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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the(...)
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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the(...)
Title:
A peripheral moment: Croatia 1990-2010
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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the periphery as a distinct space of artistic production from that of the center or province, Manfredo Tafuri's concept of architectural experimentation, as well contemporary notions of agency. The account is framed using a variety of different lenses, including the observations of this moment by renowned writers, through the atmosphere of the period as defined by Croatia's complex post-socialist/postwar identity and the subsequent positioning of the architectural profession vis-a-vis that context, the practices that emerged , and through a series of discussions with some of the peripheral moment's primary agent provocateurs: 3LHD, njiric +, Randic - Turato, and STUDIO UP.
A peripheral moment: Croatia 1990-2010
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This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman's theory of the periphery as a distinct space of artistic production from that of the center or province, Manfredo Tafuri's concept of architectural experimentation, as well contemporary notions of agency. The account is framed using a variety of different lenses, including the observations of this moment by renowned writers, through the atmosphere of the period as defined by Croatia's complex post-socialist/postwar identity and the subsequent positioning of the architectural profession vis-a-vis that context, the practices that emerged , and through a series of discussions with some of the peripheral moment's primary agent provocateurs: 3LHD, njiric +, Randic - Turato, and STUDIO UP.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Out the window (LAX)
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a(...)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a(...)
Title:
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a different hotel room each day and photographed out the window. The only requirement was that the view from each room must duplicate the one she inhabited before. The pattern of the drapes change, the color of the stucco exterior changes and the airplanes caught in mid flight move through the atmosphere, but the basic view stays the same. There is a haunting familiarity that one has never really left the first room, a feeling of complete déjà-vu. Time and identity almost cease to exist. For Crosher, her very quiet, minimal images create huge questions about place, identity, the homogenization of global cultures.
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a different hotel room each day and photographed out the window. The only requirement was that the view from each room must duplicate the one she inhabited before. The pattern of the drapes change, the color of the stucco exterior changes and the airplanes caught in mid flight move through the atmosphere, but the basic view stays the same. There is a haunting familiarity that one has never really left the first room, a feeling of complete déjà-vu. Time and identity almost cease to exist. For Crosher, her very quiet, minimal images create huge questions about place, identity, the homogenization of global cultures.
Form:
books
books
Publication:
February 2007
February 2007
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
Form:
books
books
Title:
Space as membrane
Space as membrane
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$35.00
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What if architecture was no longer 3D or 2D, mass or surface, object or space? And what if the architectural environment was envisioned not as an abstract continuum, but as a material envelope that grows organically from the human body, uniting its skin with the periphery of a city, a region or a continent, and even the entire earthly atmosphere? Such a sprawling(...)
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What if architecture was no longer 3D or 2D, mass or surface, object or space? And what if the architectural environment was envisioned not as an abstract continuum, but as a material envelope that grows organically from the human body, uniting its skin with the periphery of a city, a region or a continent, and even the entire earthly atmosphere? Such a sprawling(...)
Title:
Space as membrane
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What if architecture was no longer 3D or 2D, mass or surface, object or space? And what if the architectural environment was envisioned not as an abstract continuum, but as a material envelope that grows organically from the human body, uniting its skin with the periphery of a city, a region or a continent, and even the entire earthly atmosphere? Such a sprawling hypothesis informs the theoretical premise of the 1926 essay Space as Membrane, written by former Bauhaus student, architect and cosmological theorist Siegfried Ebeling. Read and praised by Mies van der Rohe, denounced by Walter Gropius and presaging some of the technological innovations introduced across the Atlantic by Buckminster Fuller, Ebeling's treatise has been the subject of a number of recent commentaries, yet the text itself remains unread, due mainly to the scarcity of the original publication. This is the first English translation of Ebeling's original treatise, as well as the first contemporary edition of the text in any language.
