4079 Results
Form:
books
books
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$60.00
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Despite, or because of, the ubiquity of televisions and computers, picture books have remained popular with kids and parents. These books have also not lost their appeal for illustrators and publishing houses — not least because a hit children’s book can serve as the lucrative basis for TV programs, video games, toys, or other merchandising. In addition to its(...)
$60.00
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Summary:
Despite, or because of, the ubiquity of televisions and computers, picture books have remained popular with kids and parents. These books have also not lost their appeal for illustrators and publishing houses — not least because a hit children’s book can serve as the lucrative basis for TV programs, video games, toys, or other merchandising. In addition to its(...)
Title:
Little big books : illustrations for children's picture books
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Despite, or because of, the ubiquity of televisions and computers, picture books have remained popular with kids and parents. These books have also not lost their appeal for illustrators and publishing houses — not least because a hit children’s book can serve as the lucrative basis for TV programs, video games, toys, or other merchandising. In addition to its presentation of cutting-edge visuals from around the world, Little Big Books offers insightful texts for those who hope to create or market visual content for children. These include interviews with experts about the educational aspects, make-up, and psychology of children’s picture books as well as the significance of children’s book awards and practical advice on publishing rights and licensing. The publication is rounded out with an introduction that puts current work into the historical context of classic books by the genre’s seminal pioneers.
Little big books : illustrations for children's picture books
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$60.00
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Summary:
Despite, or because of, the ubiquity of televisions and computers, picture books have remained popular with kids and parents. These books have also not lost their appeal for illustrators and publishing houses — not least because a hit children’s book can serve as the lucrative basis for TV programs, video games, toys, or other merchandising. In addition to its presentation of cutting-edge visuals from around the world, Little Big Books offers insightful texts for those who hope to create or market visual content for children. These include interviews with experts about the educational aspects, make-up, and psychology of children’s picture books as well as the significance of children’s book awards and practical advice on publishing rights and licensing. The publication is rounded out with an introduction that puts current work into the historical context of classic books by the genre’s seminal pioneers.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Illustration
Illustration
Form:
books
books
Price:
$54.00
(available to order)
Summary:
Edited by Walter Robinson, Edit DeAk and Joshua Cohn, "Art-Rite" was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an(...)
$54.00
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Edited by Walter Robinson, Edit DeAk and Joshua Cohn, "Art-Rite" was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an(...)
Title:
Art-rite
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$54.00
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Edited by Walter Robinson, Edit DeAk and Joshua Cohn, "Art-Rite" was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements and projects for the page—as well as artist-focused and thematic issues on video, painting, performance and artists' books—Art-Rite's sharp editorial vision and commitment to holding up the work of artists stands as a meaningful and lasting contribution to the art history of New York and beyond. All issues of Art-Rite are collected in this volume.
Art-rite
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Edited by Walter Robinson, Edit DeAk and Joshua Cohn, "Art-Rite" was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of interviews, reviews, statements and projects for the page—as well as artist-focused and thematic issues on video, painting, performance and artists' books—Art-Rite's sharp editorial vision and commitment to holding up the work of artists stands as a meaningful and lasting contribution to the art history of New York and beyond. All issues of Art-Rite are collected in this volume.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Art Theory
Art Theory
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books
books
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$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
Publication:
April 2018
April 2018
Title:
Gianfranco Baruchello : archive of moving images, 1960-2016
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
Gianfranco Baruchello : archive of moving images, 1960-2016
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$64.95
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Summary:
The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
Form:
books
books
Publication:
April 2018
April 2018
Form:
books
books
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$36.95
(available to order)
Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
$36.95
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Title:
Film X Autochthonous struggles today
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$36.95
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"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Film X Autochthonous struggles today
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$36.95
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Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Art Theory
Art Theory
Form:
books
books
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$19.95
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the(...)
$19.95
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Summary:
ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the(...)
Title:
Urbane akupuntur : Inge Roecker / ASIR Architekten, Stuttgart - ASIR Studio, Vancouver
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ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the historic Chinatown neighborhood while proposing concrete possibilities for transformations into contemporary uses. Through models, drawings and video projections, the catalogue's exhibition presents four buildings and ensembles in Germany as well as a selected research project in Vancouver’s Chinatown. All work is connected to the theme of urban dwelling. The projects are intended to conceptually and programmatically improve and sustain their surroundings as well as to present innovative solutions for urban living. The chosen projects place an emphasis on the mending of broken urban fabric, thus performing an ‘acupuncture’ on the city.
Urbane akupuntur : Inge Roecker / ASIR Architekten, Stuttgart - ASIR Studio, Vancouver
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$19.95
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Summary:
ASIR Architekten in Stuttgart (2002) and ASIR Studio in Vancouver (2005) were founded by Inge Roecker, who has taught since January 2003 as an assistant professor at the University of British Columbia (UBC) in Vancouver. At UBC she is currently conducting research and teaching a design studio in Vancouver’s Chinatown, which investigates potentials for preserving the historic Chinatown neighborhood while proposing concrete possibilities for transformations into contemporary uses. Through models, drawings and video projections, the catalogue's exhibition presents four buildings and ensembles in Germany as well as a selected research project in Vancouver’s Chinatown. All work is connected to the theme of urban dwelling. The projects are intended to conceptually and programmatically improve and sustain their surroundings as well as to present innovative solutions for urban living. The chosen projects place an emphasis on the mending of broken urban fabric, thus performing an ‘acupuncture’ on the city.
