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A+U 18/11 578 : architecture in Norway and Denmark + Rail Corridor in Singapore
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Le semestriel 2018-2 consacre un grand dossier aux années 1930, période charnière d'intense activité architecturale, en France comme à l'étranger, qui voit se développer de nouveaux courants, en réaction à l'académisme ambiant. De nombreux architectes européens ont contribué à la portée historique du Mouvement moderne dont ce numéro se fera l'écho, notamment à travers(...)
Monumental 2018, semestriel 2
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Le semestriel 2018-2 consacre un grand dossier aux années 1930, période charnière d'intense activité architecturale, en France comme à l'étranger, qui voit se développer de nouveaux courants, en réaction à l'académisme ambiant. De nombreux architectes européens ont contribué à la portée historique du Mouvement moderne dont ce numéro se fera l'écho, notamment à travers l'achèvement récent d'opérations significatives de restauration comme la villa E-1027 d'Eileen Gray à Roquebrune-Cap-Martin ; la villa Tugendhat de Mies van der Rohe à Brno (République tchèque) ; la piscine des Amiraux d'Henri Sauvage, l'appartement-atelier de Le Corbusier, le palais d'Iéna d'Auguste Perret, la halle Freyssinet/station F, le cinéma mythique du Louxor, à Paris... Il évoquera les constructions d'Ali Tur en Guadeloupe ainsi que les expériences urbaines et architecturales menées au Maroc dans les années 1925/30.
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GA Houses 162
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The latest issue is now at the booksotre! This issue features projects by Smiljan Radic, Kengo Kuma, Barclay & Crousse, Takeshi Hagiwara, Makoto Takei + Chie Nabeshima/TNA, Vo Trong Nghia, Elemental, Max Núñez, Mathias Klotz.
GA Houses 162
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The latest issue is now at the booksotre! This issue features projects by Smiljan Radic, Kengo Kuma, Barclay & Crousse, Takeshi Hagiwara, Makoto Takei + Chie Nabeshima/TNA, Vo Trong Nghia, Elemental, Max Núñez, Mathias Klotz.
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GA Document 150
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GA Document 150
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‘Black Sun’ is edited in conversation with Krist Gruijthuijsen, currently the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’. The issue departs from Wojnarowicz’s grief at the loss(...)
F.R. David spring 2019 : black sun
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‘Black Sun’ is edited in conversation with Krist Gruijthuijsen, currently the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’. The issue departs from Wojnarowicz’s grief at the loss of loved ones during the 1980s AIDS crisis and anger at the US government for its wilful neglect. It assembles a selection of various gendered and sexual positions, all seeking support, love, and intimacy in linguistic, architectural, and bodily structures while under threat of collapse.
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In the villa tradition, both in antiquity and at least since the 15th century, the ancient link between beauty and goodness remained more or less explicit. Riffing on Virgil's exultation of natural poetics in ''The Georgics'', Petrarch took great delight in the twin meaning of cultivation: cultivation of selfhood and of the land. A house in nature remained a practical and(...)
JoCA 2: Journal of Civic Architecture 02
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In the villa tradition, both in antiquity and at least since the 15th century, the ancient link between beauty and goodness remained more or less explicit. Riffing on Virgil's exultation of natural poetics in ''The Georgics'', Petrarch took great delight in the twin meaning of cultivation: cultivation of selfhood and of the land. A house in nature remained a practical and ideal proposition for most of the 20th century. John and Dorothy Meunier's beautiful brick house, in the village of Caldecott outside Cambridge, provides us with a vision from a seemingly distant past. The Meunier House is a first class example of Alberti's notion that architecture is lived imagination, ''Second Nature''. David Grandorge's photographs reveal that the world is still beautiful. If it still rises in us though, the world is expressive now of intentions that we hardly understand, and have little time left, to continue to ignore.
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ED 2: architecture of architecture
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Real Review 8
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Real Review 8
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