4053 Results
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audio
audio
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1 online resource.
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Publication:
[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
Form:
audio
audio
Publication:
[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
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books
books
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Description:
144 pages : illustrations (some color) ; 26 x 34 cm
Description:
144 pages : illustrations (some color) ; 26 x 34 cm
Author:
Subject:
- Demand, Thomas, 1964- Exhibitions.,
- Demand, Thomas, 1964-,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Maquette d'architecture.,
- Sculpture en papier.,
- Artistic photography Exhibitions.,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Photographie (Descripteur de forme),
- Catalogues d'exposition.
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Publication:
New York : Museum of Modern Art, ©2005.
New York : Museum of Modern Art, ©2005.
Title:
Thomas Demand / Roxana Marcoci ; with a short story by Jeffrey Eugenides.
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Description:
144 pages : illustrations (some color) ; 26 x 34 cm
Thomas Demand / Roxana Marcoci ; with a short story by Jeffrey Eugenides.
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Description:
144 pages : illustrations (some color) ; 26 x 34 cm
Form:
books
books
Publication:
New York : Museum of Modern Art, ©2005.
New York : Museum of Modern Art, ©2005.
Subject:
- Demand, Thomas, 1964- Exhibitions.,
- Demand, Thomas, 1964-,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Maquette d'architecture.,
- Sculpture en papier.,
- Artistic photography Exhibitions.,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Photographie (Descripteur de forme),
- Catalogues d'exposition.
(See more)
Form:
graphic materials
graphic materials
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Description:
approximately 137 items : illustrations (some color) ; various sizes
Description:
approximately 137 items : illustrations (some color) ; various sizes
Subject:
- Wright, Frank Lloyd, 1867-1959.,
- Pope-Leighey House (Va.),
- Price Tower (Bartlesville, Okla.),
- Frank Thomas House (Oak Park, Ill.),
- Arthur Heurtley House (Oak Park, Ill.),
- Fallingwater (Pa.),
- Stockman House (Mason City, Iowa),
- Darwin D. Martin House (Buffalo, N.Y.),
- Florida Southern College.,
- Teikoku Hoteru.,
- Yesteryear (Kankakee, Ill.),
- Frank Lloyd Wright House (Oak Park, Ill.),
- Frank Lloyd Wright Studio (Oak Park, Ill.),
- Hollyhock House (Hollywood, Los Angeles, Calif.),
- Solomon R. Guggenheim Museum.,
- Community Christian Church (Kansas City, Mo.),
- Taliesin West (Scottsdale, Ariz.),
- Taliesin III (Spring Green, Wis.),
- Mrs. Thomas Gale House (Oak Park, Ill.),
- Marin County Civic Center.,
- Circle Gallery (San Francisco, Calif.),
- Nathan G. Moore House (Oak Park, Ill.),
- Winslow House (River Forest, Ill.),
- Unity Temple (Oak Park, Ill.),
- Annunciation Greek Orthodox Church (Milwaukee, Wis.),
- Grady Gammage Memorial Auditorium (Tempe, Ariz.),
- Meeting House of the First Unitarian Society (Madison, Wis.),
- V.C. Morris Store (San Francisco, Calif.),
- Isabel Roberts House (River Forest, Ill.),
- Wingspread (Wind Point, Wis.),
- Myonichikan (Tokyo, Japan),
- Kaufmann Office (Victoria and Albert Museum),
- A.D. German Warehouse (Richland Center, Wis.),
- Allentown Art Museum.,
- Pope-Leighey House (Virg.),
- Fallingwater (Penns.),
- Wright-Bock Fountain (Oak Park, Ill.),
- Architectural furniture United States 1890-1960.,
- Houses United States 1890-1960.,
- Skyscrapers United States Oklahoma Bartlesville 1890-1960.,
- Office towers United States Oklahoma Bartlesville 1890-1960.,
- Specialty stores United States California San Francisco 1890-1960.,
- Civic Centers United States California 1890-1960.,
- Churches United States 1890-1960.,
- Meeting Houses United States Wisconsin Madison 1890-1960.,
- Fountains United States Illinois Oak Park 1890-1960.,
- Auditoriums United States Arizona Tempe 1890-1960.,
- Hotels (public accommodations) Japan Tokyo 1890-1960.,
- Studios (work spaces) United States Illinois Oak Park 1890-1960.,
- Museums United States 1890-1960.,
- Convention centers United States Wisconsin Racine 1890-1960.,
- Colleges United States Florida Lakeland 1890-1960.,
- Schools Japan Tokyo 1890-1960.,
- Offices Great Britain England London 1970-1990.,
- Libraries (rooms) United States Pennsylvania Allentown 1990-2000.,
- Warehouses United States Wisconsin Richland Center 1890-1960.,
- Stained glass Windows United States 1890-1960.,
- American Architects.,
- Postcards.
