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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important(...)
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important(...)
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March 2012
March 2012
Title:
Electrical bananas : masters of psychedelic art
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. "Electrical Banana" documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis' "Bitches Brew"; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles' animated film "Yellow Submarine"; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. "Electrical Banana" features a lengthy historical essay and interviews with all of the artists.
Electrical bananas : masters of psychedelic art
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From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. "Electrical Banana" is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. "Electrical Banana" documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis' "Bitches Brew"; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles' animated film "Yellow Submarine"; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. "Electrical Banana" features a lengthy historical essay and interviews with all of the artists.
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books
books
Publication:
March 2012
March 2012
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books
books
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Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) (1980-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the(...)
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Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) (1980-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the(...)
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Hanne Darboven: cultural history 1880-1983
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Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) (1980-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the first and second world wars, geometric diagrams for textile weaving, a sampling of New York doorways, illustrated covers from news magazines, the contents of an exhibition catalogue devoted to postwar European and American art, a kitschy literary calendar, and extracts from some of Darboven's earlier works.
Hanne Darboven: cultural history 1880-1983
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Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) (1980-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references with autobiographical documents, postcards, pinups of film and rock stars, documentary references to the first and second world wars, geometric diagrams for textile weaving, a sampling of New York doorways, illustrated covers from news magazines, the contents of an exhibition catalogue devoted to postwar European and American art, a kitschy literary calendar, and extracts from some of Darboven's earlier works.
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books
books
Publication:
March 2009, Cambridge
March 2009, Cambridge
Subject:
Art Theory
Art Theory
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books
books
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$24.95
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
Subject:
CCA Publications
CCA Publications
Publication:
March 2005, Montréal
March 2005, Montréal
Title:
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
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In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Form:
books
books
Publication:
March 2005, Montréal
March 2005, Montréal
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
Uriel Orlow: Forest times
Uriel Orlow: Forest times
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Summary:
"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
Title:
Uriel Orlow: Forest times
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
Uriel Orlow: Forest times
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Peris+Toral was founded in 2005 by Marta Peris and José Toral. Together they dedicate their Barcelona-based practice to research on dwelling and building methods, with theoretical and written work that addresses areas such as the relationship between film and architecture, modern ways of living, low-impact construction systems, and comfort. This monographic issue features(...)
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Peris+Toral was founded in 2005 by Marta Peris and José Toral. Together they dedicate their Barcelona-based practice to research on dwelling and building methods, with theoretical and written work that addresses areas such as the relationship between film and architecture, modern ways of living, low-impact construction systems, and comfort. This monographic issue features(...)
Title:
El Croquis 234: Peris + Toral 2015 - 2026
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Peris+Toral was founded in 2005 by Marta Peris and José Toral. Together they dedicate their Barcelona-based practice to research on dwelling and building methods, with theoretical and written work that addresses areas such as the relationship between film and architecture, modern ways of living, low-impact construction systems, and comfort. This monographic issue features a conversation between the architects and Eduardo Prieto, where they explore systems of exception and their attention to perception, depth, and gradient. Fourteen works are profiled, including several Spanish social housing projects, the Pere Garau Health Centre, and a house-studio in Barcelona.
El Croquis 234: Peris + Toral 2015 - 2026
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Peris+Toral was founded in 2005 by Marta Peris and José Toral. Together they dedicate their Barcelona-based practice to research on dwelling and building methods, with theoretical and written work that addresses areas such as the relationship between film and architecture, modern ways of living, low-impact construction systems, and comfort. This monographic issue features a conversation between the architects and Eduardo Prieto, where they explore systems of exception and their attention to perception, depth, and gradient. Fourteen works are profiled, including several Spanish social housing projects, the Pere Garau Health Centre, and a house-studio in Barcelona.
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books
books
Publication:
February 2026
February 2026
Subject:
El Croquis
El Croquis
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books
books
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$60.00
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn(...)
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn(...)
