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Since TEN Arquitectos was first published in 1998, the firm founded by Enrique Norten has soared to a position of international renown. In addition to important competition-winning proposals--the Visual and Performing Arts Library in Brooklyn and the Guggenheim Guadalajara, among others--Norten and his firm have a rich variety of projects on the drawings boards: Harlem(...)
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Since TEN Arquitectos was first published in 1998, the firm founded by Enrique Norten has soared to a position of international renown. In addition to important competition-winning proposals--the Visual and Performing Arts Library in Brooklyn and the Guggenheim Guadalajara, among others--Norten and his firm have a rich variety of projects on the drawings boards: Harlem(...)
Title:
Ten architectos working : 20 projects in process
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Since TEN Arquitectos was first published in 1998, the firm founded by Enrique Norten has soared to a position of international renown. In addition to important competition-winning proposals--the Visual and Performing Arts Library in Brooklyn and the Guggenheim Guadalajara, among others--Norten and his firm have a rich variety of projects on the drawings boards: Harlem Park, a thirty-four-story mixed-use project in Upper Manhattan; a renovation of Mexico City's Chopo Museum, the gallery of the national university; the Busan Cinema Complex in Korea; the National Laboratory of Genomics for Biodiversity in Guanajuato; and hotels and residential buildings in New York, West Hollywood, and Prague. Conceived to represent the current state of the practice, Working shows twenty unbuilt and in-progress projects with an emphasis on the design process. Sketches give way to study models and then to polished renderings; at each stage in the development of a design, numerous iterations show various directions and investigations. The collection of projects is a timely record of the works by this notable firm.
Ten architectos working : 20 projects in process
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Since TEN Arquitectos was first published in 1998, the firm founded by Enrique Norten has soared to a position of international renown. In addition to important competition-winning proposals--the Visual and Performing Arts Library in Brooklyn and the Guggenheim Guadalajara, among others--Norten and his firm have a rich variety of projects on the drawings boards: Harlem Park, a thirty-four-story mixed-use project in Upper Manhattan; a renovation of Mexico City's Chopo Museum, the gallery of the national university; the Busan Cinema Complex in Korea; the National Laboratory of Genomics for Biodiversity in Guanajuato; and hotels and residential buildings in New York, West Hollywood, and Prague. Conceived to represent the current state of the practice, Working shows twenty unbuilt and in-progress projects with an emphasis on the design process. Sketches give way to study models and then to polished renderings; at each stage in the development of a design, numerous iterations show various directions and investigations. The collection of projects is a timely record of the works by this notable firm.
Form:
books
books
Publication:
September 2007, New York
September 2007, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Carlos Bunga: Serralves
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the(...)
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2014
September 2014
Title:
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the surrounding architecture. This publication documents the special commission made for the Sonae/Serralves Project in 2012 for which the artist created a very large structure for the entrance hall of the Serralves Museum emphasizing the space’s verticality and functionality, in dialogue with Álvaro Siza’s architecture. Illustrated with Bunga’s projects in other artistic contexts, the book features texts by João Fernandes and Ricardo Nicolau (exhibition curators), Adam Budak (curator at the Hirshhorn Museum and Sculpture Garden, Washington D.C.), Marta Jecu (writer and researcher at CICANT Institute, Universidade Lusófona, Lisbon) and an interview conducted by María Inez Rodríguez (former chief curator at Museo Universitario de Arte Contemporáneo in Mexico City) offering comprehensive insights into Carlos Bunga’s work.
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the surrounding architecture. This publication documents the special commission made for the Sonae/Serralves Project in 2012 for which the artist created a very large structure for the entrance hall of the Serralves Museum emphasizing the space’s verticality and functionality, in dialogue with Álvaro Siza’s architecture. Illustrated with Bunga’s projects in other artistic contexts, the book features texts by João Fernandes and Ricardo Nicolau (exhibition curators), Adam Budak (curator at the Hirshhorn Museum and Sculpture Garden, Washington D.C.), Marta Jecu (writer and researcher at CICANT Institute, Universidade Lusófona, Lisbon) and an interview conducted by María Inez Rodríguez (former chief curator at Museo Universitario de Arte Contemporáneo in Mexico City) offering comprehensive insights into Carlos Bunga’s work.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Dizionario Vol.1
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of(...)
