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Jadric examines the evolving concept of family in contemporary society, emphasizing that it extends beyond traditional nuclear units to encompass broader communities such as neighborhoods, co-living arrangements, and working groups. These diverse forms of "family" have increasingly adopted the characteristics of closely-knit, mutually supportive social groups, providing(...)
Intimate spaces: Exploring adaptive living spaces in a pandemic era
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Jadric examines the evolving concept of family in contemporary society, emphasizing that it extends beyond traditional nuclear units to encompass broader communities such as neighborhoods, co-living arrangements, and working groups. These diverse forms of "family" have increasingly adopted the characteristics of closely-knit, mutually supportive social groups, providing solace and resilience during challenging times. Through the lens of three distinct projects, Jadric illustrates the diverse rhythms of life experienced by different families navigating the balance between privacy and public engagement. Each project represents a unique interpretation of adaptive living spaces, offering a spectrum of possibilities for self-determination and fulfillment. "Intimate spaces" serves as a thought-provoking resource for architects, urban planners, policymakers, and anyone interested in reimagining the way we live in an ever-changing world. It offers insights into the profound impact of the built environment on our daily lives and emphasizes the potential of innovative design solutions to enhance our collective resilience and quality of life.
Residential Architecture
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Changing the world is difficult. One reason is that the most important problems, like climate change, racism, and poverty, are structural. They emerge from our collective practices: laws, economies, history, culture, norms, and built environments. The dilemma is that there is no way to make structural change without individual people making different—more(...)
Somebody should do something: How anyone can help create social change
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Changing the world is difficult. One reason is that the most important problems, like climate change, racism, and poverty, are structural. They emerge from our collective practices: laws, economies, history, culture, norms, and built environments. The dilemma is that there is no way to make structural change without individual people making different—more structure-facing—decisions. In ''Somebody Should Do Something'', Michael Brownstein, Alex Madva, and Daniel Kelly show us how we can connect our personal choices to structural change and why individual choices matter, though not in the way people usually think. The authors paint a new picture of how social change happens, arguing that our most powerful personal choices are those that springboard us into working together with others—warehouse worker Chris Smalls’s unionization at Amazon is one powerful example. Taking inspiration from the writer Bill McKibben, they stress how one “important thing an individual can do is be somewhat less of an individual.”
Social
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France(...)
The fragility of plaster
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The distant past is commonly characterized in terms of dominant materials of the time – the Stone Age, the Bronze Age, the Iron Age, etc. Since the dawn of writing, however, characterizing eras in terms of materials has fallen by the wayside, and yet materials have continued to exert a powerful influence on our collective imagination. Viewed from this perspective, France in the period from 1815 to 1855 could be seen as the half-century of plaster. After the French Revolution, plaster was used for a great variety of things: building, moulding, sculpting, decorating. Cheap and easy to use, plaster was everywhere, from Napoleon’s death mask to household ornaments, from walls to elaborate mouldings. Plaster was king – but a fragile king that easily crumbled and fell apart. The age of plaster was also the reign of the ephemeral and the transient, the vulgar and the eclectic, and the men and women of the time struggled to maintain stability and continuity with the past.
Art Theory
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos(...)
Archive, library and the digital
January 2026
Technomémoires : mémoire, souvenirs et technologies émergentes
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À l’heure où nos traces numériques s’accumulent, une nouvelle forme de mémoire émerge. Les technomémoires désignent ces formes hybrides que nous construisons à travers les plateformes numériques et les objets connectés. Des albums photos enrichis par l’intelligence artificielle aux assistants qui mémorisent nos habitudes, des médias socionumériques qui stockent nos interactions aux objets connectés qui documentent nos comportements quotidiens, un nouvel écosystème mémoriel se dessine. Ce livre en explore les contours à travers trois axes?: la mémoire collective ancrée dans les territoires et les objets?; les pratiques personnelles façonnées par nos interactions numériques?; et les perspectives ouvertes par l’intelligence artificielle dans la gestion – et la fabrication – de nos souvenirs. Il s’adresse aux spécialistes de la mémoire et des médias, aux personnes étudiantes en sciences humaines et sociales, ainsi qu’au grand public curieux de comprendre ce que signifie se souvenir au XXIe siècle, à l’ère des machines qui «?se remémorent?»… supposément mieux que nous.
Archive, library and the digital
books
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"In search of new public domain" is a report of an intensive quest to establish the preconditions for the design of new public spaces. On the basis of an analysis of the cultural geography of the network city, the authors develop a new perspective of cultural exchange as a typical urban quality. They are critical of the laments about the decline of the city and public(...)
In search of the new public domain : analysis and strategy
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"In search of new public domain" is a report of an intensive quest to establish the preconditions for the design of new public spaces. On the basis of an analysis of the cultural geography of the network city, the authors develop a new perspective of cultural exchange as a typical urban quality. They are critical of the laments about the decline of the city and public space, as much as of a naive faith in architecture and urbanism as saving graces. A critical investigation of the new collective spaces that are popping up across the whole of the urban field offers an insight into the factors that facilitate the development of new public domain. Through their clarification of the theoretical background and analysis of topical issues such as public safety and social segregation, the authors offer insights and instruments for policy-makers and designers who are confronted with the new task of the design of public domain in the network city.
