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Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family dwelling. As the American dream evolves, precipitated by declining real estate prices and a renewed interest in city living, many predict that condos will become the predominant form of housing in the 21st century. In this unprecedented study Matthew Gordon(...)
High life : condo living in the suburban century
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Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family dwelling. As the American dream evolves, precipitated by declining real estate prices and a renewed interest in city living, many predict that condos will become the predominant form of housing in the 21st century. In this unprecedented study Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City's first co-op, in 1881, to contemporary condo and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
Architectural Theory
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a(...)
Two men went to mow: the obsession, impact and history of lawn mowing
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a vast collection of mowers spanning a century and a half. "Two Men Went to Mow" tells the full story of this world-changing piece of machinery. From its use in family yards, to its impact on the turf-based sports so many of us watch and love, Gravett takes us on an extraordinary and informative journey, showing how the mower developed, linking its rise to other trends in social history, and exploring the mowing habits of many famous and even infamous people.
Landscape Theory
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers(...)
Photography Collections
February 2019
Salento Moderno: an inventory of private houses in Southern Puglia
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers and two historians of architecture, and examines a highly peculiar phenomenon from an unusual perspective. In Southern Salento, in the area lying between Capo di Santa Maria di Leuca, Porto Cesareo on the Ionian Sea and San Foca on the Adriatic coast, house construction is founded on a solid craft tradition which, in open contrast with any institutional architectural school, has led to the rise of eccentric, free and fluid approaches to architecture. Investigating private living and its relation to public space, the volume opens a broader reflection on taste, celebrating its variety and imaginative scope.
Photography Collections
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Basel-born architect Max Alioth was a prominent figure on the Swiss architecture and culture scene. Alioth was a co-founder of Basels’ Architecture Museum in 1984, which in 2006 became the Swiss Architecture Museum (S AM). Together with his wife Susanna Biedermann, he founded the École Supérieure des Arts Visuels (ÉSAV) in Marrakech, Morocco, for which he also designed(...)
Architecture Monographs
December 2022
Max Alioth: Architect, draughtsman, trailblazer
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Basel-born architect Max Alioth was a prominent figure on the Swiss architecture and culture scene. Alioth was a co-founder of Basels’ Architecture Museum in 1984, which in 2006 became the Swiss Architecture Museum (S AM). Together with his wife Susanna Biedermann, he founded the École Supérieure des Arts Visuels (ÉSAV) in Marrakech, Morocco, for which he also designed the main campus building. This first monograph on Max Alioth illuminates his achievements from various perspectives. Selected architectural designs from 1961–2007 are featured in detail through photographs, plans, and texts. These include single-family homes, a retirement home, multi-unit housing, Basel’s Museum of Antiquities, as well as the ÉSAV building in Marrakech. Moreover, the book introduces Alioth also as a visual artist through reproductions of sketches, drawings, and watercolors. Essays by architect Roger Diener, the S AM’s director Andreas Ruby, the director of ÉSAV Vincent Melilli, and art historian and publicist Ulrike Jehle-Schulte Strathaus round out this volume.
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December 2022
Architecture Monographs
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''Di sguincio'' – meaning aslant, asquint, or seen from the corner of an eye – brings together more than a hundred black-and-white photographs made by Guido Guidi with small-format cameras between 1969 and 1981. These images record experimental early dialogues between Guidi and his camera: made without looking through the viewfinder and lit with a bright flash, they(...)
Guido Guidi: Di sguincio, 1969–81
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''Di sguincio'' – meaning aslant, asquint, or seen from the corner of an eye – brings together more than a hundred black-and-white photographs made by Guido Guidi with small-format cameras between 1969 and 1981. These images record experimental early dialogues between Guidi and his camera: made without looking through the viewfinder and lit with a bright flash, they capture people, bodies, gestures, minor events, and fragments of space in moments of sudden and even abrasive encounter. While formally stark and even verging on the abstract, they document people and places close at hand – his family home in Cesena; friends with whom he shared an apartment in Treviso; colleagues at the Institute of Architecture at the University of Venice – forming affectionate personal works which explore the performative tension at the heart of images. This book reproduces Guidi’s own prints from the period, with their high contrast, unusual blurring and definition, and oblique, occasionally indiscernible handwritten annotations.
