books
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xxii, 456 pages, 4 unnumbered pages of plates : illustrations (some color) ; 24 cm
Woodstock : Overlook Press, 2003.
Hitler and the power of aesthetics / Frederic Spotts.
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xxii, 456 pages, 4 unnumbered pages of plates : illustrations (some color) ; 24 cm
books
Woodstock : Overlook Press, 2003.
books
Storied streets : Montreal in the literary imagination / Bryan Demchinsky and Elaine Kalman Naves.
Description:
224 pages : illustrations, maps ; 24 cm
Toronto : Macfarlane, Walter & Ross, ©2000.
Storied streets : Montreal in the literary imagination / Bryan Demchinsky and Elaine Kalman Naves.
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224 pages : illustrations, maps ; 24 cm
books
Toronto : Macfarlane, Walter & Ross, ©2000.
$63.00
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on(...)
Contemporary Art Monographs
October 2007, New Haven/London
Aaron Douglas. African American Modernist
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on the artist’s career from the 1920s through the 1940s in relation to American modernism. Its authors argue that Douglas’s bold work opened doors for African American artists in Harlem and beyond, and that it invited a dialogue with modernism that put African American life, labor, and freedom, along with African traditions and motifs, at its center. New information emerges from these pages, reflecting the rich interchange between the visual arts, music, dance, literature, and politics that shaped Douglas’s work and also defined the Harlem Renaissance.
Contemporary Art Monographs
$24.95
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Exploring locales such as city streets, bus stops, parking lots, bars, retail establishments, and discussion groups, "Together Alone" ventures into what is often thought of as the realm of passing strangers to examine the nature of personal relationships conducted in public spaces. While most studies of social interaction have gone behind closed doors to focus on(...)
Urban Theory
August 2005, Berkeley
Together alone : personal relationships in public places
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Exploring locales such as city streets, bus stops, parking lots, bars, retail establishments, and discussion groups, "Together Alone" ventures into what is often thought of as the realm of passing strangers to examine the nature of personal relationships conducted in public spaces. While most studies of social interaction have gone behind closed doors to focus on relationships in the family, school, and workplace, this innovative collection pushes the boundaries of the field by analyzing both fleeting and anchored relationships in the seldom-studied communal areas where much of contemporary life takes place. The contributors shed light on the diversity and character of day-to-day negotiations in public spaces and at the same time illuminate how these social ties paradoxically blend aspects of durability and brevity, of emotional closeness and distance, of being together and alone.
Urban Theory
$47.95
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of(...)
AD Loose-fit architecture: designing buildings for change
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments.
Magazines
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This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of(...)
David Batchelor: found monochrome Vol.1
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This monograph is the first for David Batchelor's Found Monochromes series. Since 1997, the London-based artist has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. The images are informal and impromptu; shot from a uniform distance, the white planes are seen on a variety of backdrops: brick walls, car doors, metal fences and more. They are the backs of signs, number plates that have lost their number, empty billboards or faded messages. This body of work references the once radical tradition of monochrome paintings practiced by Malevich, Rodchenko, Yves Klein, Ad Reinhardt, Ellsworth Kelly and others. Found Monochromes Vol. 1 brings together the largest group of photographs from Batchelor's series, accompanied by a conversation between the philosopher Jonathan Ree and the artist.
Photography monographs
books
$69.50
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In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to(...)
Garden art 2001: Potsdam national horticultural show
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In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to cultivate 60 hectares of public park, to redesign urban spaces and other sites where historical townscapes and nature conjoin, to develop avant-garde artistic features, and to create the central spectacular exhibition space. This book will present the various parks and artistic interventions in their finished state, accompanied by lavish illustrations and descriptive texts, thus ensuring that the book remains topical thoughout the festival and will be an enduring documentation long after the doors have been closed and the new park with its array of leisure and recreational facitilities has been developed.
books
September 2001, Basel
Gardens
$45.00
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Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with(...)
Plain Modern : the architecture of Brian MacKay-Lyons
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Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with local materials, technologies, and building practices to create works that are linked to their environments right down to their DNA. Peaked gables, shed roofs, and sliding doors are inspired by local barn types; corrugated metal cladding comes from the buildings used by the area's fishing industry; structural wooden frames are based on local ship-building traditions. These elements communicate a sense of place that is sophisticated, accessible, and free of sentimentality. Novelist and historian Malcolm Quantrill weaves together an intimate portrait of MacKay-Lyons and his work, elucidating the "peculiar regionality" of his subject's architecture.
Architecture in Canada
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
$60.00
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In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his(...)
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
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$60.00
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In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his final masterpiece, “Etant Donnés” was a decisive touchstone for both Sugimoto and Wall in their formative years, and he demonstrates how they have referenced its maker many times since.
Art Theory
$94.00
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of(...)
Lee Friedlander framed by Joel Coen
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$94.00
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing?his splitting, splintering, repeating, fracturing and reassembling elements into new and impossible compositions," Coen writes. Featuring work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including ''The American Monument,'' ''America by Car,'' ''The Little Screens'' and others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists: "they both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder."
Photography monographs