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If you enter an institutional mineralogical collection, you typically encounter glass cabinets organized by classification systems according to material properties. Yet, each mineral carries with it a history of extraction, destruction, (dis)possession, and global relations. "Transpositional geologies" localizes such collections as indices of the afterlife of colonialism(...)
Transpositional geologies: Spectres of coloniality
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If you enter an institutional mineralogical collection, you typically encounter glass cabinets organized by classification systems according to material properties. Yet, each mineral carries with it a history of extraction, destruction, (dis)possession, and global relations. "Transpositional geologies" localizes such collections as indices of the afterlife of colonialism and proposes an evolving political geology, reading mineral specimens as objects of "culture" rather than of "nature." Capturing his five-year artistic engagement and cultural collaboration in Namibia and Germany, Sascha Mikloweit brings together international voices from fields including anthropology, critical theory, geology, history, museum studies, philosophy, poetry, public administration—and the perspectives of boltwoodite, cerussite, or smithsonite. Rock by rock, this exquisitely designed volume invites us to engage with a progressively nuanced reading of geology’s history: its epistemic violence, omissions and racial regimes, and how the lasting residues of its colonial legacies continue to shape our present-day extractive realities.
Art Theory
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Walking is as much a cultural practice as it is an embodied experience. The contributions in this book highlight the interrelations between bodies, knowledges, places, affects, and other materialities through phenomenological, artistic, and methodological lenses. Walking is explored as a relational practice situated in specific landscapes—it connects different cultural(...)
Walking as embodied worldmaking: Bodies, borders, knowledgescapes
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Walking is as much a cultural practice as it is an embodied experience. The contributions in this book highlight the interrelations between bodies, knowledges, places, affects, and other materialities through phenomenological, artistic, and methodological lenses. Walking is explored as a relational practice situated in specific landscapes—it connects different cultural practices, holds material-semiotic performativity, and always involves an interweaving of (geo)political territories and borders. This book brings together written and visual contributions from social scientists and artists, offering a vibrant and multifaceted perspective on the phenomenon of walking.
Art Theory
A Grammar Built with Rocks
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Featuring writing and artistic practices that trace the racialized and gendered relationship between bodies and land, "A Grammar Built with Rocks" explores artists’ engagement with sites of physical dispossession and socio-ecological crisis, highlighting how creative research methodologies can serve as radically new place-making practices. The publication brings together(...)
A Grammar Built with Rocks
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Featuring writing and artistic practices that trace the racialized and gendered relationship between bodies and land, "A Grammar Built with Rocks" explores artists’ engagement with sites of physical dispossession and socio-ecological crisis, highlighting how creative research methodologies can serve as radically new place-making practices. The publication brings together a range of feminist-decolonial texts and visual contributions that explore how movement, transience, and improvisation offer alternative ways of being-together while being-in-place.
Art Theory
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of(...)
Tekla Aslanishvili: The Mountain Speaks to the Sea
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of large-scale energy and transportation projects on the ecologies of the South Caucasus. The publication focuses on the potentiality of moving images in the making and unmaking of infrastructures. By zooming in and out on the grand narratives of infrastructural development, it assembles fragmented (hi)stories of people who live and work around sites of transit and extraction, sabotaging their material systems to challenge violent practices of statecraft. Positioned between an artist’s book and a reader, ''The Mountain Speaks to the Sea'' features contributions from writers and scholars in visual culture, political science and critical geography, and experiments with ways of translating film into printed matter.
Art Theory
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“How are city transformations to be read? How are we to interpret the incessant metamorphosis of places and social relationships that has characterized urban contexts since their inception?” These questions drive ''Knots'', a collaborative research project by the Politecnico di Milano’s Department of Architecture and Urban Studies (DAStU) and Prospekt, a(...)
Urban Theory
October 2025
Knots
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“How are city transformations to be read? How are we to interpret the incessant metamorphosis of places and social relationships that has characterized urban contexts since their inception?” These questions drive ''Knots'', a collaborative research project by the Politecnico di Milano’s Department of Architecture and Urban Studies (DAStU) and Prospekt, a photojournalism agency dedicated to chronicling urban issues worldwide. By reshaping how we question urban transformations, ''Knots'' seeks to uncover overlooked dimensions of change, particularly in Milan’s Scali. Showcasing outcomes from interdisciplinary workshops, the book highlights the value of crossing disciplinary boundaries to spark critical yet grounded discussions on the ways cities and their social fabrics evolve
Urban Theory
Space is politics
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In "Space is politics", architect and urban planner Hans Teerds shows that space is not merely a prerequisite for political activity – it is political in itself. The design of public spaces such as streets, squares, and parks influences who meets, who participates, and who is excluded. These spaces are not mere backdrops, but central places of democratic practice.(...)
