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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by(...)
Koji Taki: Searching for the language of the house
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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by Iinuma especially for this posthumous publication. Two texts are included as well: Koji’s own ''The language of a house'' (originally published in 1975) and the critical examination ''The houses are all gone under the sea: Koji Taki’s anti-architectural photography'' by cultural anthropologist Ryuta Imafuku.
Photography monographs
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
sale books
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
Theory of Photography
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and(...)
Rosalyn Drexler: Who does she think she is?
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler’s performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler’s varied career.
Contemporary Art Monographs
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Urban Theory
Dawoud Bey: Elegy
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These 42 photographs and two film installations by contemporary American artist Dawoud Bey contemplate the harrowing journeys and human realities of the Virginia slave trail, Louisiana plantations, and Ohio’s Underground Railroad. "Dawoud Bey: Elegy" premieres a trilogy that includes Bey’s most recent series of never-before-seen photographs taken in Richmond and(...)
Photography monographs
November 2023
Dawoud Bey: Elegy
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These 42 photographs and two film installations by contemporary American artist Dawoud Bey contemplate the harrowing journeys and human realities of the Virginia slave trail, Louisiana plantations, and Ohio’s Underground Railroad. "Dawoud Bey: Elegy" premieres a trilogy that includes Bey’s most recent series of never-before-seen photographs taken in Richmond and commissioned by VMFA. Internationally renowned for his Harlem street scenes and expressive portraits, Bey, in these landscapes, meditates on place as profound repository of memory and witness to American history. In this immersive and transportive exhibition, his works poetically imply a human presence, deepening our understanding of African American experiences rarely represented in collective US history.
Photography monographs
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films(...)
Sofia Coppola: Archive 1999-2023
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century.
Photography monographs
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’(...)
Puking rainbows past and future
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’ gathers memories of the now that contain both “then” and “now”. The images are reproduced in transparent foil with the same dimensions as Polaroid film, while the codex binding uses the rainbow colours of the book’s title. Extras include an essay by Sean and illustrations by Tennbo.
Photography monographs
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of(...)
Photography monographs
December 2025
Even as a Shadow, Even as a Dream
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of Hamnet, the son of William Shakespeare. "Even as a Shadow, Even as a Dream'' unfolds as a quiet companion to the film: not a document of its making, but a powerful reimagining that exists somewhere in the threshold between the worlds of waking and dreaming, reality and illusion, life and death.
Photography monographs
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"Matchibako" depicts Japan's swift transformation into an industrial empire in the early 20th century, as illustrated in the infinitesimal advertisements on matchboxes from the period. In an uncertain society and its changing leisure market, matches joined cigarettes in Western-style hotels and cafes, and in sushi bars next door. Patrons might be found in Western dress(...)
Graphic Design and Typography
October 2004, West New York
Machibako : Japanese matchbox art of the 20's and 30's
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"Matchibako" depicts Japan's swift transformation into an industrial empire in the early 20th century, as illustrated in the infinitesimal advertisements on matchboxes from the period. In an uncertain society and its changing leisure market, matches joined cigarettes in Western-style hotels and cafes, and in sushi bars next door. Patrons might be found in Western dress or traditional kimono, debating Marx or the latest silent film, but all saw themselves reflected in the new graphism. Although most were anonymously designed, these tiny remainders alternately show the influence of Cubism and the Bauhaus in illustration and English type, and retain conventional wood block fonts and right-to-left Japanese text.
books
October 2004, West New York
Graphic Design and Typography