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of(...)
Title:
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of manipulation, borrowed from the urban and online accelerated mediascape, such as the proliferation of backlit devices, the repetition of graphic logos and leitmotifs, his work plays with the conflicting hybridization of iconotexts today. Dizionario is a long-term project: every ten years the artist will publish a volume that assembles around 1000 new images accumulated in the previous decade from his personal archive. This verbo-visual archive, a collision of signs, layers and transparencies, which creates abstract images out of language, is used as a matrix for the fabrication of new works with various materials. For Volume 1, these images-words have been shot in the public space and mostly, yet not exclusively, in the urban landscape, since 2012 in Europe, Japan, Mexico and North America.
Dizionario Vol.1
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$54.95
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Summary:
Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of manipulation, borrowed from the urban and online accelerated mediascape, such as the proliferation of backlit devices, the repetition of graphic logos and leitmotifs, his work plays with the conflicting hybridization of iconotexts today. Dizionario is a long-term project: every ten years the artist will publish a volume that assembles around 1000 new images accumulated in the previous decade from his personal archive. This verbo-visual archive, a collision of signs, layers and transparencies, which creates abstract images out of language, is used as a matrix for the fabrication of new works with various materials. For Volume 1, these images-words have been shot in the public space and mostly, yet not exclusively, in the urban landscape, since 2012 in Europe, Japan, Mexico and North America.
Form:
books
books
Publication:
February 2023
February 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Retours en ville
Retours en ville
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes(...)
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes(...)
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Retours en ville
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes moyennes supérieures. Les anglo-saxons parlent de « gentrification » pour désigner cette évolution. Plus récemment, les projets urbains qui l'ont accompagnée ont privilégié le vocabulaire de la « régénération » ou de la « revitalisation », alors qu'ils sont souvent à l'origine de nouvelles polarisations socio-spatiales. Les études de cas proposées ici se situent dans plusieurs villes européennes et américaines du nord et du sud (New York, Bruxelles, Lyon, Naples, Barcelone, Mexico, São Paulo). Dans des contextes très différents, on retrouve des référents communs, dans les modèles d'habitat et les styles de vie, mais aussi dans les politiques urbaines mises en oeuvre, donnant à penser que les couches sociales qui les portent ont tendance, elles aussi, à se mondialiser.
Retours en ville
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes moyennes supérieures. Les anglo-saxons parlent de « gentrification » pour désigner cette évolution. Plus récemment, les projets urbains qui l'ont accompagnée ont privilégié le vocabulaire de la « régénération » ou de la « revitalisation », alors qu'ils sont souvent à l'origine de nouvelles polarisations socio-spatiales. Les études de cas proposées ici se situent dans plusieurs villes européennes et américaines du nord et du sud (New York, Bruxelles, Lyon, Naples, Barcelone, Mexico, São Paulo). Dans des contextes très différents, on retrouve des référents communs, dans les modèles d'habitat et les styles de vie, mais aussi dans les politiques urbaines mises en oeuvre, donnant à penser que les couches sociales qui les portent ont tendance, elles aussi, à se mondialiser.
Form:
books
books
Publication:
January 2003, Paris
January 2003, Paris
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$27.00
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Summary:
New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for(...)
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Summary:
New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for(...)
Title:
The language of secret proof: indigenous truth and representation. Critical spatial practice
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New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation. Kolowratnik focuses on the double bind in which Native Pueblo communities in the United States find themselves when they become involved in a legal effort to reclaim and protect ancestral lands; the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with Hemish tribal members from northern New Mexico and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, working to deconstruct the fixed opposition between secrecy and disclosure within Western legal systems.
