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288 pages : illustrations (some color) ; 27 cm
New York : Monacelli Press, 1998.
Towards a new museum / Victoria Newhouse.
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288 pages : illustrations (some color) ; 27 cm
books
New York : Monacelli Press, 1998.
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In the foreword of ''Smooth City'', René Boer writes about changes shaping the city center of Amsterdam nowadays: how the streets once known for their roughness, are now characterized by homogenous aesthetics, minimalist shopping windows and shiny Uber taxis. These are typical characteristics of the "smooth city": a city in which the urge for "perfection," efficiency and(...)
September 2023
Smooth city: Against urban perfection, towards collective alternatives
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In the foreword of ''Smooth City'', René Boer writes about changes shaping the city center of Amsterdam nowadays: how the streets once known for their roughness, are now characterized by homogenous aesthetics, minimalist shopping windows and shiny Uber taxis. These are typical characteristics of the "smooth city": a city in which the urge for "perfection," efficiency and control is constantly increasing. It is a kind of city which is sterile, clean and layered with new technologies, which makes urban life seemingly "perfect" and frictionless. It can be questioned, however, whether there is still place for divergence from norms, forms of friction or any alternative in the smooth city? René Boer argues in Smooth City that this new version of urbanity undermines the democratic nature and the emancipatory potential of cities, and hardly leaves any space for experiment, non-normativity and transgression. ''Smooth City'' offers a critical analysis of the origins, characteristics and consequences of the smooth city and brings some very welcome reflections on the urban reality we are currently living in.
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing(...)
Contemporary Asian Architecture
January 1900, Munich / Berlin /London / New York
China's new dawn : an architectural transformation
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing ground for the world's most innovative designers and engineers. Layla Dawson's groundbreaking survey of architectural currents in China lays out not only the historical events that have brought the country to this unique position, but explores the challenges inherent in opening up the country to outside forces and ideas. She examines projects by Chinese and non-Chinese architects, including Zaha Hadid's Soho City masterplan, Rem Koolhaas's CCTV Headquarters, Norman Foster's Shanghai Tower and plans for the Beijing 2008 Olympic Games. As Dawson demonstrates how conflicting architectural philosophies are visible in China's newly rising skyline, she takes an unblinking look at the liabilities China faces by opening itself up to foreign influence.
Contemporary Asian Architecture
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For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms,(...)
Assembly by design: The United Nations and its global interior
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For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. "Assembly by design" shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.
Architectural Theory
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This book is the first monograph on the product designer Ross Lovegrove. Written by the designer himself, with a forward by Paola Antonelli, it presents a complete overview of the designer`s career, featuring realized and unrealized project. While the main texts explains Ross Lovegrove’s philosophy and way of working, the products descriptions reveal the main feature and(...)
Supernatural : the work of Ross Lovegrove
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This book is the first monograph on the product designer Ross Lovegrove. Written by the designer himself, with a forward by Paola Antonelli, it presents a complete overview of the designer`s career, featuring realized and unrealized project. While the main texts explains Ross Lovegrove’s philosophy and way of working, the products descriptions reveal the main feature and characteristic of every project. Lovegrove`s work includes a wide range of products from furniture to high-tech products, from water bottles to airplane seats and explores the possibility of realizing sculptural and organic shapes through modern technology and material. In recent years Ross Lovegrove has worked on a design concept that he likes to define as organic essentialism, inspired by elements and aesthetics taken from the natural world and reshaped in futuristic forms. His interest in this sort of new naturalism, which he terms supernatural, is accompanied by research into new materials, new applications and new methods of production. This combination of archetypal inspiration and up to date technology makes him one of the most interesting and unusual figures in the design world.
Design Monographs
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Monospaced fonts originate from the typewriter and are characterized by the peculiarity that all letters, digits and characters have the same width. "Mono is the new black" discusses the function and aesthetics of this unique kind of typeface and deals with its cult status in the (mainly young) design scene. The aim of the handbook is to inform and inspire typographers,(...)
Mono is the new black: Monospace fonctionary
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Monospaced fonts originate from the typewriter and are characterized by the peculiarity that all letters, digits and characters have the same width. "Mono is the new black" discusses the function and aesthetics of this unique kind of typeface and deals with its cult status in the (mainly young) design scene. The aim of the handbook is to inform and inspire typographers, typeface developers, designers, as well as readers interested in culture in general with facts, analyses, expert positions, practical examples, and a comprehensive font collection. In a cultural-historical outline, the author first presents the historical aspects of this typeface and shows how closely intertwined type, technical progress, and social development are. In the middle section, he presents a selection of examples of the work of globally active designers and agencies with a focus on the many possible applications. The final section is a script compendium that provides a clear overview of 175 monospaced fonts and shows the changes that these distinctive monospaced fonts have undergone, from machine type to entirely digitally developed coding fonts.
Graphic Design and Typography
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that(...)
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that “everyone is an artist” liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In "Joseph Beuys and History", the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys’s work and career. By putting Beuys in the context of Germany’s postwar recovery, Spaulding shows that the artist’s superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre’s disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called “social sculpture.”
Contemporary Art Monographs
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The Zurich architect couple Annette Gigon and Mike Guyer are known for creating places for intense contemplation. After the Kirchner Museum at Davos, the extension of the Winterthur art museum, the renovation of the Winterthur collection Oskar Reinhart, their new(...)
Gigon & Guyer : Museum Liner Appenzell
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The Zurich architect couple Annette Gigon and Mike Guyer are known for creating places for intense contemplation. After the Kirchner Museum at Davos, the extension of the Winterthur art museum, the renovation of the Winterthur collection Oskar Reinhart, their new museum project at Appenzell also exhibits a powerful, idiosyncratic sense of aesthetics. The Museum Liner, dedicated to the Appenzell painters Carl August and Carl Walter Liner, father and son, presents itself as a sculptural design: the very antithesis to descriptive postmodern architecture that threatens to draw attention away from the exhibits, this museum by Gigon and Guyer rests on the imperative of clear stereometrics and neutral spaces. In a rather subtle way, the architects succeeded in both integrating the new structure into the rural surroundings and the surroundings into the building. The fragile balance of mutual integration and partial participation may well serve as a metaphor for the difficult relationship between life and art. This book features the building, completed in 1998, in a photographic sequence by Gaston Wicky and textual essays by Hubertus Adam and Peter Dering.
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January 2001, Bregenz
small format
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance,(...)
The speed handbook: velocity, pleasure, modernism
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Duffy illuminates speed as a logic and genuine pleasure of modernity. He plunges full-throttle into speed's 'adrenaline aesthetics,' offering deft readings of works ranging from F. Scott Fitzgerald's "The Great Gatsby", through J. G. Ballard's "Crash", to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how people were incited to abhor slowness and desire speed. He examines how they were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed.
Critical Theory
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The third installment in the Dongola Architecture Series, "Provoking the territory: Bernard Khoury", explores the provocative and often polarizing practice of Lebanese architect Bernard Khoury through an intimate lens rooted in Beirut. As with previous volumes, the series privileges critical conversations over monographic celebration—this edition not only follows Khoury’s(...)
Bernard Khoury: Provoking the territory. Dongola Architecture Series DAS 03
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The third installment in the Dongola Architecture Series, "Provoking the territory: Bernard Khoury", explores the provocative and often polarizing practice of Lebanese architect Bernard Khoury through an intimate lens rooted in Beirut. As with previous volumes, the series privileges critical conversations over monographic celebration—this edition not only follows Khoury’s trajectory from student to self-reinvention in his fifties, but also presents him as both a product and provocateur of the city’s contradictions. This volume uses Khoury’s work not simply as an archive of built projects, but as an investigative framework for understanding Beirut’s urban complexities. It asks: how can an architect simultaneously challenge power and profit from it? Can one critically portray a city while being embedded in its elite networks? Following the structure of earlier volumes, "Provoking the territory" mobilizes Khoury’s thinking as a lens to reflect on regional failures to modernize, unlearn dominant fictions, and dive fearlessly into the architectural imaginaries of the Arab world. It is an invitation to confront the ethics, politics, and aesthetics of urban storytelling.
Architecture Monographs