and youth movements of the 1960s and 1970s, inspired by global movements for decolonization and anti-racism, which aimed to fundamentally transform their society, as well as the fierce repression of these movements by the state, corporations, and university administrations. Part of the response has been sheer violence—campus policing, for example, only began in the ’70s, paving the way for the militarized campuses of today—with institutionalized multiculturalism acting like the velvet glove around the iron fist of state violence. And yet today’s multiculturalism also contains residues of the original radical demands of the student and youth movements that it aims to repress: to open up the university, to wrench it from its settler colonial, white supremacist, and patriarchal capitalist origins, and to transform it into a place of radical democratic possibility.
Social
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin(...)
Guaraná: How Brazil Embraced the World's Most Caffeine-Rich Plant
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin stories, dietary regimes, and communal ceremonies. During subsequent centuries of Portuguese colonialism and Brazilian rule, guaraná was reformulated by settlers, scientists, folklorists, food technologists, and marketers. Whether in search of pleasure, profits, professional distinction, or patriotic markers, promoters imparted new meanings to guaraná and found new uses for it. Today, it is the namesake ingredient of a multibillion-dollar soft drink industry and a beloved national symbol. Guaraná’s journey elucidates human impacts on Amazonian ecosystems; the circulation of knowledge, goods, and power; and the promise of modernity in Latin America's largest nation. For Garfield, the beverage's history reveals not only the structuring of inequalities in Brazil but also the mythmaking and ordering of social practices that constitute so-called traditional and modern societies.
Food
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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
Paris primitive : Jacques Chirac's museum on the quai branly
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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Museology
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Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for(...)
On this patch of grass: city parks and the politics of occupied land
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Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for everyone. But no park is innocent. Parks are lionized as "natural oases," and urban parks as "pure nature" in the midst of the city -- but that's absurd. Parks are as "natural" as the roads or buildings around them, and just as political. Every park in North America is performing modernity and settler colonialism everyday. Furthermore, parks are not private property, but while they are called ''public'', they are highly regulated spaces that normatively demand and closely control behaviours. Parks are a certain kind of property, and thus creations of law, and they are subject to all kinds of presumptions about what parks are for, and what kinds of people should be doing what kinds of things in them. Parks- as they are currently constituted- are colonial enterprises.
Landscape Theory