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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an(...)
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2006, Chicago, London
April 2006, Chicago, London
Title:
Millennium park : creating a Chicago landscape
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy. Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is an illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power. Born out of civic idealism, raised in political controversy, and maturing into a symbol of the new Chicago, Millennium Park is truly a twenty-first-century landmark, and it now has the history it deserves.
Millennium park : creating a Chicago landscape
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy. Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is an illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power. Born out of civic idealism, raised in political controversy, and maturing into a symbol of the new Chicago, Millennium Park is truly a twenty-first-century landmark, and it now has the history it deserves.
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books
books
Publication:
April 2006, Chicago, London
April 2006, Chicago, London
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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This book recounts Stefano Graziani’s experience of finding Gordon Matta-Clark’s personal library while exploring the CCA Collection. The library consists of seventy publications that cover a wide range of subjects from architecture and art history to alchemy, communications, cultural studies, literature, philosophy, and psychology. In the first volume of(...)
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This book recounts Stefano Graziani’s experience of finding Gordon Matta-Clark’s personal library while exploring the CCA Collection. The library consists of seventy publications that cover a wide range of subjects from architecture and art history to alchemy, communications, cultural studies, literature, philosophy, and psychology. In the first volume of(...)
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Documents from Gordon Matta-Clark's personal library
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This book recounts Stefano Graziani’s experience of finding Gordon Matta-Clark’s personal library while exploring the CCA Collection. The library consists of seventy publications that cover a wide range of subjects from architecture and art history to alchemy, communications, cultural studies, literature, philosophy, and psychology. In the first volume of the CCA Singles series, Graziani selects thirty titles that convey Matta-Clark’s universe. CCA Singles are short printed one-offs that present one voice, one object, or one event. Ranging from raw source material to edited topical reflections, they propose intimate contact with ideas generated or collected at the CCA.
Documents from Gordon Matta-Clark's personal library
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This book recounts Stefano Graziani’s experience of finding Gordon Matta-Clark’s personal library while exploring the CCA Collection. The library consists of seventy publications that cover a wide range of subjects from architecture and art history to alchemy, communications, cultural studies, literature, philosophy, and psychology. In the first volume of the CCA Singles series, Graziani selects thirty titles that convey Matta-Clark’s universe. CCA Singles are short printed one-offs that present one voice, one object, or one event. Ranging from raw source material to edited topical reflections, they propose intimate contact with ideas generated or collected at the CCA.
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books
books
Publication:
April 2020
April 2020
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
Speed limits
Speed limits
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Addressing the pivotal role played by speed in modern life – from art, architecture, and urbanism to graphics and design, to economics and the material culture of the eras of industry and information – Speed Limits presents a multifaceted view that is both a defence of speed and an implicit denunciation of its detrimental effect on contemporary life. Along with the(...)
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Addressing the pivotal role played by speed in modern life – from art, architecture, and urbanism to graphics and design, to economics and the material culture of the eras of industry and information – Speed Limits presents a multifaceted view that is both a defence of speed and an implicit denunciation of its detrimental effect on contemporary life. Along with the(...)
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Speed limits
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Addressing the pivotal role played by speed in modern life – from art, architecture, and urbanism to graphics and design, to economics and the material culture of the eras of industry and information – Speed Limits presents a multifaceted view that is both a defence of speed and an implicit denunciation of its detrimental effect on contemporary life. Along with the essays, the book includes an anthology of nineteenth- and twentieth-century statements on speed and slowness from writers such as Charles Dickens, Friedrich Nietzsche, Marcel Proust, J.G. Ballard, Italo Calvino, and Marshall McLuhan, among others. Dividing these two sections is a visual essay by Jeffrey T. Schnapp that draws images from the archives of the CCA and the Wolfsonian.
Speed limits
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Addressing the pivotal role played by speed in modern life – from art, architecture, and urbanism to graphics and design, to economics and the material culture of the eras of industry and information – Speed Limits presents a multifaceted view that is both a defence of speed and an implicit denunciation of its detrimental effect on contemporary life. Along with the essays, the book includes an anthology of nineteenth- and twentieth-century statements on speed and slowness from writers such as Charles Dickens, Friedrich Nietzsche, Marcel Proust, J.G. Ballard, Italo Calvino, and Marshall McLuhan, among others. Dividing these two sections is a visual essay by Jeffrey T. Schnapp that draws images from the archives of the CCA and the Wolfsonian.
Form:
books
books
Publication:
May 2009
May 2009
Subject:
CCA Publications
CCA Publications
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books
books
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$34.95
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway(...)
$34.95
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Summary:
For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway(...)
Title:
One-track mind: drawing the New York subway
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For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway system." Along with Coppola's intricate ink drawings are anecdotes he assembled through painstaking research involving hundreds of hours poring through microfilms to discover the names behind the artisanship of what is rightly called New York's largest public art work---its legendary subway system. Philip Ashforth Coppola's drawings have been featured in the New York Times, "Hyperallergic", and on the BBC and are included in the New York Transit Museum's permanent collection. Foreword by Jonathan Lethem.