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Title:
Frank Lloyd Wright : postcards, 1950-1995.
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Description:
approximately 137 items : illustrations (some color) ; various sizes
Frank Lloyd Wright : postcards, 1950-1995.
Actions:
Holdings:
Description:
approximately 137 items : illustrations (some color) ; various sizes
Form:
graphic materials
graphic materials
Subject:
- Wright, Frank Lloyd, 1867-1959.,
- Pope-Leighey House (Va.),
- Price Tower (Bartlesville, Okla.),
- Frank Thomas House (Oak Park, Ill.),
- Arthur Heurtley House (Oak Park, Ill.),
- Fallingwater (Pa.),
- Stockman House (Mason City, Iowa),
- Darwin D. Martin House (Buffalo, N.Y.),
- Florida Southern College.,
- Teikoku Hoteru.,
- Yesteryear (Kankakee, Ill.),
- Frank Lloyd Wright House (Oak Park, Ill.),
- Frank Lloyd Wright Studio (Oak Park, Ill.),
- Hollyhock House (Hollywood, Los Angeles, Calif.),
- Solomon R. Guggenheim Museum.,
- Community Christian Church (Kansas City, Mo.),
- Taliesin West (Scottsdale, Ariz.),
- Taliesin III (Spring Green, Wis.),
- Mrs. Thomas Gale House (Oak Park, Ill.),
- Marin County Civic Center.,
- Circle Gallery (San Francisco, Calif.),
- Nathan G. Moore House (Oak Park, Ill.),
- Winslow House (River Forest, Ill.),
- Unity Temple (Oak Park, Ill.),
- Annunciation Greek Orthodox Church (Milwaukee, Wis.),
- Grady Gammage Memorial Auditorium (Tempe, Ariz.),
- Meeting House of the First Unitarian Society (Madison, Wis.),
- V.C. Morris Store (San Francisco, Calif.),
- Isabel Roberts House (River Forest, Ill.),
- Wingspread (Wind Point, Wis.),
- Myonichikan (Tokyo, Japan),
- Kaufmann Office (Victoria and Albert Museum),
- A.D. German Warehouse (Richland Center, Wis.),
- Allentown Art Museum.,
- Pope-Leighey House (Virg.),
- Fallingwater (Penns.),
- Wright-Bock Fountain (Oak Park, Ill.),
- Architectural furniture United States 1890-1960.,
- Houses United States 1890-1960.,
- Skyscrapers United States Oklahoma Bartlesville 1890-1960.,
- Office towers United States Oklahoma Bartlesville 1890-1960.,
- Specialty stores United States California San Francisco 1890-1960.,
- Civic Centers United States California 1890-1960.,
- Churches United States 1890-1960.,
- Meeting Houses United States Wisconsin Madison 1890-1960.,
- Fountains United States Illinois Oak Park 1890-1960.,
- Auditoriums United States Arizona Tempe 1890-1960.,
- Hotels (public accommodations) Japan Tokyo 1890-1960.,
- Studios (work spaces) United States Illinois Oak Park 1890-1960.,
- Museums United States 1890-1960.,
- Convention centers United States Wisconsin Racine 1890-1960.,
- Colleges United States Florida Lakeland 1890-1960.,
- Schools Japan Tokyo 1890-1960.,
- Offices Great Britain England London 1970-1990.,
- Libraries (rooms) United States Pennsylvania Allentown 1990-2000.,
- Warehouses United States Wisconsin Richland Center 1890-1960.,
- Stained glass Windows United States 1890-1960.,
- American Architects.,
- Postcards.
(See more)
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Price:
$23.95
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Summary:
At the dawn of the twenty-first century, architecture is in a state of crisis. Numbed by an ugly and shoddily constructed built environment and outraged by the cost of high-profile design projects, the public has become disinterested in and contemptuous of architecture as both a profession and an art. At the same time, some of our most creative designers have isolated(...)
$23.95
(available to order)
Summary:
At the dawn of the twenty-first century, architecture is in a state of crisis. Numbed by an ugly and shoddily constructed built environment and outraged by the cost of high-profile design projects, the public has become disinterested in and contemptuous of architecture as both a profession and an art. At the same time, some of our most creative designers have isolated(...)
