Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
Gratte-ciels
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This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
See this sound : audiovisuology 2 (essays)
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This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
Acoustics
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and(...)
Le Corbusier's Chandigarh Revisited: Preservation as future modernism
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and architecture today. What lessons, if any, does the utopian ethos within modernism offer in the face of the climate crisis, rising authoritarianism, and the digital explosion? Via chapters focused on the hydrologics of the master plan, the symbolism of the Capitol buildings, and the archeology of the unbuilt Museum of Knowledge, this book makes the future-preservation case for Chandigarh as an ‘open’ work, a project that was set up by design to be ‘completed’ by others in times yet to come.
Architecture Monographs
Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines,(...)
Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, ''Minter-isms'' is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.
Contemporary Art Monographs
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and(...)
August 2017
Moscow vanguard art : 1922-1992
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Ambitious and interdisciplinary, "Moscow vanguard art: 1922-1992 tells the story of generations of artists who resisted Soviet dictates on aesthetics, spanning the Russian avant-garde, socialist realism, and Soviet postwar art in one volume. Drawing on art history, criticism, and political theory, Margarita Tupitsyn unites these three epochs, mapping their differences and commonalities, ultimately reconnecting the postwar vanguard with the historical avant-garde. With a focus on Moscow artists, the book chronicles how this milieu achieved institutional and financial independence, and reflects on the theoretical and visual models it generated in various media, including painting, photography, conceptual, performance, and installation art. Generously illustrated, this ground-breaking volume, published in the year that marks the centennial of the October Revolution, demonstrates that, regardless of political repression, the spirit of artistic experiment never ceased to exist in the Soviet Union.
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a(...)
Art and the city : civic imagination and cultural authority in Los Angeles
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II.
Urban Theory
The rammed earth house
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The Rammed Earth House is an eye-opening example of how the most dramatic innovations in home design and construction frequently have their origins in the distant past. By rediscovering the most ancient of all building materials, earth, forward-thinking homebuilders can now create structures that set new standards for beauty, durability, and efficient use of natural(...)
The rammed earth house
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The Rammed Earth House is an eye-opening example of how the most dramatic innovations in home design and construction frequently have their origins in the distant past. By rediscovering the most ancient of all building materials, earth, forward-thinking homebuilders can now create structures that set new standards for beauty, durability, and efficient use of natural resources. Rammed earth construction is a step forward into a sustainable future, when homes will combine pleasing aesthetics and intense practicality with a powerful sense of place. Rammed earth homes are built entirely on-site, using basic elements—earth, water, and a little cement. The solid masonry walls permit design flexibility while providing year-round comfort and minimal use of energy. The builder and resident of a rammed earth house will experience the deep satisfaction of creating permanence in a world dominated by the disposable.
Green Architecture
Sherrie Levine
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
Sherrie Levine
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Art Theory
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT(...)
The man in the glass house: Philip Johnson, architecture of the modern century
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns.
Architecture Monographs
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Straw bale houses are easy to build, inexpensive, energy efficient, environmentally friendly, attractive, and, most of all, can be designed to match the builder's personal space needs, aesthetics, and budget. It's no wonder that straw bale houses are growing in popularity. In "Straw Bale Building," professional bale builders Peter Mack and Chris Magwood lead the potential(...)
Green Architecture
November 1999, Gabriola Island, BC
Straw bale building : how to plan, design & build with straw
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Straw bale houses are easy to build, inexpensive, energy efficient, environmentally friendly, attractive, and, most of all, can be designed to match the builder's personal space needs, aesthetics, and budget. It's no wonder that straw bale houses are growing in popularity. In "Straw Bale Building," professional bale builders Peter Mack and Chris Magwood lead the potential builder through the entire process of building a bale structure, tackling all the practical issues from how to find and choose bales; developing sound building plans; costs; roofing; electrical, plumbing, and heating systems; building code compliance and working with building inspectors; and special concerns for builders in northern climates. Peter Mack and Chris Magwood are professional bale house builders. Together they have constructed 15 straw bale houses and structures. They teach a popular, on-going straw bale building workshop in Ontario, Canada.
books
November 1999, Gabriola Island, BC
Green Architecture