Form:
books
books
Publication:
January 2006, Berlin
January 2006, Berlin
Subject:
small format
small format
Form:
books
books
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$79.95
(available to order)
Summary:
The hour of twilight expresses the limit between the familiar and the unknown; the comfortable and the dangerous - an uncertain threshold between hope and fear. This otherworldly quality has inspired artists, who strive to record and replicate the ambiguity of the moment between night and day. At dusk, the colour and quality of light changes rapidly and dramatically and(...)
$79.95
(available to order)
Summary:
The hour of twilight expresses the limit between the familiar and the unknown; the comfortable and the dangerous - an uncertain threshold between hope and fear. This otherworldly quality has inspired artists, who strive to record and replicate the ambiguity of the moment between night and day. At dusk, the colour and quality of light changes rapidly and dramatically and(...)
Title:
Twilight : photography in the magic hour
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$79.95
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The hour of twilight expresses the limit between the familiar and the unknown; the comfortable and the dangerous - an uncertain threshold between hope and fear. This otherworldly quality has inspired artists, who strive to record and replicate the ambiguity of the moment between night and day. At dusk, the colour and quality of light changes rapidly and dramatically and is therefore a significant and poignant time for photographers in particular. In recent years, an increasing number of artists have photographed in the twilight hour to explore its optical effects and psychological implications. This exhibition will focus on contemporary photography and video and is the first to explore the theme of twilight in this way. It will include work by both established and emerging artists from around the world including Philip-Lorca di Corcia, Gregory Crewdson, Bill Henson, Robert Adams, Chrystel Lebas, Liang Yue and Ori Gersht.
Twilight : photography in the magic hour
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$79.95
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Summary:
The hour of twilight expresses the limit between the familiar and the unknown; the comfortable and the dangerous - an uncertain threshold between hope and fear. This otherworldly quality has inspired artists, who strive to record and replicate the ambiguity of the moment between night and day. At dusk, the colour and quality of light changes rapidly and dramatically and is therefore a significant and poignant time for photographers in particular. In recent years, an increasing number of artists have photographed in the twilight hour to explore its optical effects and psychological implications. This exhibition will focus on contemporary photography and video and is the first to explore the theme of twilight in this way. It will include work by both established and emerging artists from around the world including Philip-Lorca di Corcia, Gregory Crewdson, Bill Henson, Robert Adams, Chrystel Lebas, Liang Yue and Ori Gersht.
Form:
books
books
Publication:
October 2006, New York
October 2006, New York
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$124.00
(available to order)
Summary:
Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism,(...)
$124.00
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Summary:
Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism,(...)
Title:
Nicola Brandt: The distance within
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$124.00
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Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism, National Socialism and apartheid. Markers of these histories range from the ephemeral and private, such as a dilapidated mound of stones as a roadside memorial, to official sites of remembrance and resistance, particularly for colonial atrocities. Alongside her images, Brandt assembles texts by thought leaders in photography, postcolonial cultures, memory and genocide studies, as well as material from private and public archives, to understand enduring blind spots. The result is an intersectional argument in favor of reclaiming suppressed indigenous stories and identities, undoing romantic notions of whiteness, and, ultimately, illuminating what has not been visible.
Nicola Brandt: The distance within
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$124.00
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Summary:
Featuring photographs and video stills made over more than a decade, "The distance within" reflects on Nicola Brandt’s German and Namibian inheritance and deconstructs certain established ways of seeing Namibia. Brandt traveled the country extensively, documenting landscapes and people, structures and encounters, to reveal ensnared histories of German colonialism, National Socialism and apartheid. Markers of these histories range from the ephemeral and private, such as a dilapidated mound of stones as a roadside memorial, to official sites of remembrance and resistance, particularly for colonial atrocities. Alongside her images, Brandt assembles texts by thought leaders in photography, postcolonial cultures, memory and genocide studies, as well as material from private and public archives, to understand enduring blind spots. The result is an intersectional argument in favor of reclaiming suppressed indigenous stories and identities, undoing romantic notions of whiteness, and, ultimately, illuminating what has not been visible.
Form:
books
books
Publication:
May 2024
May 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$42.00
(available to order)
Summary:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
$42.00
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Summary:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
Title:
NEEN
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$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
NEEN
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$42.00
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Summary:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
Form:
books
books
Publication:
September 2006, Milan
September 2006, Milan
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$68.95
(available in store)
Summary:
Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
$68.95
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Summary:
Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
Title:
New realities: being syncretic
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$68.95
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Summary:
Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
New realities: being syncretic
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$68.95
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Summary:
Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
Form:
books
books
Publication:
November 2008, New York
November 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$44.00
(available to order)
Summary:
Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
$44.00
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Summary:
Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
Title:
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Tibor Kalman : perverse optimist
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$44.00
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Summary:
Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Form:
books
books
Publication:
September 2000, New York
September 2000, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