Title:
In the scheme of things : alternative thinking on the practice of architecture
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$23.95
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At the dawn of the twenty-first century, architecture is in a state of crisis. Numbed by an ugly and shoddily constructed built environment and outraged by the cost of high-profile design projects, the public has become disinterested in and contemptuous of architecture as both a profession and an art. At the same time, some of our most creative designers have isolated themselves from the tastes and needs of mainstream society, reflecting a similar malaise found in design and architecture schools around the country. In this troubling climate, Thomas R. Fisher contends that the purpose and prospects of architectural practice must be reconsidered and reenergized. "In the Scheme of Things" looks at architecture's need to respond creatively and meaningfully to the extraordinary changes affecting the profession now, changes that include the global economy, the advent of computer-aided design, and the growing disconnection between design schools, architectural practice, and the public. In each of the twelve essays that comprise this timely volume, Fisher addresses issues of vital concern to architects and students, offering hard-hitting criticism and proposing innovative and practical ideas for reform at the level of both the individual practitioner and the profession as a whole. Through his thoughtful and nuanced consideration of architecture's ideological foundations and its relationship to ecology, politics, and technology, as well as his subtle understanding of the architect's interior life, Fisher challenges the demoralized design community to recapture its historical role as steward and visionary of the public realm.
In the scheme of things : alternative thinking on the practice of architecture
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Price:
$23.95
(available to order)
Summary:
At the dawn of the twenty-first century, architecture is in a state of crisis. Numbed by an ugly and shoddily constructed built environment and outraged by the cost of high-profile design projects, the public has become disinterested in and contemptuous of architecture as both a profession and an art. At the same time, some of our most creative designers have isolated themselves from the tastes and needs of mainstream society, reflecting a similar malaise found in design and architecture schools around the country. In this troubling climate, Thomas R. Fisher contends that the purpose and prospects of architectural practice must be reconsidered and reenergized. "In the Scheme of Things" looks at architecture's need to respond creatively and meaningfully to the extraordinary changes affecting the profession now, changes that include the global economy, the advent of computer-aided design, and the growing disconnection between design schools, architectural practice, and the public. In each of the twelve essays that comprise this timely volume, Fisher addresses issues of vital concern to architects and students, offering hard-hitting criticism and proposing innovative and practical ideas for reform at the level of both the individual practitioner and the profession as a whole. Through his thoughtful and nuanced consideration of architecture's ideological foundations and its relationship to ecology, politics, and technology, as well as his subtle understanding of the architect's interior life, Fisher challenges the demoralized design community to recapture its historical role as steward and visionary of the public realm.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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Description:
150, [18] pages : chiefly illustrations (some color) ; 23 cm
Description:
150, [18] pages : chiefly illustrations (some color) ; 23 cm
Title:
Le poeme de l'angle droit / Le Corbusier.
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Description:
150, [18] pages : chiefly illustrations (some color) ; 23 cm
Le poeme de l'angle droit / Le Corbusier.
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Holdings:
Description:
150, [18] pages : chiefly illustrations (some color) ; 23 cm
Form:
books
books
Publication:
Ostfildern : Hatje Cantz, ©2012.
Ostfildern : Hatje Cantz, ©2012.
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Price:
$53.95
(available to order)
Summary:
"Two minds" is a major volume exploring and critiquing the subject of collaboration between artists and architects. Interest and activity in this field is growing rapidly, making this book a timely consideration of an important phenomenon. The book documents 18 projects funded through the RSA Art for Architecture scheme and focuses on work by internationally renowned(...)
$53.95
(available to order)
Summary:
"Two minds" is a major volume exploring and critiquing the subject of collaboration between artists and architects. Interest and activity in this field is growing rapidly, making this book a timely consideration of an important phenomenon. The book documents 18 projects funded through the RSA Art for Architecture scheme and focuses on work by internationally renowned(...)
Title:
Two minds : artists and architects in collaboration
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$53.95
(available to order)
Summary:
"Two minds" is a major volume exploring and critiquing the subject of collaboration between artists and architects. Interest and activity in this field is growing rapidly, making this book a timely consideration of an important phenomenon. The book documents 18 projects funded through the RSA Art for Architecture scheme and focuses on work by internationally renowned figures such as Mark Dion, Chris Ofili, David Adjaye and Herzog & de Meuron, alongside that of emerging practitioners. As well as containing in depth case studies, "Two minds" features commissioned essays by Philip Ursprung and Cara Mullio which explore key issues surrounding collaborative practice. A range of topics are discussed, including the high level of support for art and architecture schemes in German speaking areas of Europe, the recent move of many so-called ‘gallery’ artists into the public domain and new ways of working that are opened up through collaboration.
