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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.(...)
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.(...)
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October 2022
October 2022
Title:
Richard Mosse: Broken spectre
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques. Broken Spectre is an immersive, 74-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems.
Richard Mosse: Broken spectre
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques. Broken Spectre is an immersive, 74-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems.
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books
books
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October 2022
October 2022
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books
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$51.95
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
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Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
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books
books
Publication:
September 2009
September 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$54.00
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The great Dutch book designer Irma Boom designed this handsome, hefty gem, which features 700 prints, posters and other objects from the collection of Zurich's Gestaltung Museum. It is a collection renowned worldwide for its unsurpassed holdings of design masterpieces: Ettore Sottsass's iconic red "Valentine" typewriter from 1969, Paul Rand's 1950 poster for the film No(...)
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The great Dutch book designer Irma Boom designed this handsome, hefty gem, which features 700 prints, posters and other objects from the collection of Zurich's Gestaltung Museum. It is a collection renowned worldwide for its unsurpassed holdings of design masterpieces: Ettore Sottsass's iconic red "Valentine" typewriter from 1969, Paul Rand's 1950 poster for the film No(...)
Title:
Everything design: collections of the Museum für Gestaltung Zürich
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The great Dutch book designer Irma Boom designed this handsome, hefty gem, which features 700 prints, posters and other objects from the collection of Zurich's Gestaltung Museum. It is a collection renowned worldwide for its unsurpassed holdings of design masterpieces: Ettore Sottsass's iconic red "Valentine" typewriter from 1969, Paul Rand's 1950 poster for the film No Way Out, as well as graphic works by Toulouse-Lautrec and El Lissitzky, and a range of works by Richard Paul Lohse, Harry Bertoia, Willy Guhl, Makoto Saito, FHK Henrion and many other great designers. Founded in 1875, the museum's collection focuses on twentieth-century mass-manufactured products, comprising over 10,000 objects and 20,000 examples of packaging.
Everything design: collections of the Museum für Gestaltung Zürich
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The great Dutch book designer Irma Boom designed this handsome, hefty gem, which features 700 prints, posters and other objects from the collection of Zurich's Gestaltung Museum. It is a collection renowned worldwide for its unsurpassed holdings of design masterpieces: Ettore Sottsass's iconic red "Valentine" typewriter from 1969, Paul Rand's 1950 poster for the film No Way Out, as well as graphic works by Toulouse-Lautrec and El Lissitzky, and a range of works by Richard Paul Lohse, Harry Bertoia, Willy Guhl, Makoto Saito, FHK Henrion and many other great designers. Founded in 1875, the museum's collection focuses on twentieth-century mass-manufactured products, comprising over 10,000 objects and 20,000 examples of packaging.
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books
books
Publication:
October 2009
October 2009
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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$49.95
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Not far from Verona on a gentle hill on the northern edge of the Po valley stands a remarkable building: A silvery, shining, modernist villa on a huge, reddish stone set in the middle of a park. Inside is a motor that turns the house 360 degrees on its own axis: Villa Girasole, constructed in 1935 by Angelo Invernizzi, follows the path of the sun and the views into the(...)
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Not far from Verona on a gentle hill on the northern edge of the Po valley stands a remarkable building: A silvery, shining, modernist villa on a huge, reddish stone set in the middle of a park. Inside is a motor that turns the house 360 degrees on its own axis: Villa Girasole, constructed in 1935 by Angelo Invernizzi, follows the path of the sun and the views into the(...)
Title:
Invernizzi and Fagiuoli: Il Girasole
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Not far from Verona on a gentle hill on the northern edge of the Po valley stands a remarkable building: A silvery, shining, modernist villa on a huge, reddish stone set in the middle of a park. Inside is a motor that turns the house 360 degrees on its own axis: Villa Girasole, constructed in 1935 by Angelo Invernizzi, follows the path of the sun and the views into the landscape. Il Girasole shows an entire day’s course. During this time, the film captures the villa’s architecture and atmosphere, its spaces and furnishings, thus becoming a space of imagination of life back then; and the building, a resonating body of the era’s eccentric ideas.
Invernizzi and Fagiuoli: Il Girasole
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Not far from Verona on a gentle hill on the northern edge of the Po valley stands a remarkable building: A silvery, shining, modernist villa on a huge, reddish stone set in the middle of a park. Inside is a motor that turns the house 360 degrees on its own axis: Villa Girasole, constructed in 1935 by Angelo Invernizzi, follows the path of the sun and the views into the landscape. Il Girasole shows an entire day’s course. During this time, the film captures the villa’s architecture and atmosphere, its spaces and furnishings, thus becoming a space of imagination of life back then; and the building, a resonating body of the era’s eccentric ideas.
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books
books
Publication:
August 2010
August 2010
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and(...)
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and(...)
Title:
Secret Modernity: Selected writings and interviews 1981-2009
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This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy’s repressed colonial rule in Africa.
Secret Modernity: Selected writings and interviews 1981-2009
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$35.00
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Summary:
This book compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl’s writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy’s repressed colonial rule in Africa.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Art Theory
Art Theory
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books
books
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$53.95
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the(...)
$53.95
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the(...)
Title:
Memory unearthed: the Lodz Ghetto photographs of Henryk Ross
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images—along with original prints and other archival material including curfew notices and newspapers—from the permanent collection at the Art Gallery of Ontario.
Memory unearthed: the Lodz Ghetto photographs of Henryk Ross
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From 1941 to 1944, the Polish Jewish photographer Henryk Ross (1910–1991) was a member of an official team documenting the implementation of Nazi policies in the Lodz Ghetto in Poland. Covertly, he captured on film scores of both quotidian and intimate moments of Jewish life. In 1944, he buried thousands of negatives in an attempt to save this secret record. After the war, Ross returned to Poland to retrieve them. Although some were destroyed by nature and time, many negatives survived. Memory Unearthed presents a selection of the nearly 3,000 surviving images—along with original prints and other archival material including curfew notices and newspapers—from the permanent collection at the Art Gallery of Ontario.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Alvar Aalto: second nature
Alvar Aalto: second nature
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to(...)
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Summary:
This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to(...)
Title:
Alvar Aalto: second nature
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$110.00
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to Aalto's dialogue with important artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand Léger, as well as his interest in film, cinema and photography, whose influences on his work are examined here for the first time. The catalogue section presents numerous never-before-seen original drawings and architectural models from the archive of the Alvar Aalto Foundation.
Alvar Aalto: second nature
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Summary:
This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to Aalto's dialogue with important artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand Léger, as well as his interest in film, cinema and photography, whose influences on his work are examined here for the first time. The catalogue section presents numerous never-before-seen original drawings and architectural models from the archive of the Alvar Aalto Foundation.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$55.00
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color(...)
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color(...)
Title:
Jeff Wall: tableaux pictures photographs 1996-2013
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography.
Jeff Wall: tableaux pictures photographs 1996-2013
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Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography.
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books
books
Publication:
August 2014
August 2014
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books
books
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$50.00
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as(...)
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Summary:
To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as(...)
Title:
They are lost as soon as they are made
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as sites for experimentation, the translational capacity of photography, the perimeters of vision, and the possibilities of the landscape to reveal and render its own image. This artist book presents the full suite of colour photographs of ''They are lost as soon as they are made,'' with essays by Katie Belcher and Sara Matthews.
They are lost as soon as they are made
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as sites for experimentation, the translational capacity of photography, the perimeters of vision, and the possibilities of the landscape to reveal and render its own image. This artist book presents the full suite of colour photographs of ''They are lost as soon as they are made,'' with essays by Katie Belcher and Sara Matthews.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Speed Racer
Speed Racer
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Summary:
De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la(...)
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De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la(...)
Title:
Speed Racer
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De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la peinture au cinéma en passant par la littérature, la musique, le jeu vidéo ou le manga, Julien Abadie signe un essai trépidant qui, tout en prenant comme personnage central le film culte Speed Racer, peut se lire comme une plaidoirie pour une contre-accélération, le manifeste trans de toute une bit génération.
Speed Racer
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De Muybridge aux sœurs Wachowski, de Proust à la Queer théorie et du cubisme à la révolution numérique, Speed Racer raconte sous un nouveau jour l’histoire de l’accélération du monde. Une histoire de la vitesse qui n’interroge pas que ses conséquences économiques, sociales et techniques, mais décrypte comment celles-ci prennent forme dans l’art et la pop culture. De la peinture au cinéma en passant par la littérature, la musique, le jeu vidéo ou le manga, Julien Abadie signe un essai trépidant qui, tout en prenant comme personnage central le film culte Speed Racer, peut se lire comme une plaidoirie pour une contre-accélération, le manifeste trans de toute une bit génération.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Illustration
Illustration