Title:
Robert Brownjohn : sex and typography
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn produced on his own and as a cofounder of the firms Brownjohn, Chermayeff, and Geismar in New York, and Cammell, Hudson, and Brownjohn in London, including campaigns for such giants as Pirelli, IBM, and Midland Bank.
Robert Brownjohn : sex and typography
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn produced on his own and as a cofounder of the firms Brownjohn, Chermayeff, and Geismar in New York, and Cammell, Hudson, and Brownjohn in London, including campaigns for such giants as Pirelli, IBM, and Midland Bank.
Form:
books
books
Publication:
November 2005, New York
November 2005, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
Title:
How Tacita Dean draws
How Tacita Dean draws
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$28.00
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In this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Dean’s(...)
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In this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Dean’s(...)
Title:
How Tacita Dean draws
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In this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Dean’s strategy of adopting blindness to make an image is an urgent response to our culturally, technologically, and ecologically unstable moment. The text, illustrated with more than forty images, is based on seven years of conversations between the author and the artist.
How Tacita Dean draws
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In this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Dean’s strategy of adopting blindness to make an image is an urgent response to our culturally, technologically, and ecologically unstable moment. The text, illustrated with more than forty images, is based on seven years of conversations between the author and the artist.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$100.00
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features(...)
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features(...)
Title:
Korean Feminist Artists: Confront and deconstruct
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features artworks across painting, sculpture, photography, film, video, installation, handicrafts, and performance. Through rich imagery and insightful writing, the book explores the quest of these pioneering artists for social, cultural, and sexual equality, from their confrontations with the mainstream art establishment to the significance of their aesthetic and political interventions.
Korean Feminist Artists: Confront and deconstruct
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features artworks across painting, sculpture, photography, film, video, installation, handicrafts, and performance. Through rich imagery and insightful writing, the book explores the quest of these pioneering artists for social, cultural, and sexual equality, from their confrontations with the mainstream art establishment to the significance of their aesthetic and political interventions.
Form:
books
books
Publication:
March 2025
March 2025
Form:
books
books
Title:
Essential Eames
Essential Eames
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Charles and Ray Eames are regarded by many as the most influential designers of the twentieth century. Perhaps best known for their timeless furniture designs (Eames Lounge Chair), the husband-and-wife team also made pioneering contributions in the fields of architecture (Eames House), film (Powers of Ten), exhibitions (Mathematica), toys (House of Cards), graphics, and(...)
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Charles and Ray Eames are regarded by many as the most influential designers of the twentieth century. Perhaps best known for their timeless furniture designs (Eames Lounge Chair), the husband-and-wife team also made pioneering contributions in the fields of architecture (Eames House), film (Powers of Ten), exhibitions (Mathematica), toys (House of Cards), graphics, and(...)
Title:
Essential Eames
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Charles and Ray Eames are regarded by many as the most influential designers of the twentieth century. Perhaps best known for their timeless furniture designs (Eames Lounge Chair), the husband-and-wife team also made pioneering contributions in the fields of architecture (Eames House), film (Powers of Ten), exhibitions (Mathematica), toys (House of Cards), graphics, and much more. Essential Eames: Words & Pictures draws from their shared lifetime of speeches and writings, as well as an archive of nearly one million photographs taken by the Eameses and their staff over a period of more than four decades.
Essential Eames
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Charles and Ray Eames are regarded by many as the most influential designers of the twentieth century. Perhaps best known for their timeless furniture designs (Eames Lounge Chair), the husband-and-wife team also made pioneering contributions in the fields of architecture (Eames House), film (Powers of Ten), exhibitions (Mathematica), toys (House of Cards), graphics, and much more. Essential Eames: Words & Pictures draws from their shared lifetime of speeches and writings, as well as an archive of nearly one million photographs taken by the Eameses and their staff over a period of more than four decades.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Design Monographs
Design Monographs
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books
books
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$41.95
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Title:
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Form:
books
books
Publication:
December 2017
December 2017
