37490 Results
Form:
works of art
works of art
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Reference number:
DR1974:0002:010:038
DR1974:0002:010:038
People:
Subject:
architecture
architecture
Date:
printed between 1792 and 1840
printed between 1792 and 1840
Form:
works of art
works of art
Date:
printed between 1792 and 1840
printed between 1792 and 1840
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Reference number:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
People:
Date:
1754-1875
1754-1875
Title:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Level of archival description:
File 3
File 3
Date:
1754-1875
1754-1875
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
People:
Date:
1969-2016
1969-2016
Title:
Modern architecture: a critical history (1968-1980, 2018)
Actions:
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
Modern architecture: a critical history (1968-1980, 2018)
Actions:
AP197.S1.SS4
Description:
This subseries documents Kenneth Frampton’s writing of the history textbook "Modern Architecture: A Critical History," first published in 1980. Textual documentation is diverse and ranges from the text’s first edition to drafts of the upcoming 5th edition, early correspondence with the publisher Thames and Hudson Ltd (circa 1969), notes on various chapters, edits for the French translation, magazine clippings, reviews of the publication, and a print of the Lighthouse Cathedral by Alberto Sartoris, which was the image published on the cover of the book.
Level of archival description:
Subseries
Subseries
Date:
1969-2016
1969-2016
People:
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
People:
Date:
January 1993
January 1993
Title:
Sketchbook 341: Escritorio Filandia - Setubal - Chiado - Caparica - Metro - Santiago - Vitra
Actions:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
Sketchbook 341: Escritorio Filandia - Setubal - Chiado - Caparica - Metro - Santiago - Vitra
Actions:
AP178.S2.1993.001
Description:
This sketchbook contains sketches and notes of the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, the Vitra International factory in Weil am Rhein, Germany, the urban plan for São João in Costa da Caparica, Portugal, and the urban plan for city centre of Montreuil in France. It also includes sketches of people and furniture.
Form:
drawings
drawings
Date:
January 1993
January 1993
People:
Form:
drawings, works of art
Quantity:
4 portfolio(s)
drawings, works of art
Quantity:
4 portfolio(s)
Actions:
Reference number:
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
People:
Subject:
architecture, interior design, engineering, military, sculpture, topographic, urban planning
architecture, interior design, engineering, military, sculpture, topographic, urban planning
Date:
printed first half of the 19th century
printed first half of the 19th century
Title:
Four portfolios of drawings of Italian views, interior designs, Empire style furniture, military subjects, and other diverse subject matter
Actions:
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
Four portfolios of drawings of Italian views, interior designs, Empire style furniture, military subjects, and other diverse subject matter
Actions:
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
Form:
drawings, works of art
Quantity:
4 portfolio(s)
drawings, works of art
Quantity:
4 portfolio(s)
Date:
printed first half of the 19th century
printed first half of the 19th century
People:
Subject:
architecture, interior design, engineering, military, sculpture, topographic, urban planning
architecture, interior design, engineering, military, sculpture, topographic, urban planning
Actions:
Reference number:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
People:
Subject:
architecture
architecture
Date:
1933-1934
1933-1934
Title:
Bibliothèque Nationale Versailles - 1933-1934
Actions:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
Bibliothèque Nationale Versailles - 1933-1934
Actions:
PH1986:0900.11
Description:
Album PH1986:0900.11 comprises 79 photographs of the Bibliothèque Nationale in Versailles, France, designed by Michel Roux-Spitz. Photographs include views of an elevation of the building, a sketch, models, views of the building site, exterior views of the building, the entrance doors, interior views showing the set of shelves, the reading room, the staircase, hallways, and the basement.
Date:
1933-1934
1933-1934
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Actions:
Reference number:
ARCH258973
Description:
Publications et rapports, dont certains à singé et donné à Cormier : « Journal de l'Institut Royal d'Architecture » (1966), « Les Ordres d'Insectes » signé Ovila Fournier, « Initiation à la Géologie » signé Léo Morin, 2 « Revues Trimestrielle Canadienne », « Emploi des Échelles Infinies dans les Constructions Graphiques » signé Jules Poivert, « Images de la France d'hier » signé Olivier Maurault, et coupures de presse.
ARCH258973
Description:
Publications et rapports, dont certains à singé et donné à Cormier : « Journal de l'Institut Royal d'Architecture » (1966), « Les Ordres d'Insectes » signé Ovila Fournier, « Initiation à la Géologie » signé Léo Morin, 2 « Revues Trimestrielle Canadienne », « Emploi des Échelles Infinies dans les Constructions Graphiques » signé Jules Poivert, « Images de la France d'hier » signé Olivier Maurault, et coupures de presse.
People:
Date:
1926-1966
1926-1966
Title:
Publications diverses sur l'architecture et la géologie
Actions:
ARCH258973
Description:
Publications et rapports, dont certains à singé et donné à Cormier : « Journal de l'Institut Royal d'Architecture » (1966), « Les Ordres d'Insectes » signé Ovila Fournier, « Initiation à la Géologie » signé Léo Morin, 2 « Revues Trimestrielle Canadienne », « Emploi des Échelles Infinies dans les Constructions Graphiques » signé Jules Poivert, « Images de la France d'hier » signé Olivier Maurault, et coupures de presse.
Publications diverses sur l'architecture et la géologie
Actions:
ARCH258973
Description:
Publications et rapports, dont certains à singé et donné à Cormier : « Journal de l'Institut Royal d'Architecture » (1966), « Les Ordres d'Insectes » signé Ovila Fournier, « Initiation à la Géologie » signé Léo Morin, 2 « Revues Trimestrielle Canadienne », « Emploi des Échelles Infinies dans les Constructions Graphiques » signé Jules Poivert, « Images de la France d'hier » signé Olivier Maurault, et coupures de presse.
Form:
textual records
textual records
Date:
1926-1966
1926-1966
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
People:
Date:
1994-2004
1994-2004
Title:
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2004
1994-2004
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
People:
Date:
February 1993
February 1993
Title:
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Form:
drawings
drawings
Date:
February 1993
February 1993
People:
