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287 pages : color illustrations ; 31 cm.
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287 pages : color illustrations ; 31 cm.
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Amiens : Association pour la généralisation de l'Inventaire régional en Picardie, 2001.
Amiens : Association pour la généralisation de l'Inventaire régional en Picardie, 2001.
Title:
La Thiérache, Aisne : sur une frontière de la France / textes, Pierre-Yves Brest [and others] ; photographies, Franck Bürjes [and others] ; cartographie Joëlle Désiré ; sous la direction de Martine Plouvier.
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287 pages : color illustrations ; 31 cm.
La Thiérache, Aisne : sur une frontière de la France / textes, Pierre-Yves Brest [and others] ; photographies, Franck Bürjes [and others] ; cartographie Joëlle Désiré ; sous la direction de Martine Plouvier.
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287 pages : color illustrations ; 31 cm.
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Amiens : Association pour la généralisation de l'Inventaire régional en Picardie, 2001.
Amiens : Association pour la généralisation de l'Inventaire régional en Picardie, 2001.
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16 pages : color illustrations, plan ; 23 cm
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16 pages : color illustrations, plan ; 23 cm
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[Rouen] : Inventaire général S.P.A.D.E.M., 1992.
[Rouen] : Inventaire général S.P.A.D.E.M., 1992.
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L'hôtel de Bourgtheroulde et sa galerie / [textes, Isabelle Letteron ; photographies, Denis Couchaux, Christophe Kollmann, Yvon Miossec].
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16 pages : color illustrations, plan ; 23 cm
L'hôtel de Bourgtheroulde et sa galerie / [textes, Isabelle Letteron ; photographies, Denis Couchaux, Christophe Kollmann, Yvon Miossec].
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16 pages : color illustrations, plan ; 23 cm
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[Rouen] : Inventaire général S.P.A.D.E.M., 1992.
[Rouen] : Inventaire général S.P.A.D.E.M., 1992.
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190 pages : color illustrations ; 23 cm
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190 pages : color illustrations ; 23 cm
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Paris : Huitième jour, ©2007.
Paris : Huitième jour, ©2007.
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Les architectes de la mémoire / Simon Texier ; photographies de Jean-Christophe Dartoux.
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190 pages : color illustrations ; 23 cm
Les architectes de la mémoire / Simon Texier ; photographies de Jean-Christophe Dartoux.
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190 pages : color illustrations ; 23 cm
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Paris : Huitième jour, ©2007.
Paris : Huitième jour, ©2007.
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63, [1] pages : color illustrations, maps ; 30 cm.
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63, [1] pages : color illustrations, maps ; 30 cm.
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[Paris] : Inventaire général des monuments et des richesses artistiques de la France, ©2003.
[Paris] : Inventaire général des monuments et des richesses artistiques de la France, ©2003.
Title:
Le Canton de Neuvy-le-Roi, Indre-et-Loire / textes, Anne Debal-Morche ; avec la collaboration de Viviane Aubourg et Pascal Alilaire ; photographies, Mariusz Hermanowicz ; cartes et dessins, Viviane Aubourg.
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63, [1] pages : color illustrations, maps ; 30 cm.
Le Canton de Neuvy-le-Roi, Indre-et-Loire / textes, Anne Debal-Morche ; avec la collaboration de Viviane Aubourg et Pascal Alilaire ; photographies, Mariusz Hermanowicz ; cartes et dessins, Viviane Aubourg.
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63, [1] pages : color illustrations, maps ; 30 cm.
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[Paris] : Inventaire général des monuments et des richesses artistiques de la France, ©2003.
[Paris] : Inventaire général des monuments et des richesses artistiques de la France, ©2003.
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$69.90
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
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Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
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books
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December 2016
December 2016
Subject:
Photography monographs
Photography monographs
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$78.00
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Alberto Ponis "Costruire nella Natura" ("Building in Nature") analyses 22 buildings, highlighting the importance of drawing and photography as the first act of design, as in the Genius Loci series in which he photographed Sardinian vernacular architecture. This publication aims primarily to analyse of Alberto Ponis's work as a whole, including single-family houses and(...)
