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Reconstruction / photographies: Nigel Green ; texte: Martin Kew Meade ; [traduction: Alan Eglinton].
Reconstruction / photographies: Nigel Green ; texte: Martin Kew Meade ; [traduction: Alan Eglinton].
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125 pages : color illustrations, maps ; 21 x 25 cm
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125 pages : color illustrations, maps ; 21 x 25 cm
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[Montreuil sur Brèche] : Diaphane, 2010.
[Montreuil sur Brèche] : Diaphane, 2010.
Title:
Reconstruction / photographies: Nigel Green ; texte: Martin Kew Meade ; [traduction: Alan Eglinton].
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125 pages : color illustrations, maps ; 21 x 25 cm
Reconstruction / photographies: Nigel Green ; texte: Martin Kew Meade ; [traduction: Alan Eglinton].
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125 pages : color illustrations, maps ; 21 x 25 cm
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[Montreuil sur Brèche] : Diaphane, 2010.
[Montreuil sur Brèche] : Diaphane, 2010.
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$86.00
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
Title:
Wolkenbügel: El Lissitzky as architect
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Wolkenbügel: El Lissitzky as architect
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
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books
books
Publication:
April 2024
April 2024
Subject:
Architecture Monographs
Architecture Monographs
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128 pages : illustrations, maps, plans ; 30 cm
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128 pages : illustrations, maps, plans ; 30 cm
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Langres [France] : Éds. Dominique Guéniot, ©2007.
Langres [France] : Éds. Dominique Guéniot, ©2007.
Title:
Châlons-en-Champagne, Marne, Champagne-Ardenne / textes, Claire Bonnet, Bernard Ducouret, Sandra Miguel ; avec la participation de Geert Verbrugghe ; photographies, Jacques Philippot ; avec la participation de Virginie Arethens ; cartes, Christophe Wissenberg.
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128 pages : illustrations, maps, plans ; 30 cm
Châlons-en-Champagne, Marne, Champagne-Ardenne / textes, Claire Bonnet, Bernard Ducouret, Sandra Miguel ; avec la participation de Geert Verbrugghe ; photographies, Jacques Philippot ; avec la participation de Virginie Arethens ; cartes, Christophe Wissenberg.
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128 pages : illustrations, maps, plans ; 30 cm
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Langres [France] : Éds. Dominique Guéniot, ©2007.
Langres [France] : Éds. Dominique Guéniot, ©2007.
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$27.00
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Summary:
Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
$27.00
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
Title:
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
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books
books
Publication:
March 2012
March 2012
Subject:
Photography monographs
Photography monographs
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books
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$70.00
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the(...)
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the(...)
Title:
Angola cinemas: a fiction of freedom
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the 1960s brought atmosphere and elegance to the experience of going to the movies; but these urban cathedrals were also, importantly, a place where social barriers dissolved and where liberation from colonialism was possible. Walter Fernandes' (born 1979) photographs offer not only an examination of the architectural history of these buildings, but also an important document of urban organization in the twentieth century, as well as the changing mentalities of a society living with the prospect of its independence.
Angola cinemas: a fiction of freedom
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$70.00
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the 1960s brought atmosphere and elegance to the experience of going to the movies; but these urban cathedrals were also, importantly, a place where social barriers dissolved and where liberation from colonialism was possible. Walter Fernandes' (born 1979) photographs offer not only an examination of the architectural history of these buildings, but also an important document of urban organization in the twentieth century, as well as the changing mentalities of a society living with the prospect of its independence.
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books
books
Publication:
February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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48 p. : illustrations (some color) ; 23 cm
Description:
48 p. : illustrations (some color) ; 23 cm
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[Paris] : Association pour le Patrimoine d'Île-de-France, [2000]
[Paris] : Association pour le Patrimoine d'Île-de-France, [2000]
Title:
Marcoussis, Essonne / [textes, Brigitte Blanc ; photographies, Philippe Ayrault].
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48 p. : illustrations (some color) ; 23 cm
Marcoussis, Essonne / [textes, Brigitte Blanc ; photographies, Philippe Ayrault].
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48 p. : illustrations (some color) ; 23 cm
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books
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Publication:
[Paris] : Association pour le Patrimoine d'Île-de-France, [2000]
[Paris] : Association pour le Patrimoine d'Île-de-France, [2000]
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$49.95
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Summary:
Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by(...)
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by(...)
Title:
Carlo Mollino: maniera moderna
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by examining it across five inventively themed chapters: “Choreography,” “Montage,” “Publications,” “Display” and “Appropriations.” “Choreography” looks at Mollino’s love of motion in his customizations of airplanes and racing cars and his designs for the Lutrario dance hall in Turin. The “Montage” chapter examines Mollino’s architectural photomontages and other uses of photography; “Publications” reproduces a wealth of Mollino first editions, magazine spreads and works on paper; “Display” reveals the influence of Surrealism on Mollino’s interior displays, and also includes his erotic Polaroids; and “Appropriation” looks at his photographs of interior décor.
Carlo Mollino: maniera moderna
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Photographer, designer, architect and author on topics ranging from winter sports to the history of photography, Carlo Mollino (1905–1973) accomplished himself in a dizzying array of fields. The diversity and scale of his output often makes it seem somewhat daunting, but this volume coheres Mollino’s prolificness into an appetizing and eminently approachable whole, by examining it across five inventively themed chapters: “Choreography,” “Montage,” “Publications,” “Display” and “Appropriations.” “Choreography” looks at Mollino’s love of motion in his customizations of airplanes and racing cars and his designs for the Lutrario dance hall in Turin. The “Montage” chapter examines Mollino’s architectural photomontages and other uses of photography; “Publications” reproduces a wealth of Mollino first editions, magazine spreads and works on paper; “Display” reveals the influence of Surrealism on Mollino’s interior displays, and also includes his erotic Polaroids; and “Appropriation” looks at his photographs of interior décor.
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books
books
Publication:
March 2012
March 2012
Subject:
Design Monographs
Design Monographs
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books
books
Title:
Ian Strange: Disturbed home
Ian Strange: Disturbed home
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$88.00
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This is the first comprehensive survey of Ian Strange’s (born 1982) architectural interventions, including photographic and filmic interpretations of those works. Highlighting projects from the past 12 years and spanning geographies from Strange’s native Australia to New Zealand, Japan, Poland and the US, Strange’s provocative transformations of damaged or abandoned homes(...)
$88.00
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Summary:
This is the first comprehensive survey of Ian Strange’s (born 1982) architectural interventions, including photographic and filmic interpretations of those works. Highlighting projects from the past 12 years and spanning geographies from Strange’s native Australia to New Zealand, Japan, Poland and the US, Strange’s provocative transformations of damaged or abandoned homes(...)
Title:
Ian Strange: Disturbed home
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$88.00
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This is the first comprehensive survey of Ian Strange’s (born 1982) architectural interventions, including photographic and filmic interpretations of those works. Highlighting projects from the past 12 years and spanning geographies from Strange’s native Australia to New Zealand, Japan, Poland and the US, Strange’s provocative transformations of damaged or abandoned homes unlock themes of social upheaval and geographic displacement caused by economic blight, environmental disaster and migration. Published on the occasion of exhibitions at the 2020 Perth Festival and the 2022 FotoFocus Biennial, ''Disturbed home'' features lucid commentary and original documentation of numerous distinct projects. Also included are scholarly essays by FotoFocus artistic director and curator Kevin Moore and Britt Salvesen, curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department at the Los Angeles County Museum of Art. Essays address Strange’s practice within traditions of street art, photography, film, public sculpture and dance.
Ian Strange: Disturbed home
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$88.00
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This is the first comprehensive survey of Ian Strange’s (born 1982) architectural interventions, including photographic and filmic interpretations of those works. Highlighting projects from the past 12 years and spanning geographies from Strange’s native Australia to New Zealand, Japan, Poland and the US, Strange’s provocative transformations of damaged or abandoned homes unlock themes of social upheaval and geographic displacement caused by economic blight, environmental disaster and migration. Published on the occasion of exhibitions at the 2020 Perth Festival and the 2022 FotoFocus Biennial, ''Disturbed home'' features lucid commentary and original documentation of numerous distinct projects. Also included are scholarly essays by FotoFocus artistic director and curator Kevin Moore and Britt Salvesen, curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department at the Los Angeles County Museum of Art. Essays address Strange’s practice within traditions of street art, photography, film, public sculpture and dance.
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books
books
Publication:
June 2022
June 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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174 pages : illustrations (some color), plans ; 29 cm
Description:
174 pages : illustrations (some color), plans ; 29 cm
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Paris : Institut français d'architecture : Editions Norma, ©1993.
Paris : Institut français d'architecture : Editions Norma, ©1993.
Title:
Prague : passages et galeries / conception, Michaela Brožová, Anne Hebler, Chantal Scaler ; préface de Václav Havel ; présentation par Xavier Galmiche ; photographies contemporaines, Rudolf Duda et Petr Zhoř, Pavel Štecha.
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174 pages : illustrations (some color), plans ; 29 cm
Prague : passages et galeries / conception, Michaela Brožová, Anne Hebler, Chantal Scaler ; préface de Václav Havel ; présentation par Xavier Galmiche ; photographies contemporaines, Rudolf Duda et Petr Zhoř, Pavel Štecha.
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174 pages : illustrations (some color), plans ; 29 cm
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Paris : Institut français d'architecture : Editions Norma, ©1993.
Paris : Institut français d'architecture : Editions Norma, ©1993.
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$71.00
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes(...)
$71.00
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes(...)
Publication:
December 2016
December 2016
Title:
Notman: visionary photographer
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$71.00
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer’s numerous achievements.
Notman: visionary photographer
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$71.00
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer’s numerous achievements.
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books
books
Publication:
December 2016
December 2016
