photographs
PH1986:1363
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
architecture
August 1985
View of the Sherwin-Williams Company Building from Atwater Avenue, Montréal, Québec
Actions:
PH1986:1363
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
photographs
August 1985
architecture
photographs
PH1986:1364
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
architecture
April 1985
View of the Sherwin-Williams Company Building at the southeast corner of St. Patrick Street and Atwater Avenue, Montréal, Québec
Actions:
PH1986:1364
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
photographs
April 1985
architecture
photographs
PH1986:1365
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
architecture
2 June 1985
View of the Sherwin-Williams Company Building from St. Patrick Street and Atwater Avenue, Montréal, Québec
Actions:
PH1986:1365
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
photographs
2 June 1985
architecture
photographs
View of the Sherwin-Williams Company Building at gate 11, 3050 St. Patrick Street, Montréal, Québec
PH1986:1366
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
architecture
August 1985
View of the Sherwin-Williams Company Building at gate 11, 3050 St. Patrick Street, Montréal, Québec
Actions:
PH1986:1366
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
photographs
August 1985
architecture
archives
Level of archival description:
Fonds
A.D. Thacker fonds
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
1913-1944
A.D. Thacker fonds
Actions:
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
archives
Level of archival description:
Fonds
1913-1944
textual records
DR2012:0015:021:010
Description:
File containing documents in English (predominant), including correspondence (primarily printouts of emails) and notes regarding the private sale of the following works: - One size fits all / 2: 20th century New York skyscrapers; - The American city: via Saigon; - Fathers and Sons...; - Cities on the run... realignments often are. Original folder inscribed in graphite: NORMAN DAMIANI
2003-2004
Correspondence related to Melvin Charney's projects
Actions:
DR2012:0015:021:010
Description:
File containing documents in English (predominant), including correspondence (primarily printouts of emails) and notes regarding the private sale of the following works: - One size fits all / 2: 20th century New York skyscrapers; - The American city: via Saigon; - Fathers and Sons...; - Cities on the run... realignments often are. Original folder inscribed in graphite: NORMAN DAMIANI
textual records
2003-2004
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
27 April 2023, 6:00 to 7:30 p.m.
Peguis First Nation and the Netley-Libau Marsh: Documenting Indigenous Land Use and Occupancy at the Mouth of Lake Winnipeg
Actions:
Description:
The St. Peter’s Indian Band (now Peguis First Nation) was forcibly removed from their original lands at Netley-Libau Marsh beginning in 1908, after an illegal surrender vote took place. Since then, the health of the area that was once the Peguis’s home has declined due to intense annual flooding and ice jams; the appearance of invasive species such as purple loosestrife,(...)
online Keyword(s):
Indigenous-led design, fellow, Peguis First Nation, land rehabilitation
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Study Room, CCA
3 July 2025, 6pm to 7:30pm
Common Threads: The Craft of a Woman’s Archive
Actions:
Description:
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Study Room, CCA
photographs
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
architecture
28 August 1985
View of the Sherwin-Williams Company Building under demolition, 3134 St. Patrick Street, Montréal, Québec
Actions:
PH1986:1367
Description:
Commissioned by the Canadian Centre for Architecture, Montréal, for "Lachine Canal," 1985-1986.
photographs
28 August 1985
architecture
drawings
DR1985:0360
Description:
- Le plan principal montre le site d'un château ainsi que l'aménagement de son jardin. L'ensemble témoigne des époques successives: le bâtiment lui-même, constitué d'un corps de logis et de deux ailes, forme un carré flanqué d'une tourelle à chaque angle et est ceinturé par un fossé rempli d'eau, rappelant l'ancien château féodal. Une loggia typiquement renaissance borde le corps principal du côté de la cour intérieure. Le jardin quand à lui présente successivement des parterres en broderie qui nous ramènent au tournant du 17ème siècle, puis un bassin avec fontaine et des cabinets verts séparés au centre par un canal, éléments caractéristiques du jardin français classique du 17ème siècle. C'est dans cette dernière partie, entre le bassin avec fontaine et le canal séparant les cabinets verts, qu'une proposition de modification est présentée sous la forme d'un rabat abaissé sur le dessin principal. Datant du 18ème siècle, ce dessin propose l'aménagement d'un bassin avec cascade en forme de coquillage à la tête du canal. Finalement, une esquisse à l'encre rouge se superpose au dessin du rabat pour une deuxième modification du projet.
landscape architecture
ca. 1760
Design for a basin with a cascade in the garden of a château
Actions:
DR1985:0360
Description:
- Le plan principal montre le site d'un château ainsi que l'aménagement de son jardin. L'ensemble témoigne des époques successives: le bâtiment lui-même, constitué d'un corps de logis et de deux ailes, forme un carré flanqué d'une tourelle à chaque angle et est ceinturé par un fossé rempli d'eau, rappelant l'ancien château féodal. Une loggia typiquement renaissance borde le corps principal du côté de la cour intérieure. Le jardin quand à lui présente successivement des parterres en broderie qui nous ramènent au tournant du 17ème siècle, puis un bassin avec fontaine et des cabinets verts séparés au centre par un canal, éléments caractéristiques du jardin français classique du 17ème siècle. C'est dans cette dernière partie, entre le bassin avec fontaine et le canal séparant les cabinets verts, qu'une proposition de modification est présentée sous la forme d'un rabat abaissé sur le dessin principal. Datant du 18ème siècle, ce dessin propose l'aménagement d'un bassin avec cascade en forme de coquillage à la tête du canal. Finalement, une esquisse à l'encre rouge se superpose au dessin du rabat pour une deuxième modification du projet.
drawings
ca. 1760
landscape architecture