Two minds : artists and architects in collaboration
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Price:
$53.95
(available to order)
Summary:
"Two minds" is a major volume exploring and critiquing the subject of collaboration between artists and architects. Interest and activity in this field is growing rapidly, making this book a timely consideration of an important phenomenon. The book documents 18 projects funded through the RSA Art for Architecture scheme and focuses on work by internationally renowned figures such as Mark Dion, Chris Ofili, David Adjaye and Herzog & de Meuron, alongside that of emerging practitioners. As well as containing in depth case studies, "Two minds" features commissioned essays by Philip Ursprung and Cara Mullio which explore key issues surrounding collaborative practice. A range of topics are discussed, including the high level of support for art and architecture schemes in German speaking areas of Europe, the recent move of many so-called ‘gallery’ artists into the public domain and new ways of working that are opened up through collaboration.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$69.50
(available to order)
Summary:
In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to(...)
$69.50
(available to order)
Summary:
In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to(...)
Title:
Garden art 2001: Potsdam national horticultural show
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$69.50
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Summary:
In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to cultivate 60 hectares of public park, to redesign urban spaces and other sites where historical townscapes and nature conjoin, to develop avant-garde artistic features, and to create the central spectacular exhibition space. This book will present the various parks and artistic interventions in their finished state, accompanied by lavish illustrations and descriptive texts, thus ensuring that the book remains topical thoughout the festival and will be an enduring documentation long after the doors have been closed and the new park with its array of leisure and recreational facitilities has been developed.
Garden art 2001: Potsdam national horticultural show
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Price:
$69.50
(available to order)
Summary:
In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to cultivate 60 hectares of public park, to redesign urban spaces and other sites where historical townscapes and nature conjoin, to develop avant-garde artistic features, and to create the central spectacular exhibition space. This book will present the various parks and artistic interventions in their finished state, accompanied by lavish illustrations and descriptive texts, thus ensuring that the book remains topical thoughout the festival and will be an enduring documentation long after the doors have been closed and the new park with its array of leisure and recreational facitilities has been developed.
Form:
books
books
Publication:
September 2001, Basel
September 2001, Basel
Subject:
Gardens
Gardens
Price:
$46.50
(available to order)
Summary:
This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium)(...)
$46.50
(available to order)
Summary:
This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium)(...)
Title:
The bishop's palace : architecture & authority in medieval Italy
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$46.50
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Summary:
This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities. Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a "persecuting society" in the central Middle Ages.
The bishop's palace : architecture & authority in medieval Italy
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Price:
$46.50
(available to order)
Summary:
This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities. Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a "persecuting society" in the central Middle Ages.
Subject:
History until 1900
History until 1900
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$50.00
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Summary:
The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned(...)
$50.00
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Summary:
The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned(...)
Title:
Pricegore & Yinka Ilori: Dulwich Pavilion
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$50.00
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Summary:
The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned the first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant large-format book documents this piece of built poetry in a series of striking atmospheric photographs by Sophie Roycroft. Concise essays by Job Floris and Sumayya Vally situate the project within its social, political, and cultural context and are complemented by technical details and selected plans and drawings on and inside the book’s cover.
Pricegore & Yinka Ilori: Dulwich Pavilion
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$50.00
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Summary:
The Dulwich Picture Gallery in the south of London was the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public," it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned the first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant large-format book documents this piece of built poetry in a series of striking atmospheric photographs by Sophie Roycroft. Concise essays by Job Floris and Sumayya Vally situate the project within its social, political, and cultural context and are complemented by technical details and selected plans and drawings on and inside the book’s cover.
Subject:
Architecture Monographs
Architecture Monographs
Title:
What black is this you say?
What black is this you say?
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$59.95
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Summary:
"What black is this you say?", by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black,(...)
$59.95
(available in store)
Summary:
"What black is this you say?", by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black,(...)
Title:
What black is this you say?
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$59.95
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Summary:
"What black is this you say?", by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black, paired with witty and incisive comments on the multiplicity of Black culture—are expounded upon in poems, essays, and prose. With this anthology, Williams deliberately departs from traditional art criticism by gathering an intimate ensemble of her peers, friends, and collaborators, including Roxane Gay, Corinne Bailey Rae, and J Wortham, to comment on her work.
What black is this you say?
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$59.95
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Summary:
"What black is this you say?", by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black, paired with witty and incisive comments on the multiplicity of Black culture—are expounded upon in poems, essays, and prose. With this anthology, Williams deliberately departs from traditional art criticism by gathering an intimate ensemble of her peers, friends, and collaborators, including Roxane Gay, Corinne Bailey Rae, and J Wortham, to comment on her work.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs