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Cemeteries are virtual encyclopaedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book "Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography" by(...)
Stories in stone : a field guide to cemetery symbolism and iconography
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Cemeteries are virtual encyclopaedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book "Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography" by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. "Stories in Stone" provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display - flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner.
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Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer(...)
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer experiment in social engineering was quickly overtaken by reality and the Bijlmer became notorious for its intractable social problems and exceptionally high crime rate. A mammoth, fifteen-year regeneration scheme (1992 - 2009) is set to change all that. Much of the existing high-rise is being replaced by less anonymous neighbourhoods of low-rise. It is here that Theo Baart and his family settled. Since their relocation, Baart has photographed the gradual transformation of an area of the Bijlmer defined by the radius of action of his two school-age children. Baart's interviews with his neighbours, discussions with policymakers and his superb photography provide a fascinating insight into the regeneration process currently taking place in the Bijlmer.
Photography monographs
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and(...)
Frank Lloyd Wright's Larkin building : myth and fact
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Frank Lloyd Wright’s Larkin building has become an icon of modern architecture. And the fact that it was demolished only forty-six years after its 1904 completion makes Jack Quinan’s study of the building — which housed a Buffalo, New York, soap company — all the more valuable. Quinan’s history draws on engineering documents, personal accounts of the building, and other papers he acquired from the family of Darwin D. Martin, a Larkin executive who proposed commissioning Wright to design the company’s offices. With access to these rare sources, Quinan reveals how a young Wright landed the commission and traces the evolution of his cutting-edge plans. Quinan then takes Wright studies to a new level, examining the Larkin building as a structure at the center of economic and personal relationships. Illustrated with more than one hundred photographs, floor plans, maps, and diagrams, Frank Lloyd Wright’s Larkin Building provides a concise but complete record of how the building was conceived, built, evaluated, and finally demolished in what has been called a tragic loss for American architecture.
Architecture Monographs
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Translates by Thomas Goddard Bergin and Max Harold Fisch. A bold new translation of a masterpiece of early social science that has found enthusiasts among such artists and scholars as James Joyce and Harold Bloom. Although Vico lived his whole life as an obscure academic in Naples, his New Science is an astonishingly ambitious attempt to provide a comprehensive(...)
The new science of Giambattista Vico
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Translates by Thomas Goddard Bergin and Max Harold Fisch. A bold new translation of a masterpiece of early social science that has found enthusiasts among such artists and scholars as James Joyce and Harold Bloom. Although Vico lived his whole life as an obscure academic in Naples, his New Science is an astonishingly ambitious attempt to provide a comprehensive science of all human society by decoding the history, mythology, and law of the ancient world. It argues that the key to true understanding lies in accepting that the customs and emotional lives of the Greeks and Romans, Egyptians, Jews, and Babylonians were utterly different from our own. In examining these huge themes, Vico offers countless fresh insights into topics ranging from physics to politics, money to monsters, and family structures to the Flood. Deeply influential since the dawn of Romanticism, the New Science even inspired the framework for Joyce's Finnegans Wake. This powerful new translation makes it clear why this work marked a turning-point in humanist thinking as significant as Newton's contemporary revolution in physics.
Critical Theory
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts(...)
The curves of time : the memoirs of Oscar Niemeyer
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts in 1934. As a student he worked in the office of Lucio Costa, and on graduation he began collaborating with Le Corbusier on a new Ministry of Education and Health Building in Rio. Yet in contrast to the International Style, Niemeyer’s curvilinear forms reflected Brazil’s lush, undulating landscape and the emotive style of its music and dance. Here Niemeyer recounts his life in an informal, fluid narrative that moves from his childhood in Rio to friendships with intellectuals and politicians such as Jean-Paul Sartre and Fidel Castro, to tales of adventurous road trips. The book includes forty sketches by Niemeyer executed specially for these memoirs, a chronology of his life and career, notes and an index.
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October 2000, London
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Momus is the most ambitious literary creation of Leon Battista Alberti, the famous humanist-scientist-artist and "universal man" of the Italian Renaissance. In this dark comedy, written around 1450, Alberti charts the lively fortunes of his anti-hero Momus, the unscrupulous and vitriolic god of criticism. Alberti deploys his singular erudition and wit to satirize subjects(...)
Momus
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Momus is the most ambitious literary creation of Leon Battista Alberti, the famous humanist-scientist-artist and "universal man" of the Italian Renaissance. In this dark comedy, written around 1450, Alberti charts the lively fortunes of his anti-hero Momus, the unscrupulous and vitriolic god of criticism. Alberti deploys his singular erudition and wit to satirize subjects from court life and politics to philosophy and intellectuals, from grand architectural designs to human and divine folly. The possible contemporary resonance of Alberti's satire, read variously as a humanist roman-à-clef and as a veiled mockery of the mid-Quattrocento papacy, is among its most intriguing aspects. While his more famous books on architecture, painting, and family life have long been regarded as indispensable to a study of Renaissance culture, Momus has recently attracted increasing attention from scholars as a work anticipating the realism of Machiavelli and the satiric wit of Erasmus. This edition provides a new Latin text, the first to be based on the two earliest manuscripts, both corrected by Alberti himself, and includes the first full translation into English.
Treatises
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For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other(...)
How not to exclude artist mothers (and other parents)
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For too long, artists have been told that they can't have both motherhood and a successful career. In this polemical volume, critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers, parents who don't identify with the term 'mother', and parents in other sectors of the art world). Drawing on interviews with artists internationally, the book highlights some of the success stories that offer models for the future, from alternative support networks and residency models, to studio complexes with onsite childcare, and galleries with family-friendly policies. Some artists have described motherhood as providing them with renewed focus, a new direction in their work, and even inspiration for a complete change of career. Other artists choose to keep their domestic and creative lives compartmentalised. All are placed at a disadvantage by the art world as it is currently structured. This book argues that by making changes and becoming more sensitive to the needs of artist parents, the art world has much to gain.
Art Theory
Katherine Bernardt
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This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now(...)
Katherine Bernardt
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This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now paints straight from her imagination, mining her own fertile reservoir of experience, imagery and sensation. Since then, Bernhardt has produced paintings that mix an assortment of objects reflecting her daily experiences, from life in New York to her love of Puerto Rico, her Saint Louis roots and family life. The objects are painted with incredible verve and tenacity, and include a jumble of the following items on colorfully activated grounds: watermelon slices, boom boxes, computers, pizza slices, cassette tapes, hamburgers, basketballs, old cell phones, airplanes, fruit, sharks, water, sea turtles, cigarettes, sharpies and keyboards. Bernhardt presents a slightly delirious feeling of New York City, the out-of-date and the up-to-the-minute all in one.
Contemporary Art Monographs
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling(...)
Skyroom: the journey of Brian and Marilyn MacKay-Lyons at Shobac, seaside village on the edge
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In partnership with his wife Marilyn Mackay-Lyons and their family, architect Brian Mackay-Lyons has built a unique community over the granite ruins of a historic settlement on the fogbound coast of Nova Scotia. Among the structures at Shobac are homes, barns, studios, cottages, fishing shacks, a boathouse, even a schoolhouse, all designed in Mackay-Lyons's compelling architectural language that fuses contemporary Modernism with Nova Scotia building traditions. SkyRoom is written in a new genre that Gaudet calls magic architectural realism, blending fact with historical fiction in presenting the lives of early inhabitants and visitors to the Shobac area, including Samuel de Champlain, a Mi'kmaq mystic, an Acadian carpenter and other lively characters whose ghostly presence swirl in the untold myths of this coastal Shangri-La. More provocatively, Gaudet orchestrates imaginary conversations between Mackay-Lyons and legendary figures in architecture - Frank Lloyd Wright, Mies Van Der Rohe, Louis Kahn, Charles Moore and others - all towards providing a novel perspective on what goes into building communities and homes worth living in.
Canadian Architects
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive(...)
Michael Kenna: Northern England
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive collection of negatives. It took the Covid pandemic and lockdown for him to search through his archives, rediscover these long-forgotten images, and print them in his darkroom. These photographs reveal a Northern England from Kenna's youth that, for the most part, no longer exists. From the Introduction. Michael Kenna was born in the small industrial town of Widnes in northwest England. The youngest of six children, Kenna grew up in a poor, working-class, Irish-Catholic family. He attended a seminary school for seven years with the intention of becoming a priest, after which he studied at the Banbury School of Art and later at the London College of Printing, before moving to the USA in the late seventies.
Photography monographs