The language of secret proof: indigenous truth and representation. Critical spatial practice
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$27.00
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Summary:
New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation. Kolowratnik focuses on the double bind in which Native Pueblo communities in the United States find themselves when they become involved in a legal effort to reclaim and protect ancestral lands; the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with Hemish tribal members from northern New Mexico and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, working to deconstruct the fixed opposition between secrecy and disclosure within Western legal systems.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$79.00
(available to order)
Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as(...)
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Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2021
September 2021
Title:
Master of the midcentury: the architecture of Williiam F. Cody
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Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.
Master of the midcentury: the architecture of Williiam F. Cody
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$79.00
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Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$54.95
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Summary:
In ''Of other spaces'' Foucault coined the term ''heterotopias'' to signify ''all the other real sites that can be found within the culture'' which ''are simultaneously represented, contested, and inverted.'' For Foucault, heterotopic spaces were first of all spaces of crisis, or transformative spaces, however these have given way to heterotopias of deviation and spaces(...)
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In ''Of other spaces'' Foucault coined the term ''heterotopias'' to signify ''all the other real sites that can be found within the culture'' which ''are simultaneously represented, contested, and inverted.'' For Foucault, heterotopic spaces were first of all spaces of crisis, or transformative spaces, however these have given way to heterotopias of deviation and spaces(...)
Title:
Spaces of crisis and critique : heterotopias beyond Foucault
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In ''Of other spaces'' Foucault coined the term ''heterotopias'' to signify ''all the other real sites that can be found within the culture'' which ''are simultaneously represented, contested, and inverted.'' For Foucault, heterotopic spaces were first of all spaces of crisis, or transformative spaces, however these have given way to heterotopias of deviation and spaces of discipline, such as psychiatric hospitals or prisons. Foucault's essay provokes us to think through how spaces of crisis and critique function to open up disruptive, subversive or minoritarian fields within philosophical, political, cultural or aesthetic discourses. This book takes this interdisciplinary and international approach to the spatial, challenging existing borders, boundaries, and horizons; from Claire Colebrook's chapter unpacking the heterotopic spaces of America and Mexico that lie beyond reductive ideological spaces of light and darkness, to a Foucauldian reading of the Zapatista resistance. With essays on politics, philosophy, literature, post-colonial studies, and aesthetics from established and emerging academics, this book answers Foucault's call to give us a better understanding of our present cultural epoch.
Spaces of crisis and critique : heterotopias beyond Foucault
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In ''Of other spaces'' Foucault coined the term ''heterotopias'' to signify ''all the other real sites that can be found within the culture'' which ''are simultaneously represented, contested, and inverted.'' For Foucault, heterotopic spaces were first of all spaces of crisis, or transformative spaces, however these have given way to heterotopias of deviation and spaces of discipline, such as psychiatric hospitals or prisons. Foucault's essay provokes us to think through how spaces of crisis and critique function to open up disruptive, subversive or minoritarian fields within philosophical, political, cultural or aesthetic discourses. This book takes this interdisciplinary and international approach to the spatial, challenging existing borders, boundaries, and horizons; from Claire Colebrook's chapter unpacking the heterotopic spaces of America and Mexico that lie beyond reductive ideological spaces of light and darkness, to a Foucauldian reading of the Zapatista resistance. With essays on politics, philosophy, literature, post-colonial studies, and aesthetics from established and emerging academics, this book answers Foucault's call to give us a better understanding of our present cultural epoch.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Critical Theory
Critical Theory
Form:
books
books
Title:
Francis Alÿs Fabiola
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, New York, New Haven, London
March 2008, New York, New Haven, London
Title:
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.
Form:
books
books
Publication:
March 2008, New York, New Haven, London
March 2008, New York, New Haven, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$46.00
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Summary:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
$46.00
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Summary:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
Title:
White cube, green maze: new art landscapes
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
White cube, green maze: new art landscapes
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$46.00
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Summary:
Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Gardens
Gardens
Form:
books
books
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$29.95
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Summary:
In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy(...)
$29.95
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Summary:
In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy(...)
Title:
Walled states, waning sovereignty
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Summary:
In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today's walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Walled states, waning sovereignty
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Price:
$29.95
(available to order)
Summary:
In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today's walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Architectural Theory
Architectural Theory