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Alberto Ponis "Costruire nella Natura" ("Building in Nature") analyses 22 buildings, highlighting the importance of drawing and photography as the first act of design, as in the Genius Loci series in which he photographed Sardinian vernacular architecture. This publication aims primarily to analyse of Alberto Ponis's work as a whole, including single-family houses and(...)
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Alberto Ponis: Costruire nella Natura
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Alberto Ponis "Costruire nella Natura" ("Building in Nature") analyses 22 buildings, highlighting the importance of drawing and photography as the first act of design, as in the Genius Loci series in which he photographed Sardinian vernacular architecture. This publication aims primarily to analyse of Alberto Ponis's work as a whole, including single-family houses and collective houses built in Palau and Costa Paradiso, investigating the relationship with the natural site formed by granite rocks, strawberry trees and holm oaks. These elements become part of the architecture, generating its form. Meticulous work in the Ponis Archive has revealed little-known materials, such as slides of trips to America to visit the Sea Ranch and the architecture of Louis Kahn; visits to Ronchamp and La Tourette and the architecture of Arno Jacobsen and Alvar Aalto. But above all, his letters with clients, the photographs Ponis took of his houses, the sketchbooks during site inspections, the Thought notes, his design vocabulary that he continually defined over time, right down to his "pictorial obsessions" for the Nervi marina and Bonifacio.
Alberto Ponis: Costruire nella Natura
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Alberto Ponis "Costruire nella Natura" ("Building in Nature") analyses 22 buildings, highlighting the importance of drawing and photography as the first act of design, as in the Genius Loci series in which he photographed Sardinian vernacular architecture. This publication aims primarily to analyse of Alberto Ponis's work as a whole, including single-family houses and collective houses built in Palau and Costa Paradiso, investigating the relationship with the natural site formed by granite rocks, strawberry trees and holm oaks. These elements become part of the architecture, generating its form. Meticulous work in the Ponis Archive has revealed little-known materials, such as slides of trips to America to visit the Sea Ranch and the architecture of Louis Kahn; visits to Ronchamp and La Tourette and the architecture of Arno Jacobsen and Alvar Aalto. But above all, his letters with clients, the photographs Ponis took of his houses, the sketchbooks during site inspections, the Thought notes, his design vocabulary that he continually defined over time, right down to his "pictorial obsessions" for the Nervi marina and Bonifacio.
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books
books
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December 2024
December 2024
Subject:
Architecture Monographs
Architecture Monographs
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$54.00
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Summary:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
$54.00
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Summary:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Title:
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
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books
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March 2025
March 2025
Subject:
Photography monographs
Photography monographs
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104 pages : illustrations ; 30 cm.
Description:
104 pages : illustrations ; 30 cm.
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[Lyon] : Éditions Lieux dits, [2015]
[Lyon] : Éditions Lieux dits, [2015]
Title:
Sainte-Maxime : station balnéaire des années folles : Var, Provence-Alpes-Côte d'Azur / textes, Geneviève Négrel ; photographies, Françoise Baussan, Frédéric Pauvarel ; cartes, Sarah Bossy.
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104 pages : illustrations ; 30 cm.
Sainte-Maxime : station balnéaire des années folles : Var, Provence-Alpes-Côte d'Azur / textes, Geneviève Négrel ; photographies, Françoise Baussan, Frédéric Pauvarel ; cartes, Sarah Bossy.
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104 pages : illustrations ; 30 cm.
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[Lyon] : Éditions Lieux dits, [2015]
[Lyon] : Éditions Lieux dits, [2015]
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160 pages : illustrations (chiefly color), maps ; 30 cm.
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160 pages : illustrations (chiefly color), maps ; 30 cm.
