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journals and magazines
journals and magazines
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century(...)
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century(...)
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Magazines
Magazines
Publication:
July 2005, Rotterdam
July 2005, Rotterdam
Title:
OASE 66 : virtually here : ruimte in cyberfictie / space in cyberfiction
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century venue for imaginative extrapolations of possible futures, and cyberpunk as a subcategory of science fiction dealing specifically with the information age, they both seem to offer an interesting arena in which to compare various articulations of the future architectural environment. With contributions by Lara Schrijver, Pnina Avidar, Gül Kaçmaz Erk, M. Cristine Boyer, Neil Spiller and Sidney Eve Matrix. Design by Karel Martens & Chantal Hendriksen; Werkplaats Typografie.
OASE 66 : virtually here : ruimte in cyberfictie / space in cyberfiction
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century venue for imaginative extrapolations of possible futures, and cyberpunk as a subcategory of science fiction dealing specifically with the information age, they both seem to offer an interesting arena in which to compare various articulations of the future architectural environment. With contributions by Lara Schrijver, Pnina Avidar, Gül Kaçmaz Erk, M. Cristine Boyer, Neil Spiller and Sidney Eve Matrix. Design by Karel Martens & Chantal Hendriksen; Werkplaats Typografie.
Form:
journals and magazines
journals and magazines
Publication:
July 2005, Rotterdam
July 2005, Rotterdam
Subject:
Magazines
Magazines
Form:
books
books
Title:
dot dot dot 8
dot dot dot 8
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$22.95
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The eighth issue design magazine containsthe following articles: Stuart Bailey "Dear X"; Ryan Gander "The Boy Who Always Looked Up"(part II); Anna Gwendoline Jackson "Inside Outside"; Gerry Beegan "I've Gone Modern"; Graham Meyer "The Metaphor Topology Riddle,or, etc."; Dmitri Siegel "Why Are All These Books Orange"; Kodwo Eshun "The Art of the Essay Film"; Katherine(...)
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The eighth issue design magazine containsthe following articles: Stuart Bailey "Dear X"; Ryan Gander "The Boy Who Always Looked Up"(part II); Anna Gwendoline Jackson "Inside Outside"; Gerry Beegan "I've Gone Modern"; Graham Meyer "The Metaphor Topology Riddle,or, etc."; Dmitri Siegel "Why Are All These Books Orange"; Kodwo Eshun "The Art of the Essay Film"; Katherine(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
October 2004, The Hague
October 2004, The Hague
Title:
dot dot dot 8
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Summary:
The eighth issue design magazine containsthe following articles: Stuart Bailey "Dear X"; Ryan Gander "The Boy Who Always Looked Up"(part II); Anna Gwendoline Jackson "Inside Outside"; Gerry Beegan "I've Gone Modern"; Graham Meyer "The Metaphor Topology Riddle,or, etc."; Dmitri Siegel "Why Are All These Books Orange"; Kodwo Eshun "The Art of the Essay Film"; Katherine Gillieson "The English Breakfast as a Modular System"; Mornu- "Shadow Lovers"; David Reinfurt "Global Branding"; John Körmeling "Design for a New Disease"; David Reinfurt "Black,American,Express"; Karel Martens "Journal of High-Principled Typography"; Stuart Bailey "Equation for a Composite Design; Parts 2 & 3"; Atonin Kosik "Czech Dream Project"; Peter Bilak "Bout Nothing, Really", etc.
dot dot dot 8
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The eighth issue design magazine containsthe following articles: Stuart Bailey "Dear X"; Ryan Gander "The Boy Who Always Looked Up"(part II); Anna Gwendoline Jackson "Inside Outside"; Gerry Beegan "I've Gone Modern"; Graham Meyer "The Metaphor Topology Riddle,or, etc."; Dmitri Siegel "Why Are All These Books Orange"; Kodwo Eshun "The Art of the Essay Film"; Katherine Gillieson "The English Breakfast as a Modular System"; Mornu- "Shadow Lovers"; David Reinfurt "Global Branding"; John Körmeling "Design for a New Disease"; David Reinfurt "Black,American,Express"; Karel Martens "Journal of High-Principled Typography"; Stuart Bailey "Equation for a Composite Design; Parts 2 & 3"; Atonin Kosik "Czech Dream Project"; Peter Bilak "Bout Nothing, Really", etc.
Form:
books
books
Publication:
October 2004, The Hague
October 2004, The Hague
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Title:
Ari Marcopoulos: Beware
Ari Marcopoulos: Beware
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and(...)
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When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and(...)
Title:
Ari Marcopoulos: Beware
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$50.00
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Summary:
When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and puzzling works. Some of the artists were already familiar, while others were new to him. The process was not so different from his process as a filmmaker and photographer: so much of his work is about finding things. This book is a new look at photographs from around the time Marcopoulos shot ‘'Brown Bag'’.