Space as membrane
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What if architecture was no longer 3D or 2D, mass or surface, object or space? And what if the architectural environment was envisioned not as an abstract continuum, but as a material envelope that grows organically from the human body, uniting its skin with the periphery of a city, a region or a continent, and even the entire earthly atmosphere? Such a sprawling hypothesis informs the theoretical premise of the 1926 essay Space as Membrane, written by former Bauhaus student, architect and cosmological theorist Siegfried Ebeling. Read and praised by Mies van der Rohe, denounced by Walter Gropius and presaging some of the technological innovations introduced across the Atlantic by Buckminster Fuller, Ebeling's treatise has been the subject of a number of recent commentaries, yet the text itself remains unread, due mainly to the scarcity of the original publication. This is the first English translation of Ebeling's original treatise, as well as the first contemporary edition of the text in any language.
Form:
books
books
Publication:
June 2010
June 2010
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$75.00
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Summary:
Gardens have inspired artists for hundreds of years. In the late 19th and early 20th centuries, photographers ranging from Eugène Atget to Edward Steichen were drawn to gardens for their beauty and their metaphorical associations. A century later, in the mid-1980s, an unusually large number of artists returned to the garden as a subject for their photography. This lovely(...)
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Summary:
Gardens have inspired artists for hundreds of years. In the late 19th and early 20th centuries, photographers ranging from Eugène Atget to Edward Steichen were drawn to gardens for their beauty and their metaphorical associations. A century later, in the mid-1980s, an unusually large number of artists returned to the garden as a subject for their photography. This lovely(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
November 2004, New York
November 2004, New York
Title:
Contemporary photography and the garden
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$75.00
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Gardens have inspired artists for hundreds of years. In the late 19th and early 20th centuries, photographers ranging from Eugène Atget to Edward Steichen were drawn to gardens for their beauty and their metaphorical associations. A century later, in the mid-1980s, an unusually large number of artists returned to the garden as a subject for their photography. This lovely book devoted to the garden photography of contemporary artists accompanies an exhibition organized by the American Federation of Arts. The photographs—by Gregory Crewdson, Len Jenshel, Erica Lennard, Sally Mann, Catherine Opie, Jack Pierson, and other acclaimed artists—demonstrate a remarkably wide range of artistic responses to the garden. Whether presenting it as a haven of tranquility and lyrical beauty or drawing on it as a dark visual metaphor for the manipulation of nature, these photographs express the artists' investigation of the forms, atmosphere, and symbolism of the garden. Essays by Thomas Padon, Robert Harrison, Ronald Jones, and Shirin Neshat bring historical and contextual insight to the fascination many contemporary artists have with this popular subject.
Contemporary photography and the garden
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$75.00
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Summary:
Gardens have inspired artists for hundreds of years. In the late 19th and early 20th centuries, photographers ranging from Eugène Atget to Edward Steichen were drawn to gardens for their beauty and their metaphorical associations. A century later, in the mid-1980s, an unusually large number of artists returned to the garden as a subject for their photography. This lovely book devoted to the garden photography of contemporary artists accompanies an exhibition organized by the American Federation of Arts. The photographs—by Gregory Crewdson, Len Jenshel, Erica Lennard, Sally Mann, Catherine Opie, Jack Pierson, and other acclaimed artists—demonstrate a remarkably wide range of artistic responses to the garden. Whether presenting it as a haven of tranquility and lyrical beauty or drawing on it as a dark visual metaphor for the manipulation of nature, these photographs express the artists' investigation of the forms, atmosphere, and symbolism of the garden. Essays by Thomas Padon, Robert Harrison, Ronald Jones, and Shirin Neshat bring historical and contextual insight to the fascination many contemporary artists have with this popular subject.
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$66.95
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Summary:
Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and(...)
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and(...)
Title:
Great windows in modern architecture
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window? This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows “great” and how each window is situated within both its technical and philosophical context and as an overall development of modern architecture.
Great windows in modern architecture
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Summary:
Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window? This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows “great” and how each window is situated within both its technical and philosophical context and as an overall development of modern architecture.