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March 2002, Rotterdam
Urban Theory
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This first comprehensive publication on the influential contemporary artist focuses on the experimental nature of Andrea Zittel's signature objects, inhabitable sculptures, and other projects. In her work as an artist, Zittel investigates domestic and urban life in Western societies. Exploring the various aspects of living, the artist designs her own household settings to(...)
Contemporary Art Monographs
October 2005, München, Berlin, London, New York
Andrea Zittel : critical space
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This first comprehensive publication on the influential contemporary artist focuses on the experimental nature of Andrea Zittel's signature objects, inhabitable sculptures, and other projects. In her work as an artist, Zittel investigates domestic and urban life in Western societies. Exploring the various aspects of living, the artist designs her own household settings to serve as a test case for her experimental living structures. Her work has provoked debates about the changed meaning of domestic and collective space and the possibilities for new adaptations to urban conditions today. "Andrea Zittel: critical space" includes nearly two hundred reproductions of Zittel's works of art, many of which are published here for the first time. The book includes over one hundred sculptures and drawings, documentation of early work, and recent site-specific work in the Mojave desert of California. With essays that touch upon urbanism, architecture, design, and consumer culture, this catalog offers an extensive analysis of Zittel's contribution to contemporary trends in art and architecture.
Contemporary Art Monographs
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and(...)
Studio Zhu Rei: Poetic imaginations - Interweaving architecture with traditional values
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"Poetic imaginations" at Aedes stages a chapter on Zhu Pei’s handling of the ‘collective historical experience’, topography, function and contemporary context of a location. The exhibition presents six representative cultural buildings that, despite their different functions and surroundings, are related to one another by characteristic structures, materials and architectural forms. Based on impressively crafted architectural models, sketches, documentary films and publications, the process of creating these examples is presented in greater depth. While the built environment in China has undergone rapid transformation, Zhu Pei has reflected on historical-philosophical ideas of harmony between people and nature and weaving traditional architectural knowledge into contemporary spatial solutions. His conceptual considerations are based on elements from the tradition of Shan Shui painting, which is deeply rooted in Chinese culture. It is a particular form of landscape painting whose indispensable components are mountains and water. It shows and teaches a mode of perception that regards us as human beings not as an antithesis to, but instead as part of "nature."
Architecture Monographs
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with(...)
From magic and myth-work to care and repair
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with contemporary myth-making in relation to landscape, performance, and writing. The second part, “On Care and Repair,” gathers together essays that are more personal, but that also look to various technologies (or devices) of self-care alongside ideas of collaboration and the collective. Crucial throughout this exploration are questions of agency and self-narration, but also how these connect to larger issues around historical trauma, neoliberalism, and ecological crisis. The essays reference many other texts and fellow travellers, and also draw on the author's own experiences (and teaching) within various art and theory worlds, as well as with performance, magical practices, gaming, and Buddhism.
Art Theory
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The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for(...)
Prometheus's remorse: From the gift of fire to global arson
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The stirring speech given by Peter Sloterdijk in Lucerne in October 2022. From time immemorial, humanity has had to organize their "metabolism with nature." For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for hundreds of thousands of years. In this sense, it can be said that all history implies the history of the uses of fire. But whereas trees could only be burnt once, labor and fire shifted with the discovery of underground deposits of coal and oil. Modern humanity, according to Peter Sloterdijk, can be considered a collective of arsonists who set fire to the underground forests and moors. If Prometheus were to return to earth today, he might regret his gift; after all, what looms is nothing less than Ekpyrosis, the demise of the world in fire. And only a new, energetic pacifism can prevent this catastrophe.
Critical Theory
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As a part of his research series on the historical practices of communitarian utopias in different countries, Ou Ning's new book, ''The Agritopianists'', focuses on the labor experiments of intellectual groups in 20th-century Japan’s rural areas. From the collective Atarashiki-mura (New Village) Movement initiated by Mushakoji Saneatsu, through many other individual(...)
The agritopianists: Thinking and Practice in Rural Japan
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As a part of his research series on the historical practices of communitarian utopias in different countries, Ou Ning's new book, ''The Agritopianists'', focuses on the labor experiments of intellectual groups in 20th-century Japan’s rural areas. From the collective Atarashiki-mura (New Village) Movement initiated by Mushakoji Saneatsu, through many other individual semiagricultural life practices of Japanese writers and artists, the book traces the emergence of a shared agricultural fundamentalism that informed and evolved into the active political interventions of later years. Ou Ning combines original field investigation with a close reading of the historical archives to construct a narrative spanning period and geographies that is always attentive to specific detail. ''The Agritopianists'' takes the reader to the historical scene and asks them to consider its relevance to today’s urgent questions of ways of living and planetary thinking. Among the many histories of utopian thought and experiments, this is a unique rethinking of environmental possibilities through geographical and cultural differences.
Rurality