Ari Marcopoulos: Beware
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Summary:
When the Musée d’Art Moderne de Paris asked Ari Marcopoulos to curate an exhibition around their acquisition ‘'Brown Bag'’, a short film on skateboarders in New York that he made in 1993, he was given access to the museum’s collection of over 15,000 works. He looked for themes related to the body, injuries, and architecture, along with what he perceived as challenging and puzzling works. Some of the artists were already familiar, while others were new to him. The process was not so different from his process as a filmmaker and photographer: so much of his work is about finding things. This book is a new look at photographs from around the time Marcopoulos shot ‘'Brown Bag'’.
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
On growth and form
On growth and form
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Why do living things and physical phenomena take the form they do? D'Arcy Thompson's classic "On Growth and Form" looks at the way things grow and the shapes they take. Analysing biological processes in their mathematical and physical aspects, this historic work, first published in 1917, has also become renowned for the sheer poetry of its descriptions. A great scientist(...)
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Why do living things and physical phenomena take the form they do? D'Arcy Thompson's classic "On Growth and Form" looks at the way things grow and the shapes they take. Analysing biological processes in their mathematical and physical aspects, this historic work, first published in 1917, has also become renowned for the sheer poetry of its descriptions. A great scientist(...)
Title:
On growth and form
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Why do living things and physical phenomena take the form they do? D'Arcy Thompson's classic "On Growth and Form" looks at the way things grow and the shapes they take. Analysing biological processes in their mathematical and physical aspects, this historic work, first published in 1917, has also become renowned for the sheer poetry of its descriptions. A great scientist sensitive to the fascinations and beauty of the natural world tells of jumping fleas and slipper limpets; of buds and seeds; of bees' cells and rain drops; of the potter's thumb and the spider's web; of a film of soap and a bubble of oil; of a splash of a pebble in a pond.
On growth and form
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Summary:
Why do living things and physical phenomena take the form they do? D'Arcy Thompson's classic "On Growth and Form" looks at the way things grow and the shapes they take. Analysing biological processes in their mathematical and physical aspects, this historic work, first published in 1917, has also become renowned for the sheer poetry of its descriptions. A great scientist sensitive to the fascinations and beauty of the natural world tells of jumping fleas and slipper limpets; of buds and seeds; of bees' cells and rain drops; of the potter's thumb and the spider's web; of a film of soap and a bubble of oil; of a splash of a pebble in a pond.
Form:
books
books
Publication:
July 2014
July 2014
Form:
books
books
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$75.95
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Title:
Montage and the metropolis: architecture, modernity, and the representation of space
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Montage and the metropolis: architecture, modernity, and the representation of space
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Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
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L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport(...)
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L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport(...)
Title:
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
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L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport entre intérieur et extérieur, et entre hardware et software. Des bâtiments et machines « IBM » à ses conseils pour le film 2001de Stanley Kubrick, Noyes aura façonné un univers d'entreprise au sens strict, identité homogène et monde clos héritiers du style international et du brutalisme américains, mais augmentés des bunkers SAGE, des tele-computer centers et des white rooms...
L'Odyssée de l'espace IBM : Eliot Noyes et la logique de 'l'intériorité' à l'ère de l'information
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$21.00
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Summary:
L'Odyssée de l'espace IBM est d'abord une histoire des années 1950 : celle liant le nouveau PDG d'IBM, Thomas Watson Jr., à ses corporate designers, l'architecte Eliot Noyes et le publiciste Paul Rand. Ensemble, ils feront de la firme le n°1 mondial de l'informatique. Dans son essai, John Harwood retrace cette saga au sein de l'espace moderniste réinventant le rapport entre intérieur et extérieur, et entre hardware et software. Des bâtiments et machines « IBM » à ses conseils pour le film 2001de Stanley Kubrick, Noyes aura façonné un univers d'entreprise au sens strict, identité homogène et monde clos héritiers du style international et du brutalisme américains, mais augmentés des bunkers SAGE, des tele-computer centers et des white rooms...
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Roman Signer: vernissage
Roman Signer: vernissage
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Summary:
Roman Signer: Vernissage" celebrates the seventieth birthday of this extraordinary artist through an exploration of the cards used to promote Signer's exhibitions.This vibrantly illustrated volume features a selection of cards and advertisements for 150 Roman Signer exhibitions since 1973. Each card reflects the artistic sensibilities of its era, and together the cards(...)
$78.00
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Summary:
Roman Signer: Vernissage" celebrates the seventieth birthday of this extraordinary artist through an exploration of the cards used to promote Signer's exhibitions.This vibrantly illustrated volume features a selection of cards and advertisements for 150 Roman Signer exhibitions since 1973. Each card reflects the artistic sensibilities of its era, and together the cards(...)