Form:
books
books
Publication:
March 2024
March 2024
Subject:
Modernism
Modernism
Form:
books
books
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$85.00
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Summary:
Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and(...)
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Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and(...)
Title:
The Palm Springs School: Desert Modernism 1934-1975
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Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and Albert Frey—were diverse and are ever more relevant in the face of contemporary challenges. Their answers addressed questions that still hold urgency: How to design sustainably in harsh climates? How to use technology efficiently and creatively to meet those challenges? How to build affordable and high-quality mass-produced housing? How to reflect a region’s culture, economy, and distinctive atmosphere? Architects here responded to nature’s climatological demands, and Palm Springs became a center for innovations that were rooted in practice more than theory. Benefitting from the architectural freedoms offered by the remoteness of the California desert, designers explored new approaches that we can now identify as central to the Palm Springs School, shown here in rich archival and contemporary photography.
The Palm Springs School: Desert Modernism 1934-1975
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Summary:
Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and Albert Frey—were diverse and are ever more relevant in the face of contemporary challenges. Their answers addressed questions that still hold urgency: How to design sustainably in harsh climates? How to use technology efficiently and creatively to meet those challenges? How to build affordable and high-quality mass-produced housing? How to reflect a region’s culture, economy, and distinctive atmosphere? Architects here responded to nature’s climatological demands, and Palm Springs became a center for innovations that were rooted in practice more than theory. Benefitting from the architectural freedoms offered by the remoteness of the California desert, designers explored new approaches that we can now identify as central to the Palm Springs School, shown here in rich archival and contemporary photography.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Modernism
Modernism
Form:
books
books
Title:
Mamma Andersson
Mamma Andersson
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Summary:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
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Summary:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2007, Göttingen / London
May 2007, Göttingen / London
Title:
Mamma Andersson
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Summary:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
Mamma Andersson
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Summary:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
Form:
books
books
Publication:
May 2007, Göttingen / London
May 2007, Göttingen / London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$41.99
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Summary:
The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help(...)
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Summary:
The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2022
April 2022
Title:
Accumulation: the art, architecture and media of climate change
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The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments. The essays in ''Accumulation'' address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.
Accumulation: the art, architecture and media of climate change
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$41.99
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Summary:
The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments. The essays in ''Accumulation'' address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$39.99
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Summary:
Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In "Vertical", Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms(...)
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Summary:
Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In "Vertical", Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms(...)
Title:
Vertical : the city from satellites to bunkers
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Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In "Vertical", Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms of above and below. Starting at the edge of earth’s atmosphere and, in a series of riveting studies, descending through each layer, Graham explores the world of drones, the city from the viewpoint of an aerial bomber, the design of sidewalks and the hidden depths of underground bunkers. He asks: why was Dubai built to be seen from Google Earth? How do the super-rich in São Paulo live in their penthouses far above the street? Why do London billionaires build vast subterranean basements? And how do the technology of elevators and subversive urban explorers shape life on the surface and subsurface of the earth?
Vertical : the city from satellites to bunkers
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$39.99
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Summary:
Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In "Vertical", Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms of above and below. Starting at the edge of earth’s atmosphere and, in a series of riveting studies, descending through each layer, Graham explores the world of drones, the city from the viewpoint of an aerial bomber, the design of sidewalks and the hidden depths of underground bunkers. He asks: why was Dubai built to be seen from Google Earth? How do the super-rich in São Paulo live in their penthouses far above the street? Why do London billionaires build vast subterranean basements? And how do the technology of elevators and subversive urban explorers shape life on the surface and subsurface of the earth?
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$49.95
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Summary:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
Title:
The National Gallery of Canada : ideas and architecture
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
The National Gallery of Canada : ideas and architecture
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$49.95
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Summary:
In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Form:
books
books
Publication:
June 2003, Montréal
June 2003, Montréal
Subject:
Architecture in Canada
Architecture in Canada