One-track mind: drawing the New York subway
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$34.95
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Summary:
For decades, Philip Ashforth Coppola has meticulously documented the New York City subway in a series of extraordinary drawings, detailing the terracotta mosaics, faience, and tile patterns that millions of riders pass by every day. Coppola's drawings are what "Hyperallergic" calls "the most encyclopedic history of the art and architecture of the New York City subway system." Along with Coppola's intricate ink drawings are anecdotes he assembled through painstaking research involving hundreds of hours poring through microfilms to discover the names behind the artisanship of what is rightly called New York's largest public art work---its legendary subway system. Philip Ashforth Coppola's drawings have been featured in the New York Times, "Hyperallergic", and on the BBC and are included in the New York Transit Museum's permanent collection. Foreword by Jonathan Lethem.
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Architectural Drawing
Architectural Drawing
Form:
journals and magazines
journals and magazines
Title:
Open 6 (in)security
Open 6 (in)security
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$36.00
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Summary:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
$36.00
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Summary:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
Subject:
Magazines
Magazines
Publication:
August 2004, Rotterdam
August 2004, Rotterdam
Title:
Open 6 (in)security
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There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Open 6 (in)security
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Price:
$36.00
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Summary:
There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
Form:
journals and magazines
journals and magazines
Publication:
August 2004, Rotterdam
August 2004, Rotterdam
Subject:
Magazines
Magazines
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books
books
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$37.50
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Summary:
Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the(...)
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Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the(...)
Title:
Adolf Loos: Meaning, context, reception. Essays
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Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the meanings of Loos’ writings and design work, the cultural world in which he was embedded, and how he was regarded by the critics and public. Long exposes and explodes old myths about Loos, fostering in the process a new, brilliant and compelling view of one of modern architecture’s key protagonists.
Adolf Loos: Meaning, context, reception. Essays
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Architectural historian and leading voice on Adolf Loos, Christopher Long returns with another commentary on the Austrian pioneer of modern architecture. Adolf Loos (1870–1933), an opponent of ornamentation on buildings, designed buildings in Vienna that contrasted with the popular Art Nouveau and Secession styles. In this anthology of eight essays, Long takes on the meanings of Loos’ writings and design work, the cultural world in which he was embedded, and how he was regarded by the critics and public. Long exposes and explodes old myths about Loos, fostering in the process a new, brilliant and compelling view of one of modern architecture’s key protagonists.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
Architectural Theory
Architectural Theory
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books
books
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$50.00
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Summary:
When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25(...)
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25(...)
Title:
A+U 657 06:25 : Jun Aoki Museum
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
A+U 657 06:25 : Jun Aoki Museum
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$50.00
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Magazines
Magazines
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books
books
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$25.00
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Summary:
Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification(...)
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Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification(...)
Title:
MODIFIE Cooking sections: Salmon A Red Herring
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Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification of what already exists on a site. Her training in modernist design and a desire to connect people with nature is immediately apparent in her landscapes. At a time when our relationship to the earth is of paramount importance, Oberlander’s projects reveal consistent and significant stewardship of the natural environment. Many of her designs—even those from 50 years ago—remain largely unchanged, testaments to her technical skill, research techniques, and judicious selection of flora. This bilingual book derives from an exhibition at the West Vancouver Art Museum, introduing projects by Oberlander, and presented in four sections devoted to playgrounds, social housing, public projects, and residential projects, showing photography of the places alongside her sketches, plans, and research proposals. The book includes contributions by Oberlander and the exhibition curators, Susan Herrington and Eva Matsuzaki.
MODIFIE Cooking sections: Salmon A Red Herring
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$25.00
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Summary:
Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification of what already exists on a site. Her training in modernist design and a desire to connect people with nature is immediately apparent in her landscapes. At a time when our relationship to the earth is of paramount importance, Oberlander’s projects reveal consistent and significant stewardship of the natural environment. Many of her designs—even those from 50 years ago—remain largely unchanged, testaments to her technical skill, research techniques, and judicious selection of flora. This bilingual book derives from an exhibition at the West Vancouver Art Museum, introduing projects by Oberlander, and presented in four sections devoted to playgrounds, social housing, public projects, and residential projects, showing photography of the places alongside her sketches, plans, and research proposals. The book includes contributions by Oberlander and the exhibition curators, Susan Herrington and Eva Matsuzaki.
Form:
books
books
Publication:
January 2021
January 2021
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Title:
Why not associates ? 2
Why not associates ? 2
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$68.00
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Summary:
Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban(...)
$68.00
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Summary:
Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
June 2004, New York
June 2004, New York
Title:
Why not associates ? 2
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$68.00
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Summary:
Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban pieces. With an introduction by Alice Twemlow.
Why not associates ? 2
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$68.00
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Summary:
Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban pieces. With an introduction by Alice Twemlow.
Form:
books
books
Publication:
June 2004, New York
June 2004, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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Publication:
dpr-barcelona 2022
dpr-barcelona 2022
Form:
books
books
Publication:
dpr-barcelona 2022
dpr-barcelona 2022
Subject:
