drawings
AP075.S1.1983.PR01.074
1986-1987
Working drawings, National Gallery of Canada, Ottawa, Ontario
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AP075.S1.1983.PR01.074
drawings
1986-1987
drawings
AP075.S1.1983.PR01.065
Description:
site sections
circa 1983
Presentation drawings, National Gallery of Canada, Ottawa, Ontario
Actions:
AP075.S1.1983.PR01.065
Description:
site sections
drawings
circa 1983
drawings
AP075.S1.1983.PR01.072
1986
Working drawings, National Gallery of Canada, Ottawa, Ontario
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AP075.S1.1983.PR01.072
drawings
1986
drawings
AP075.S1.1983.PR01.062
1984
Design development, National Gallery of Canada, Ottawa, Ontario
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AP075.S1.1983.PR01.062
drawings
1984
drawings
AP075.S1.1983.PR01.066
circa 1983
Presentation drawings, National Gallery of Canada, Ottawa, Ontario
Actions:
AP075.S1.1983.PR01.066
drawings
circa 1983
Project
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
1983-2005
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Project
1983-2005
Project
AP056.S1.1992.PR01
Description:
This project series documents the unbuilt 1992 design for the Jaguar-on-Bay Auto Showroon on 740 Dupont Street in Toronto. Documenting the project are sketches, plans, elevations, sections, details and presentation drawings.
1992
Jaguar-on-Bay Auto Showroom, Toronto, Ontario (1992)
Actions:
AP056.S1.1992.PR01
Description:
This project series documents the unbuilt 1992 design for the Jaguar-on-Bay Auto Showroon on 740 Dupont Street in Toronto. Documenting the project are sketches, plans, elevations, sections, details and presentation drawings.
Project
1992
models
ARCH283358
models
models
AP056.S1.1993.PR08.009
circa 1993
Project model, University of Waterloo Student Centre, Ontario
Actions:
AP056.S1.1993.PR08.009
models
circa 1993
drawings
AP056.S1.1989.PR04.004
circa 1991
Sketch plans and elevations, Palmerston Place, Scarborough, Ontario
Actions:
AP056.S1.1989.PR04.004
drawings
circa 1991