2322 Results
Form:
textual records
textual records
Title:
Esterhazy - IMC Reference
Esterhazy - IMC Reference
Actions:
Reference number:
ARCH253537
Description:
memorandums, clippings, The Quiet Revolution, a call for action in world agriculture, 1965 by IMC, 1965 IMC annual report
ARCH253537
Description:
memorandums, clippings, The Quiet Revolution, a call for action in world agriculture, 1965 by IMC, 1965 IMC annual report
People:
Date:
1956-1966
1956-1966
Title:
Esterhazy - IMC Reference
Actions:
ARCH253537
Description:
memorandums, clippings, The Quiet Revolution, a call for action in world agriculture, 1965 by IMC, 1965 IMC annual report
Esterhazy - IMC Reference
Actions:
ARCH253537
Description:
memorandums, clippings, The Quiet Revolution, a call for action in world agriculture, 1965 by IMC, 1965 IMC annual report
Form:
textual records
textual records
Date:
1956-1966
1956-1966
People:
Form:
drawings
drawings
Reference number:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
People:
Date:
ca. 1968
ca. 1968
Title:
Front and section project drawings, Prison project
Actions:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
Front and section project drawings, Prison project
Actions:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
Form:
drawings
drawings
Date:
ca. 1968
ca. 1968
People:
Form:
events
events
Title:
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
29 June 2017, 6pm
29 June 2017, 6pm
Title:
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Form:
events
events
Date:
29 June 2017
6pm
29 June 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
drawings
drawings
Actions:
Reference number:
DR1967:0011
Description:
- The pedestal of the memorial column depicted in this elevation is inscribed with the dates of that revolution of 1830 and the names of French citizens who died during that revolution. Banners inscribed with French placenames spiral up the fluted column, which is surmounted with an inscribed plinth, a globe, and a crown. The memorial column is set in a fountain.
DR1967:0011
Description:
- The pedestal of the memorial column depicted in this elevation is inscribed with the dates of that revolution of 1830 and the names of French citizens who died during that revolution. Banners inscribed with French placenames spiral up the fluted column, which is surmounted with an inscribed plinth, a globe, and a crown. The memorial column is set in a fountain.
People:
Subject:
architecture
architecture
Date:
1831
1831
Title:
Elevation for the Colonne de juillet
Actions:
DR1967:0011
Description:
- The pedestal of the memorial column depicted in this elevation is inscribed with the dates of that revolution of 1830 and the names of French citizens who died during that revolution. Banners inscribed with French placenames spiral up the fluted column, which is surmounted with an inscribed plinth, a globe, and a crown. The memorial column is set in a fountain.
Elevation for the Colonne de juillet
Actions:
DR1967:0011
Description:
- The pedestal of the memorial column depicted in this elevation is inscribed with the dates of that revolution of 1830 and the names of French citizens who died during that revolution. Banners inscribed with French placenames spiral up the fluted column, which is surmounted with an inscribed plinth, a globe, and a crown. The memorial column is set in a fountain.
Form:
drawings
drawings
Date:
1831
1831
People:
Subject:
architecture
architecture
Form:
journals and magazines
journals and magazines
Reference number:
ARCH271658
Description:
Issue of April 7, 1980, vol. XCV, no. 14 of "Newsweek" with an the article "The Solar Revolution" about solar homes including Kelbaugh House in Princeton, New Jersey.
ARCH271658
Description:
Issue of April 7, 1980, vol. XCV, no. 14 of "Newsweek" with an the article "The Solar Revolution" about solar homes including Kelbaugh House in Princeton, New Jersey.
People:
Date:
April 7, 1980
April 7, 1980
Title:
Article on solar energy featuring Kelbaugh House
Actions:
ARCH271658
Description:
Issue of April 7, 1980, vol. XCV, no. 14 of "Newsweek" with an the article "The Solar Revolution" about solar homes including Kelbaugh House in Princeton, New Jersey.
Article on solar energy featuring Kelbaugh House
Actions:
ARCH271658
Description:
Issue of April 7, 1980, vol. XCV, no. 14 of "Newsweek" with an the article "The Solar Revolution" about solar homes including Kelbaugh House in Princeton, New Jersey.
Form:
journals and magazines
journals and magazines
Date:
April 7, 1980
April 7, 1980
People:
Form:
events
events
Title:
Learning from... Cairo
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
15 September 2011 , 7pm
15 September 2011 , 7pm
Title:
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Form:
events
events
Date:
15 September 2011
7pm
15 September 2011
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
events
events
Actions:
Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
17 September 2015, 6PM
17 September 2015, 6PM
Title:
SAAL 1974: Inclusive Architecture in Portugal
Actions:
Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
SAAL 1974: Inclusive Architecture in Portugal
Actions:
Description:
Following the revolution of 25 April 1974 in Portugal, the architect Alexandre Alves Costa became a member of the Coordinating Committee of SAAL North Sector, responsible for planning and project support. Together with José António Bandeirinha, architect and Professor at the University of Coimbra, he will discuss the new role of the architect during the SAAL process,(...)
Form:
events
events
Date:
17 September 2015
6PM
17 September 2015
6PM
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Title:
Il Ritorno Dei Re (1980)
Il Ritorno Dei Re (1980)
Actions:
Reference number:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
circa 1980
circa 1980
Title:
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
circa 1980
circa 1980
People:
Form:
articles
articles
Actions:
Issue:
Let us assure you
Let us assure you
Keyword(s):
Vendôme, mound of Vendôme, Commune de Paris, Paris, revolution, landscape, dirt, column, Napoleon, destruction, urban symbols, urban imaginary
Vendôme, mound of Vendôme, Commune de Paris, Paris, revolution, landscape, dirt, column, Napoleon, destruction, urban symbols, urban imaginary
Published:
28 February 2016
28 February 2016
Issue:
Let us assure you
Let us assure you
Level of archival description:
Project
Project
Title:
Leal, Porto
Leal, Porto
Actions:
Reference number:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
People:
Date:
1975
1975
Title:
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975
1975
People:
