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6 volumes illustrations 46 cm
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6 volumes illustrations 46 cm
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Paris, Librairie Générale de l'architecture et des arts décoratifs, Ch. Massin & cie, éditeurs [date of publication not identified]
Paris, Librairie Générale de l'architecture et des arts décoratifs, Ch. Massin & cie, éditeurs [date of publication not identified]
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Chateaux de France ... Intérieurs et extérieurs, recueillis et mis en ordre par Hector Saint-Sauveur.
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6 volumes illustrations 46 cm
Chateaux de France ... Intérieurs et extérieurs, recueillis et mis en ordre par Hector Saint-Sauveur.
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6 volumes illustrations 46 cm
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books
books
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Paris, Librairie Générale de l'architecture et des arts décoratifs, Ch. Massin & cie, éditeurs [date of publication not identified]
Paris, Librairie Générale de l'architecture et des arts décoratifs, Ch. Massin & cie, éditeurs [date of publication not identified]
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It(...)
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It(...)
Title:
A.Mag 30 + A.Mag PT 01 (special limited edition)
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It features detailed profiles of seven projects from Diogo Aguiar Studio. Established in 2016, the studio operates across the fields of architecture and art, designing small buildings and interiors, as well as temporary or fixed spatial installations destined for the public space.
A.Mag 30 + A.Mag PT 01 (special limited edition)
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''AMag 30'' focuses on work by three Scandinavian practices: Ateljé Ö (Sweden), Johansen Skovsted Arkitekter (Denmark), and NORRØN (Denmark), highlighting an intersection of approaches and common values: functionalism, empiricism, and mastery. Included is a free copy of the first issue of ''AMag PT'', a new series exclusively dedicated to Portuguese architecture. It features detailed profiles of seven projects from Diogo Aguiar Studio. Established in 2016, the studio operates across the fields of architecture and art, designing small buildings and interiors, as well as temporary or fixed spatial installations destined for the public space.
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books
books
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March 2023
March 2023
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Magazines
Magazines
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books
books
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
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CCA Publications
CCA Publications
Publication:
June 2000, Montréal
June 2000, Montréal
Title:
Tracking images : Melvin Charney, un dictionnaire...
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Tracking images : Melvin Charney, un dictionnaire...
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Form:
books
books
Publication:
June 2000, Montréal
June 2000, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
Title:
Judging architectural value
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing(...)
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2007, Mineapolis London
April 2007, Mineapolis London
Title:
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
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books
books
Publication:
April 2007, Mineapolis London
April 2007, Mineapolis London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$90.00
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Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
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Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
May 2001, Cambridge, Mass.
May 2001, Cambridge, Mass.
Title:
Le Corbusier in America : travels in the land of the timid
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Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
Le Corbusier in America : travels in the land of the timid
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Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, "Quand les cathédrales étaient blanches: voyage au pays des timides" ("When the Cathedrals Were White: Journey to the Country of Timid People"), which faulted America for lacking the courage to adopt his ideas. In this first major study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. Through extensive archival research and interviews, she presents a critical history of the tour as well as a nuanced and intimate portrait of the architect. Drawing on the methods of microhistory, she also considers how small ordinary events affect larger biographical, architectural, and cultural developments. Bacon notes that Le Corbusier's dialogue with America was drafted within a spirited European discourse on américanisme. She contends that the trip validated his concept of a "second machine age" that would unite standardized industrial methods with a new humanism. Le Corbusier's subsequent work, she suggests, reflected an "Americanization," evidenced by the introduction of tension structures and the textured skyscraper conceived as an integrated system with functions articulated. She also defines Le Corbusier's role in the debate over New York City high-rise public housing. Appearing here in print for the first time are color reproductions of the pastel drawings that illustrated Le Corbusier's American lectures.
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books
books
Publication:
May 2001, Cambridge, Mass.
May 2001, Cambridge, Mass.
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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books
books
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
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journals and magazines
journals and magazines
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$54.00
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture(...)
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture(...)
Title:
A+U 647 : OMA Shohei Shigemats
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture that demonstrates how the rational box and soft form can coexist, as embodied in the contemporary public realm. A selection of 34 projects representing the architecture of both New York and Tokyo is expanded upon with essays by Shigematsu and others, plus two conversations with the architect.
A+U 647 : OMA Shohei Shigemats
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture that demonstrates how the rational box and soft form can coexist, as embodied in the contemporary public realm. A selection of 34 projects representing the architecture of both New York and Tokyo is expanded upon with essays by Shigematsu and others, plus two conversations with the architect.
Form:
journals and magazines
journals and magazines
Publication:
August 2024
August 2024
Subject:
Magazines
Magazines
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books
books
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$17.99
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A journey through the history of New York's Pennsylvania Station. The creation of Pennsylvania Station (1902-1910) represented one of the great engineering feats of its time, and embodied a vision of grandeur for future public architecture. This illustrated book tells the story of the original building, its tragic demolition in the 1960s, and the greatly anticipated(...)
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A journey through the history of New York's Pennsylvania Station. The creation of Pennsylvania Station (1902-1910) represented one of the great engineering feats of its time, and embodied a vision of grandeur for future public architecture. This illustrated book tells the story of the original building, its tragic demolition in the 1960s, and the greatly anticipated(...)
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New York's Pennsylvania stations
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A journey through the history of New York's Pennsylvania Station. The creation of Pennsylvania Station (1902-1910) represented one of the great engineering feats of its time, and embodied a vision of grandeur for future public architecture. This illustrated book tells the story of the original building, its tragic demolition in the 1960s, and the greatly anticipated opening of the new station in 2003. Hilary Ballon is professor of art history at Columbia University. She lives in New Jersey.
New York's Pennsylvania stations
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A journey through the history of New York's Pennsylvania Station. The creation of Pennsylvania Station (1902-1910) represented one of the great engineering feats of its time, and embodied a vision of grandeur for future public architecture. This illustrated book tells the story of the original building, its tragic demolition in the 1960s, and the greatly anticipated opening of the new station in 2003. Hilary Ballon is professor of art history at Columbia University. She lives in New Jersey.
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books
books
Publication:
March 2002, New York / London
March 2002, New York / London
Subject:
Engineering Structures
Engineering Structures
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books
books
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$49.95
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared(...)
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared(...)
Title:
Common space : the city as commons
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared experiences. He shows how these spaces are created, through a fascinating global examination of social housing, self-built urban settlements, street peddlers, and public art and graffiti. The first book to explicitly tackle the notion of the city as commons, Common Space, offers an insightful study into the links between space and social relations, revealing the hidden emancipatory potential within our urban worlds.
Common space : the city as commons
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With Common Space, activist and architect Stavros Stavrides calls for a reconceiving of public and private space in the modern age. Stavrides appeals for a new understanding of common space not only as something that can be governed and open to all, but as an essential aspect of our world that expresses, encourages, and exemplifies new forms of social relations and shared experiences. He shows how these spaces are created, through a fascinating global examination of social housing, self-built urban settlements, street peddlers, and public art and graffiti. The first book to explicitly tackle the notion of the city as commons, Common Space, offers an insightful study into the links between space and social relations, revealing the hidden emancipatory potential within our urban worlds.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Architectural Theory
Architectural Theory
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books
books
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$9.95
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Title:
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Summary:
Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Form:
books
books
Publication:
November 1998, Montréal
November 1998, Montréal
Subject:
CCA Publications
CCA Publications
