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The use of wood in architecture appears to be the order of the day, and Switzerland’s leading role in wood processing and building aesthetics is demonstrated in an international context. Authors from various disciplines create the content framework in which wood can be experienced sensually and its possibilities and limitations can be discussed. This volume is aimed at an(...)
$63.00
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Summary:
The use of wood in architecture appears to be the order of the day, and Switzerland’s leading role in wood processing and building aesthetics is demonstrated in an international context. Authors from various disciplines create the content framework in which wood can be experienced sensually and its possibilities and limitations can be discussed. This volume is aimed at an(...)
Title:
Touch wood: Material, architecture, future
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The use of wood in architecture appears to be the order of the day, and Switzerland’s leading role in wood processing and building aesthetics is demonstrated in an international context. Authors from various disciplines create the content framework in which wood can be experienced sensually and its possibilities and limitations can be discussed. This volume is aimed at an engaged audience of experts and laypersons who want to enrich their experiences with knowledge and thus become actors in the promotion of wood in architecture. In addition to documenting exemplary buildings in accessible texts and with numerous illustrations, the publication also illuminates the many relationships that connect people with wood as a material.
Touch wood: Material, architecture, future
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$63.00
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Summary:
The use of wood in architecture appears to be the order of the day, and Switzerland’s leading role in wood processing and building aesthetics is demonstrated in an international context. Authors from various disciplines create the content framework in which wood can be experienced sensually and its possibilities and limitations can be discussed. This volume is aimed at an engaged audience of experts and laypersons who want to enrich their experiences with knowledge and thus become actors in the promotion of wood in architecture. In addition to documenting exemplary buildings in accessible texts and with numerous illustrations, the publication also illuminates the many relationships that connect people with wood as a material.
Subject:
Materials and Lighting
Materials and Lighting
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$33.95
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot(...)
$33.95
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot(...)
Title:
Tokyoids: the robotic face of architecture
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In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Part photographic survey, part theoretical inquiry, the publication upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Tokyoids: the robotic face of architecture
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Summary:
In this book, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables—size, material, historical style—but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture—before the birth of robotics—and has played a central role in architectural history. Part photographic survey, part theoretical inquiry, the publication upends the usual approach to robotics in architecture by considering not the automation of architectural output but the aesthetic properties of the robot.
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a(...)
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a(...)
Title:
Jamie L Ferguson : In the hunting field
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a significant intertwining with the biological world that shapes bodies and technology. It is not meant as an exhaustive signifier for a linear history but instead as an opportunity to survey encounters that shape these understandings and so inform our place in the world. Perhaps a reinterpretation of environmental aesthetics can provide openings for alternate shapes of future encounters…
Jamie L Ferguson : In the hunting field
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a significant intertwining with the biological world that shapes bodies and technology. It is not meant as an exhaustive signifier for a linear history but instead as an opportunity to survey encounters that shape these understandings and so inform our place in the world. Perhaps a reinterpretation of environmental aesthetics can provide openings for alternate shapes of future encounters…
Subject:
Canadian art
Canadian art
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$55.00
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color(...)
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color(...)
Title:
Jeff Wall: tableaux pictures photographs 1996-2013
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography.
Jeff Wall: tableaux pictures photographs 1996-2013
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$55.00
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Summary:
Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography.
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$80.95
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
$80.95
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Title:
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Reckoning with Colin Rowe: ten architects take position
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$80.95
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Summary:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
159 pages : illustrations ; 23 cm
Description:
159 pages : illustrations ; 23 cm
Subject:
- Landscape architecture.,
- Building sites.,
- Architecture du paysage.,
- Chantiers de construction.,
- building sites.,
- Arquitetura Paisagistica.,
- landschapsarchitectuur,
- landscape architecture,
- landschap,
- landscape,
- ruimtelijke ordening,
- physical planning,
- geografie,
- geography,
- classificatie,
- classification,
- esthetische waarde,
- aesthetic value,
- filosofie,
- philosophy,
- kunst,
- arts,
- landschapsbouw,
- landscaping,
- tuinen,
- gardens,
- Landscape Architecture (General),
- Landschapsarchitectuur (algemeen)
(See more)
Publication:
[Paris] : J.-J. Pauvert, [1974]
[Paris] : J.-J. Pauvert, [1974]
Title:
Sites et sitologie : [comment construire sans casser le paysage] / Paul Faye [and others].
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Description:
159 pages : illustrations ; 23 cm
Sites et sitologie : [comment construire sans casser le paysage] / Paul Faye [and others].
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Description:
159 pages : illustrations ; 23 cm
Form:
books
books
Publication:
[Paris] : J.-J. Pauvert, [1974]
[Paris] : J.-J. Pauvert, [1974]
Subject:
- Landscape architecture.,
- Building sites.,
- Architecture du paysage.,
- Chantiers de construction.,
- building sites.,
- Arquitetura Paisagistica.,
- landschapsarchitectuur,
- landscape architecture,
- landschap,
- landscape,
- ruimtelijke ordening,
- physical planning,
- geografie,
- geography,
- classificatie,
- classification,
- esthetische waarde,
- aesthetic value,
- filosofie,
- philosophy,
- kunst,
- arts,
- landschapsbouw,
- landscaping,
- tuinen,
- gardens,
- Landscape Architecture (General),
- Landschapsarchitectuur (algemeen)
(See more)
Form:
books
books
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Description:
1 online resource (viii, 143 pages)
Title:
The concept of non-photography / François Laruelle ; translated by Robin Mackay.
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Description:
1 online resource (viii, 143 pages)
The concept of non-photography / François Laruelle ; translated by Robin Mackay.
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Description:
1 online resource (viii, 143 pages)
Form:
books
books
Publication:
Falmouth, England ; New York, New York : Urbanomic : Sequence, 2015.
Falmouth, England ; New York, New York : Urbanomic : Sequence, 2015.
Form:
books
books
Holdings:
Description:
204 pages lx plates 24 cm.
Description:
204 pages lx plates 24 cm.
Subject:
- Library decoration.,
- Bibliothèques (Édifices) Décoration.,
- Bibliothèque Histoire France.,
- Bibliotheksbau,
- Bibliothek,
- Bibliothèques Histoire.,
- Bibliothèques Décoration.,
- Bibliothèques (édifices) France.,
- BIBLIOTECAS.,
- bibliotheken,
- libraries,
- gebouwen,
- buildings,
- ontwerp,
- design,
- informatiecentra,
- information centres,
- geschiedenis,
- history,
- architectuur,
- architecture,
- theorie,
- theory,
- esthetische waarde,
- aesthetic value,
- Libraries (General),
- Bibliotheken (algemeen)
(See more)
Publication:
Genève : Droz, 1972.
Genève : Droz, 1972.
Title:
Le décor des bibliothèques du Moyen Age à la Révolution.
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Description:
204 pages lx plates 24 cm.
Le décor des bibliothèques du Moyen Age à la Révolution.
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Description:
204 pages lx plates 24 cm.
Form:
books
books
Publication:
Genève : Droz, 1972.
Genève : Droz, 1972.
Subject:
- Library decoration.,
- Bibliothèques (Édifices) Décoration.,
- Bibliothèque Histoire France.,
- Bibliotheksbau,
- Bibliothek,
- Bibliothèques Histoire.,
- Bibliothèques Décoration.,
- Bibliothèques (édifices) France.,
- BIBLIOTECAS.,
- bibliotheken,
- libraries,
- gebouwen,
- buildings,
- ontwerp,
- design,
- informatiecentra,
- information centres,
- geschiedenis,
- history,
- architectuur,
- architecture,
- theorie,
- theory,
- esthetische waarde,
- aesthetic value,
- Libraries (General),
- Bibliotheken (algemeen)
(See more)
Form:
books
books
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Description:
xiv, 113 pages, 21 unnumbered pages of plates : illustrations ; 22 cm.
Description:
xiv, 113 pages, 21 unnumbered pages of plates : illustrations ; 22 cm.
Subject:
- Architecture United States.,
- Architecture États-Unis.,
- 21.62 history of architecture.,
- Architecture.,
- Architektur,
- United States.,
- USA,
- architectuur,
- architecture,
- theorie,
- theory,
- esthetische waarde,
- aesthetic value,
- cultuur,
- culture,
- vs,
- usa,
- beschaving,
- civilization,
- Architecture (General),
- Architectuur (algemeen)
(See more)
Publication:
New York : Dover, 1955.
New York : Dover, 1955.
Title:
Sticks and stones : a study of American architecture and civilization / by Lewis Mumford.
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Description:
xiv, 113 pages, 21 unnumbered pages of plates : illustrations ; 22 cm.
Sticks and stones : a study of American architecture and civilization / by Lewis Mumford.
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Description:
xiv, 113 pages, 21 unnumbered pages of plates : illustrations ; 22 cm.
Form:
books
books
Publication:
New York : Dover, 1955.
New York : Dover, 1955.
Subject:
- Architecture United States.,
- Architecture États-Unis.,
- 21.62 history of architecture.,
- Architecture.,
- Architektur,
- United States.,
- USA,
- architectuur,
- architecture,
- theorie,
- theory,
- esthetische waarde,
- aesthetic value,
- cultuur,
- culture,
- vs,
- usa,
- beschaving,
- civilization,
- Architecture (General),
- Architectuur (algemeen)
(See more)
Form:
books
books
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$84.50
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Summary:
Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and(...)
$84.50
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Summary:
Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and(...)
Title:
Freitag : individual recycled freeway bags
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Summary:
Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and safety belts. This publication describes the history of the product and asks questions about economic, ecological, and sociocultural contexts, espressing the aesthetics of a generation that is as vain as it is critical of consumerism. The book's spine is made of the same type of lorry tarpaulin as is used for the bags, thus each book's spine is unique.
Freitag : individual recycled freeway bags
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$84.50
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Summary:
Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and safety belts. This publication describes the history of the product and asks questions about economic, ecological, and sociocultural contexts, espressing the aesthetics of a generation that is as vain as it is critical of consumerism. The book's spine is made of the same type of lorry tarpaulin as is used for the bags, thus each book's spine is unique.
Form:
books
books
Publication:
December 2001,
December 2001,
Subject:
Design Monographs
Design Monographs