Space is politics
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In "Space is politics", architect and urban planner Hans Teerds shows that space is not merely a prerequisite for political activity – it is political in itself. The design of public spaces such as streets, squares, and parks influences who meets, who participates, and who is excluded. These spaces are not mere backdrops, but central places of democratic practice. Architecture is never neutral. It marks access, defines boundaries, and shapes the conditions of public life. Teerds calls for such spaces to be reclaimed from investors and experts in social dialogues, returning them to the political public sphere. A manifesto for those who understand architecture as a political task.
Urban Theory
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together(...)
The aesthetics of ambiguity: Understanding and adressing monoculture
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together historical, social, cultural and ideological perspectives, using the dual role of art as tool for reconciliation and division in societies. ''The Aesthetics of Ambiguity'' gives stage to artists, thinkers and institutional practices who dare to play with the rules of a broader society and thus generate ambiguity ‘at large’. The book represents a quest for (more) ambiguity in order to avoid rigid borders or black-and-white polarities between cultures, as well as between practices of art and scientific thinking. By doing so, the artists, activists and researchers featured in this book plea for a politics and aesthetics of ambiguity to deal with the complexity of our living together on Earth.
Art Theory
Smaller architecture
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In this book, Michael Meredith speculates on the possibilities of what Robin Evans once described as a "smaller architecture." "Smaller Architecture" rejects the Larger Architecture that has come to dominate in the last thirty years, with the globalization of architecture, with what Rem Koolhaas celebrated as "Bigness," and with the embrace of new forms of large-scale(...)
Smaller architecture
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In this book, Michael Meredith speculates on the possibilities of what Robin Evans once described as a "smaller architecture." "Smaller Architecture" rejects the Larger Architecture that has come to dominate in the last thirty years, with the globalization of architecture, with what Rem Koolhaas celebrated as "Bigness," and with the embrace of new forms of large-scale finance and corporate management. Against the speculative financial models that define Larger Architecture and its rapacious mechanisms of real estate development, Meredith's vision for a "Smaller Architecture" proposes economic and social forms along the lines sketched out by the economist E. F. Schumacher and the urban theorist Jane Jacobs, and inspired by the philosophical writings of Emanuele Coccia, Edouard Glissant and Cornell West. Against the abstract and hierarchical business management models of large corporate firms, "Smaller Architecture" imagines local, radically inclusive, and anarchist forms of organization in smaller practices.
Architectural Theory
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This book uncovers the overlooked material practices that were crucial to architectural production in the eighteenth century. Centred on the architecture of England and Ireland, it examines the facing materials that define the distinctive character of cities and regions. Focusing on the final stages of construction—the external façade and interior finishes in stone,(...)
Architecture and artifice: The Crafted Surface in Eighteenth-Century Building Practice
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This book uncovers the overlooked material practices that were crucial to architectural production in the eighteenth century. Centred on the architecture of England and Ireland, it examines the facing materials that define the distinctive character of cities and regions. Focusing on the final stages of construction—the external façade and interior finishes in stone, plaster, and wood—Architecture and Artifice combines archival research with insights from architectural conservation to reveal the hidden techniques behind these structures. It explores the lives of craftsmen, uncovering the unwritten standards that guided their work and argues for the agency of materials and craft in shaping the meanings of eighteenth-century buildings. Featuring a cast of lesser-known craftsmen alongside new perspectives on iconic structures such as Chatsworth, the Cambridge Senate House, and Dublin’s Parliament House, the book introduces a wealth of previously unpublished archival material uncovering the intricate processes and people behind the era’s most enduring buildings.
Architectural Theory
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« Nous sommes aujourd’hui confrontés à un paradoxe majeur: il faudrait construire un monde nouveau mais nous n’avons plus les moyens de le faire. Le changement climatique impose à lui seul une conception entièrement renouvelée du bâti; l’élévation du niveau de la mer et l’augmentation des catastrophes naturelles exigent de repenser la position et l’organisation des(...)
Post-démolition, l'architecture face aux ruines
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« Nous sommes aujourd’hui confrontés à un paradoxe majeur: il faudrait construire un monde nouveau mais nous n’avons plus les moyens de le faire. Le changement climatique impose à lui seul une conception entièrement renouvelée du bâti; l’élévation du niveau de la mer et l’augmentation des catastrophes naturelles exigent de repenser la position et l’organisation des établissements humains; les limites planétaires appellent une réorganisation profonde du territoire et du construit. Seulement voilà: le monde, accablé par deux siècles d’intense production, a besoin de répit; il ne peut accepter la démolition des existants et l’édification de nouvelles installations, lesquelles alourdiraient son bilan carbone et épuiseraient davantage ses ressources. Nous devons donc utiliser les situations déjà construites et non plus les étendre ou les remplacer... »
Architectural Theory