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Richard Gluckman is an architect who creates spaces comparable to minimalist art. His careful consideration of the basic components of architecture—structure, scale, proportion, material, and light—produces buildings and interiors that heighten the perception of physical space and what is contained in that space. Subtle design elements, all drawn from a vocabulary of(...)
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Richard Gluckman is an architect who creates spaces comparable to minimalist art. His careful consideration of the basic components of architecture—structure, scale, proportion, material, and light—produces buildings and interiors that heighten the perception of physical space and what is contained in that space. Subtle design elements, all drawn from a vocabulary of(...)
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Framework: Gluckman Mayner architects
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Richard Gluckman is an architect who creates spaces comparable to minimalist art. His careful consideration of the basic components of architecture—structure, scale, proportion, material, and light—produces buildings and interiors that heighten the perception of physical space and what is contained in that space. Subtle design elements, all drawn from a vocabulary of modernism, characterize his distinctive projects.
Framework: Gluckman Mayner architects
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Richard Gluckman is an architect who creates spaces comparable to minimalist art. His careful consideration of the basic components of architecture—structure, scale, proportion, material, and light—produces buildings and interiors that heighten the perception of physical space and what is contained in that space. Subtle design elements, all drawn from a vocabulary of modernism, characterize his distinctive projects.
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books
books
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September 2009
September 2009
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Urban Nomads is the first English-language publication to focus solely on Winfried Baumann’s powerful and thought-provoking body of work. Rounding out the volume is an extensive interview with the artist and several essays by scholars in the field, shedding light on how the Urban Nomads projects prompt reflection on our own lifestyles and those around us.
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Urban Nomads is the first English-language publication to focus solely on Winfried Baumann’s powerful and thought-provoking body of work. Rounding out the volume is an extensive interview with the artist and several essays by scholars in the field, shedding light on how the Urban Nomads projects prompt reflection on our own lifestyles and those around us.
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Urban nomads: Winfried Baumann
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Urban Nomads is the first English-language publication to focus solely on Winfried Baumann’s powerful and thought-provoking body of work. Rounding out the volume is an extensive interview with the artist and several essays by scholars in the field, shedding light on how the Urban Nomads projects prompt reflection on our own lifestyles and those around us.
Urban nomads: Winfried Baumann
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Urban Nomads is the first English-language publication to focus solely on Winfried Baumann’s powerful and thought-provoking body of work. Rounding out the volume is an extensive interview with the artist and several essays by scholars in the field, shedding light on how the Urban Nomads projects prompt reflection on our own lifestyles and those around us.
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books
books
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October 2014
October 2014
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books
books
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$34.95
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
Title:
Rethinking curating : art after new media
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
Rethinking curating : art after new media
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$34.95
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
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books
books
Publication:
September 2015
September 2015
Subject:
Museology
Museology
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books
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Description:
40 unnumbered pages : illustrations, maps, plans ; 22 cm
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40 unnumbered pages : illustrations, maps, plans ; 22 cm
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Riverside, Ill. : The Society, 1970.
Riverside, Ill. : The Society, 1970.
Title:
Riverside : a village in a park / Frederick Law Olmsted Society of Riverside.
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Description:
40 unnumbered pages : illustrations, maps, plans ; 22 cm
Riverside : a village in a park / Frederick Law Olmsted Society of Riverside.
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40 unnumbered pages : illustrations, maps, plans ; 22 cm
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books
books
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Riverside, Ill. : The Society, 1970.
Riverside, Ill. : The Society, 1970.
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books
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$75.00
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
Title:
Sandra Schlipkoeter: Interferenzen
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
Sandra Schlipkoeter: Interferenzen
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
journals and magazines
journals and magazines
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$84.00
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Summary:
Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric(...)
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric(...)
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Magazines
Magazines
Publication:
January 2026
January 2026
Title:
Emergence Magazine, Vol.6: Seasons
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric myths, while an unraveling climate causes them to grow increasingly unfamiliar. Reflecting a world where snow no longer arrives, annual migrations fall out of time, yet first blossoms still burst, Seasons, our sixth print edition, moves through three themes: requiem, invitation, and celebration—each a contemplation on the paradoxical ways the seasons now beckon us into intimate relationship. This collection of haiku, essays, short fiction, photography, conversations, and poetry, infused with a spectrum of color and light, listens for the turning song of the seasons—for what vanishes and what remains—attentive to these moments that call us into communion with the Earth.
Emergence Magazine, Vol.6: Seasons
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Summary:
Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric myths, while an unraveling climate causes them to grow increasingly unfamiliar. Reflecting a world where snow no longer arrives, annual migrations fall out of time, yet first blossoms still burst, Seasons, our sixth print edition, moves through three themes: requiem, invitation, and celebration—each a contemplation on the paradoxical ways the seasons now beckon us into intimate relationship. This collection of haiku, essays, short fiction, photography, conversations, and poetry, infused with a spectrum of color and light, listens for the turning song of the seasons—for what vanishes and what remains—attentive to these moments that call us into communion with the Earth.
Form:
journals and magazines
journals and magazines
Publication:
January 2026
January 2026
Subject:
Magazines
Magazines
Form:
books
books
Title:
Paul Rousteau: Seascapes
Paul Rousteau: Seascapes
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the(...)