Photography monographs
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Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV(...)
Architecture and Film, Set Design
November 2010
The apartment plot : urban living in American film and popular culture, 1945 to 1975
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Rethinking the significance of films including "Pillow Talk," "Rear Window," and "The Seven Year Itch," Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from "The Honeymooners" and" The Mary Tyler Moore Show "to" Subways are for Sleeping "and" Apartment 3-G." By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based.
Architecture and Film, Set Design
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Since the time of ancient Rome, architects, engineers, and builders have struggled with the problem of building domed ceilings over large spaces. No one was more skilled at this than the Rafael Guastavino family, a father and son team of Spanish immigrants who oversaw the construction of thousands of spectacular thin-tile vaults across the United States between the 1880s(...)
Guastavino Vaulting: The art of structural tile
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Since the time of ancient Rome, architects, engineers, and builders have struggled with the problem of building domed ceilings over large spaces. No one was more skilled at this than the Rafael Guastavino family, a father and son team of Spanish immigrants who oversaw the construction of thousands of spectacular thin-tile vaults across the United States between the 1880s and the 1950s. These versatile, strong, and fireproof vaults were built by Guastavino in more than two hundred major buildings in Manhattan, and in hundreds more across the country, including Grand Central Terminal, Carnegie Hall, and many major university buildings. Because the Guastavinos served only as contractors on these projects, their firm's accomplishments have remained relatively unknown to the public. Guastavino Vaulting traces the development of the remarkable construction technology from its Mediterranean roots to its highest achievements in the United States. This long overdue first monograph features archival images, drawings, and beautiful new color photography showcasing the most incredible Guastavino vaulted spaces.
Engineering Structures
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Behind the scenes at the world's major art museums, the life of a curator can be thrilling, amusing, disappointing--but never boring. In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese(...)
Talking to a portrait: tales from an art curator
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Behind the scenes at the world's major art museums, the life of a curator can be thrilling, amusing, disappointing--but never boring. In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese boxes called kogos, watercolour sketchbooks of the Canadian north, a beautiful prayer room in Montreal, gondolas flying through windows in Venice, and Moscovites who love Goldfinger. Pepall's stories sparkle with clarity and leave one with a sense that art is an amazing, worthwhile, occasionally mysterious human activity. Archival black and white photographs and colour plates--including Edwin Holgate's Ludivine, one of the most beloved and recognizable Canadian portraits ever painted--make this book a must-have for art lovers, students, academics, museum-goers and readers interested in the role art plays in the creation of our lives.
Literature and poetry
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset,(...)
Unplanned visitors: queering the ethics and aesthetics of domestic space
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment.
Architectural Theory
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From social get-together to scenes of delirium, this publication aims to unpack the party as a complex, vertiginous construct that provides a dynamic view onto questions of community. If the party functions as an intensification of togetherness, what lessons might it provide in negotiating a given social order? This first volume on the topic considers the house party,(...)
Party studies: Home gatherings, flat events, festive pedagogy and refiguring the hangover
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From social get-together to scenes of delirium, this publication aims to unpack the party as a complex, vertiginous construct that provides a dynamic view onto questions of community. If the party functions as an intensification of togetherness, what lessons might it provide in negotiating a given social order? This first volume on the topic considers the house party, and in what ways domestic space is reworked in support of an extension of the family unit. Including a series of interviews with those active in flat events in Budapest during the communist regime and today, essays on hospitality, the politics of rest, and erotic knowledge, and documentation on Sala 603, an informal house-theater in Curitiba. The publication is the first in a new Errant Bodies series developed in parallel to a set of party-workshops initiated by the artist Brandon LaBelle held in different locations in Madrid, each of which performatively investigates states of partying, posing the party as a scene of study.
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