Title:
Roman Signer: vernissage
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Roman Signer: Vernissage" celebrates the seventieth birthday of this extraordinary artist through an exploration of the cards used to promote Signer's exhibitions.This vibrantly illustrated volume features a selection of cards and advertisements for 150 Roman Signer exhibitions since 1973. Each card reflects the artistic sensibilities of its era, and together the cards form a miniature historical narrative of contemporary art. Also included in "Roman Signer: Vernissage" are photographs, Signer's sketches for potential projects, and film stills from past projects. Essayist Roland Waspe expands upon the visual narrative with his examination of the development of and dominant subject topics in Signer's work, and how the invitation cards and materials reflect his aesthetic ideals.
Roman Signer: vernissage
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$78.00
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Summary:
Roman Signer: Vernissage" celebrates the seventieth birthday of this extraordinary artist through an exploration of the cards used to promote Signer's exhibitions.This vibrantly illustrated volume features a selection of cards and advertisements for 150 Roman Signer exhibitions since 1973. Each card reflects the artistic sensibilities of its era, and together the cards form a miniature historical narrative of contemporary art. Also included in "Roman Signer: Vernissage" are photographs, Signer's sketches for potential projects, and film stills from past projects. Essayist Roland Waspe expands upon the visual narrative with his examination of the development of and dominant subject topics in Signer's work, and how the invitation cards and materials reflect his aesthetic ideals.
Form:
books
books
Publication:
August 2008, Zürich
August 2008, Zürich
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
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$28.95
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Summary:
Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works(...)
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Summary:
Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works(...)
Title:
Digital baroque: new media art and cinematic folds
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$28.95
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Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach—one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.
Digital baroque: new media art and cinematic folds
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$28.95
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Summary:
Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach—one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.
Form:
books
books
Publication:
December 2008, Minneapolis
December 2008, Minneapolis
Subject:
Art Theory
Art Theory
Form:
books
books
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$38.50
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Architecture and Tourism examines the relationship between tourism and the built environment and shows how photography, film, and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior, and literature support larger cultural objectives. Drawing upon case studies in the United States, Cuba, Ghana,(...)
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Architecture and Tourism examines the relationship between tourism and the built environment and shows how photography, film, and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior, and literature support larger cultural objectives. Drawing upon case studies in the United States, Cuba, Ghana,(...)
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
Publication:
May 2004, Oxford, New York
May 2004, Oxford, New York
Title:
Architecture and tourism: perception, performance and place
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Architecture and Tourism examines the relationship between tourism and the built environment and shows how photography, film, and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior, and literature support larger cultural objectives. Drawing upon case studies in the United States, Cuba, Ghana, Greece, France, Italy, Libya, Mauritius and Spain, Architecture and Tourism explores the touristic experience, representation and meaning of place within distinct cultural contexts. From the former sites of the slave trade on the Ghanean coast to the urban renewal of Old Havana and the honeymoon resorts in the Poconos, this book provides provocative insights into the practice of tourism and the conception of place.
Architecture and tourism: perception, performance and place
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$38.50
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Architecture and Tourism examines the relationship between tourism and the built environment and shows how photography, film, and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior, and literature support larger cultural objectives. Drawing upon case studies in the United States, Cuba, Ghana, Greece, France, Italy, Libya, Mauritius and Spain, Architecture and Tourism explores the touristic experience, representation and meaning of place within distinct cultural contexts. From the former sites of the slave trade on the Ghanean coast to the urban renewal of Old Havana and the honeymoon resorts in the Poconos, this book provides provocative insights into the practice of tourism and the conception of place.
Form:
books
books
Publication:
May 2004, Oxford, New York
May 2004, Oxford, New York
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
Form:
journals and magazines
journals and magazines
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$15.00
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Summary:
Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her(...)
$15.00
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Summary:
Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her(...)
Subject:
Magazines
Magazines
Publication:
March 2009, New York
March 2009, New York
Title:
Log 15, winter 2009: observations on architecture and the contemporary city
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Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her 80th birthday, these essays range from an architectural and archaeological reading of Chris Marker’s post-apocalyptic film La Jetée to Dravidian architecture in India; from Gordon Matta-Clark’s erasure of architecture to the persistence of asphalt; from the influence of Andy Warhol on ambient architecture past and present to the house in the museum and the museum in the house.
Log 15, winter 2009: observations on architecture and the contemporary city
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$15.00
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Summary:
Log 15 is a slice through the present, featuring the current work and thinking of some of today’s leading architectural historians and theorists: Barry Bergdoll, Mario Carpo, Jean-Louis Cohen, Beatriz Colomina, Hubert Damisch, Peter Eisenman, Kurt Forster, Mark Jarzombek, Irving Lavin, Sylvia Lavin, Mark Wigley, and Mirko Zardini. Assembled to honor Phyllis Lambert on her 80th birthday, these essays range from an architectural and archaeological reading of Chris Marker’s post-apocalyptic film La Jetée to Dravidian architecture in India; from Gordon Matta-Clark’s erasure of architecture to the persistence of asphalt; from the influence of Andy Warhol on ambient architecture past and present to the house in the museum and the museum in the house.
Form:
journals and magazines
journals and magazines
Publication:
March 2009, New York
March 2009, New York
Subject:
Magazines
Magazines
