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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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books
books
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September 2006, Ostfildern
September 2006, Ostfildern
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books
books
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has(...)
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has(...)
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Nuno Cera: My light / Minha luz
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has been published internationally, exhibited and commissioned by multiple cultural institutions and exhibition platforms."My Light / Minha Luz" is Nuno Cera’s first comprehensive monograph and focusses on recent series such as My Light, Acid Flamingo, Infinite Window, and Cosmic Debris. With contributions by Julia Albani, Susana Ventura, Jeff Wood, and Daniel Zamarbide.
Nuno Cera: My light / Minha luz
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has been published internationally, exhibited and commissioned by multiple cultural institutions and exhibition platforms."My Light / Minha Luz" is Nuno Cera’s first comprehensive monograph and focusses on recent series such as My Light, Acid Flamingo, Infinite Window, and Cosmic Debris. With contributions by Julia Albani, Susana Ventura, Jeff Wood, and Daniel Zamarbide.
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books
books
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November 2024
November 2024
Subject:
Photography monographs
Photography monographs
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books
books
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$21.95
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
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Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
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books
books
Publication:
December 2003, Basel
December 2003, Basel
Subject:
small format
small format
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books
books
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$55.95
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Title:
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Karel Martens: motion
Karel Martens: motion
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of(...)
$54.95
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of(...)
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Karel Martens: motion
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of photographs of the array of images and objects found on the artist’s studio wall, taken in 2000. Material from two other videos, "Lost & Found" (2004) and "Tol" (2008), is also included, along with a transcription of a conversation between Martens and Chris Fitzpatrick, director of the Kunstverein.
Karel Martens: motion
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of photographs of the array of images and objects found on the artist’s studio wall, taken in 2000. Material from two other videos, "Lost & Found" (2004) and "Tol" (2008), is also included, along with a transcription of a conversation between Martens and Chris Fitzpatrick, director of the Kunstverein.
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books
books
Publication:
February 2017
February 2017
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$45.95
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
$45.95
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
Title:
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
Art and the moving image : a critical reader
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$45.95
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
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books
books
Publication:
April 2008, London
April 2008, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
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Summary:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
Title:
The third mind: american artists contemplate Asia, 1860-1989
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
The third mind: american artists contemplate Asia, 1860-1989
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
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books
books
Publication:
January 2009, New York
January 2009, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and(...)
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and(...)
Title:
Making the museum Reinhard Ernst : Maki and Associates
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and models by Maki and Associates as well as artefacts and video material provide insights into the complex process of creating the new building. The exhibited items presented on the four thematic quadrants at Aedes are supplemented by photos from the photographers Klaus Helbig and Frank Marburger, who have documented the making of the museum from the beginning.
Making the museum Reinhard Ernst : Maki and Associates
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and models by Maki and Associates as well as artefacts and video material provide insights into the complex process of creating the new building. The exhibited items presented on the four thematic quadrants at Aedes are supplemented by photos from the photographers Klaus Helbig and Frank Marburger, who have documented the making of the museum from the beginning.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
Title:
Hiraki Sawa
Hiraki Sawa
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$49.95
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made(...)
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2011
March 2011
Title:
Hiraki Sawa
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$49.95
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made while he was still a graduate student at the Slade School of Fine Art and brought him to the attention of the international art world. Certain leitmotifs recur throughout the films – a child’s rocking horse, migrating animals, model jet planes, objects which play out notions of travel and nomadism, of being at home and thinking of elsewhere.
Hiraki Sawa
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$49.95
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made while he was still a graduate student at the Slade School of Fine Art and brought him to the attention of the international art world. Certain leitmotifs recur throughout the films – a child’s rocking horse, migrating animals, model jet planes, objects which play out notions of travel and nomadism, of being at home and thinking of elsewhere.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Susanne Bürner : leaves
Susanne Bürner : leaves
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot(...)
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot(...)
Title:
Susanne Bürner : leaves
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot in a public park in London. The video shows a meadow surrounded by trees as its theatrical protagonist. Susanne Bürner has conceived a publication of lose leaves in the nature of this spectacle. The publication provides reference material shifting between different formats, between, painting, film and landscape.
Susanne Bürner : leaves
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot in a public park in London. The video shows a meadow surrounded by trees as its theatrical protagonist. Susanne Bürner has conceived a publication of lose leaves in the nature of this spectacle. The publication provides reference material shifting between different formats, between, painting, film and landscape.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