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the(...)
Title:
Paul Rousteau: Seascapes
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the barest constituent elements – water, air and light. Often saturated, interrupted or out of focus, his photographs are series of playful experiments navigating between figuration and abstraction, painting and digital art. These constructed landscapes invite us to consider the point where human imagination interacts with the landscape - how fantasies of distance, displacement and faraway places are projected onto the horizon. Existing somewhere between vision, imagination and a surreal, submerged reality, Rousteau extends this fiction through globetrotting captions and an innovative design that invites readers to rip away and reappropriate the seascapes as their own.
Paul Rousteau: Seascapes
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French artist Paul Rousteau is known for his alchemic light and colour-bending approach to photography. Seascapes is a series made by Rousteau while artist-in-residence on a boat off the Coral Sea, in Australia. Inspired by the unending horizons around him, Rousteau retreated to the darkroom to invent mental topographies of his own, reducing the landscape down to the barest constituent elements – water, air and light. Often saturated, interrupted or out of focus, his photographs are series of playful experiments navigating between figuration and abstraction, painting and digital art. These constructed landscapes invite us to consider the point where human imagination interacts with the landscape - how fantasies of distance, displacement and faraway places are projected onto the horizon. Existing somewhere between vision, imagination and a surreal, submerged reality, Rousteau extends this fiction through globetrotting captions and an innovative design that invites readers to rip away and reappropriate the seascapes as their own.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Moscow: the fourth Rome
Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an(...)
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an(...)
Publication:
November 2011
November 2011
Title:
Moscow: the fourth Rome
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In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
Moscow: the fourth Rome
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$56.50
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Summary:
In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
Form:
books
books
Publication:
November 2011
November 2011
Form:
books
books
Price:
$31.95
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Summary:
The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic(...)
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic(...)
Title:
Cloud 9: a green new deal, from geopolitics to biosphere politics
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The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic building in Barcelona, the Centre of Arts Santa Monica; a building to explore the Third Industrial Revolution as the potential of a transformation towards an empathic architecture. Nature should let us show the path. Cloud 9 equipped the trees in front of Arts Santa Monica with sensors that capture data on temperature, humidity and light energy to inform the building. The intervention is an installation on the facade that produces energy from the environment, like the sun and wind. It is an additional skin which allows control of natural light and regulates solar radiation.
Cloud 9: a green new deal, from geopolitics to biosphere politics
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$31.95
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Summary:
The number one cause of global warming is architecture - the buildings. Buildings are responsible for 40% of the Co2 that is emitted into the atmosphere. The architects must take this responsibility and move from geopolitics towards biosphere politics. This publication is a real test of how this can be achieved. The context for the intervention is an existing historic building in Barcelona, the Centre of Arts Santa Monica; a building to explore the Third Industrial Revolution as the potential of a transformation towards an empathic architecture. Nature should let us show the path. Cloud 9 equipped the trees in front of Arts Santa Monica with sensors that capture data on temperature, humidity and light energy to inform the building. The intervention is an installation on the facade that produces energy from the environment, like the sun and wind. It is an additional skin which allows control of natural light and regulates solar radiation.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Green Architecture
Green Architecture
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books
books
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$95.00
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This volume offers a close examination of twelve buildings, designed by Kollhoff between 1996 and 2001. Each building is depicted in five full-page duotone photographs by Ivan Nemec, dramatically illustrating their facades’tectonic structure and highlighting Kollhoff’s characteristic use of light and shadow. An in-depth essay by architectural theorist Fritz Neumeyer(...)
$95.00
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Summary:
This volume offers a close examination of twelve buildings, designed by Kollhoff between 1996 and 2001. Each building is depicted in five full-page duotone photographs by Ivan Nemec, dramatically illustrating their facades’tectonic structure and highlighting Kollhoff’s characteristic use of light and shadow. An in-depth essay by architectural theorist Fritz Neumeyer(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2002, München - Berlin - London - New York
September 2002, München - Berlin - London - New York
Title:
Hans Kollhoff : architektur - architecture
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This volume offers a close examination of twelve buildings, designed by Kollhoff between 1996 and 2001. Each building is depicted in five full-page duotone photographs by Ivan Nemec, dramatically illustrating their facades’tectonic structure and highlighting Kollhoff’s characteristic use of light and shadow. An in-depth essay by architectural theorist Fritz Neumeyer analyzes Kollhoff’s many important contributions to the urban landscape.
Hans Kollhoff : architektur - architecture
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$95.00
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Summary:
This volume offers a close examination of twelve buildings, designed by Kollhoff between 1996 and 2001. Each building is depicted in five full-page duotone photographs by Ivan Nemec, dramatically illustrating their facades’tectonic structure and highlighting Kollhoff’s characteristic use of light and shadow. An in-depth essay by architectural theorist Fritz Neumeyer analyzes Kollhoff’s many important contributions to the urban landscape.
Form:
books
books
Publication:
September 2002, München - Berlin - London - New York
September 2002, München - Berlin - London - New York
Subject:
Architecture Monographs
Architecture Monographs