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Paris : Somogy ; Nancy : Région Lorraine, Inventaire général, ©2011.
Paris : Somogy ; Nancy : Région Lorraine, Inventaire général, ©2011.
Title:
Le canton de Vic-sur-Seille : Lorraine, Moselle / textes, Claire Decomps, Marie Gloc ; avec la participation de Mireille-Bénédicte Bouvet [and others] ; photographies, Bertrand Drapier [and others] ; avec la collaboration de Gilles André [and others] ; cartes et dessins, Aloïs Bertrand-Pierron [and others].
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160 pages : illustrations (chiefly color), maps ; 30 cm.
Le canton de Vic-sur-Seille : Lorraine, Moselle / textes, Claire Decomps, Marie Gloc ; avec la participation de Mireille-Bénédicte Bouvet [and others] ; photographies, Bertrand Drapier [and others] ; avec la collaboration de Gilles André [and others] ; cartes et dessins, Aloïs Bertrand-Pierron [and others].
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160 pages : illustrations (chiefly color), maps ; 30 cm.
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Paris : Somogy ; Nancy : Région Lorraine, Inventaire général, ©2011.
Paris : Somogy ; Nancy : Région Lorraine, Inventaire général, ©2011.
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$84.00
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Summary:
Museums have become the preeminent building type for the expression of new architectural ideas. Holl's expansion of the Nelson Atkins Museum of Art achieves a fusion of architecture with landscape that redefines the boundaries of the museum-going experience while creating one of the most unorthodox and breathtakingly beautiful examples of recent museum design. Holl's(...)
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Museums have become the preeminent building type for the expression of new architectural ideas. Holl's expansion of the Nelson Atkins Museum of Art achieves a fusion of architecture with landscape that redefines the boundaries of the museum-going experience while creating one of the most unorthodox and breathtakingly beautiful examples of recent museum design. Holl's(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
June 2007, Munich Berlin London New York
June 2007, Munich Berlin London New York
Title:
Stone & feather : Steven Holl architects / The Nelson-Atkins museum expansion
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Museums have become the preeminent building type for the expression of new architectural ideas. Holl's expansion of the Nelson Atkins Museum of Art achieves a fusion of architecture with landscape that redefines the boundaries of the museum-going experience while creating one of the most unorthodox and breathtakingly beautiful examples of recent museum design. Holl's structure emerges from the landscape as five interconnected glass structures or "lenses," which both draw light into the building and serve to accentuate the museum's sculpture garden, providing both new spaces and angles of vision. Executed through close collaboration with museum curators and artists, the building achieves a dynamic and supportive relationship between art and architecture. Combining an in-depth critical assessment by the eminent architectural historian Jeffrey Kipnis, a generous selection of the architect's preliminary watercolor studies for the museum expansion, and breathtaking photography, this volume will be an essential reference for anyone concerned with the future of architecture and museum design.
Stone & feather : Steven Holl architects / The Nelson-Atkins museum expansion
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$84.00
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Summary:
Museums have become the preeminent building type for the expression of new architectural ideas. Holl's expansion of the Nelson Atkins Museum of Art achieves a fusion of architecture with landscape that redefines the boundaries of the museum-going experience while creating one of the most unorthodox and breathtakingly beautiful examples of recent museum design. Holl's structure emerges from the landscape as five interconnected glass structures or "lenses," which both draw light into the building and serve to accentuate the museum's sculpture garden, providing both new spaces and angles of vision. Executed through close collaboration with museum curators and artists, the building achieves a dynamic and supportive relationship between art and architecture. Combining an in-depth critical assessment by the eminent architectural historian Jeffrey Kipnis, a generous selection of the architect's preliminary watercolor studies for the museum expansion, and breathtaking photography, this volume will be an essential reference for anyone concerned with the future of architecture and museum design.
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books
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Publication:
June 2007, Munich Berlin London New York
June 2007, Munich Berlin London New York
Subject:
Architecture Monographs
Architecture Monographs
