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Christoph Hesse Architects is based in Berlin and Korbach, a small town in the northwestern part of the German federal state of Hesse. This rural area in the green heart of Germany is the location of most of the projects the firm has realized since its establishment in 2010, though occasionally, they do plant their rural concepts into an urban context. Christoph Hesse(...)
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Christoph Hesse Architects is based in Berlin and Korbach, a small town in the northwestern part of the German federal state of Hesse. This rural area in the green heart of Germany is the location of most of the projects the firm has realized since its establishment in 2010, though occasionally, they do plant their rural concepts into an urban context. Christoph Hesse(...)
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Rural vision: creating dialogues through architecture. Christophe Hesse Architects
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Christoph Hesse Architects is based in Berlin and Korbach, a small town in the northwestern part of the German federal state of Hesse. This rural area in the green heart of Germany is the location of most of the projects the firm has realized since its establishment in 2010, though occasionally, they do plant their rural concepts into an urban context. Christoph Hesse Architects and their friends see their designs as open places of culture. On the one hand, they are catalysts for change in thought, intended to change people’s perspectives and stimulate self-efficacy in society. On the other hand, they are actual interventions in globally prevailing structures that can be disrupted and changed locally. Thus, the firm distinguishes between projects acting as perspective changes and as system changers.
Rural vision: creating dialogues through architecture. Christophe Hesse Architects
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Christoph Hesse Architects is based in Berlin and Korbach, a small town in the northwestern part of the German federal state of Hesse. This rural area in the green heart of Germany is the location of most of the projects the firm has realized since its establishment in 2010, though occasionally, they do plant their rural concepts into an urban context. Christoph Hesse Architects and their friends see their designs as open places of culture. On the one hand, they are catalysts for change in thought, intended to change people’s perspectives and stimulate self-efficacy in society. On the other hand, they are actual interventions in globally prevailing structures that can be disrupted and changed locally. Thus, the firm distinguishes between projects acting as perspective changes and as system changers.
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books
books
Publication:
August 2025
August 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
731.52 cm of land
731.52 cm of land
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Building loosely on the form of a pocket-sized travel guide, "731.52 cm of land" unfolds into a 731.52 cm wide miniature landscape. Composed of hand-painted and digitally illustrated images stitched together into a continuous sequence, the book includes a poem and short narrative by the artist, an essay co-authored with Daniella Sanader, and an afterword by Heather Canlas(...)
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Building loosely on the form of a pocket-sized travel guide, "731.52 cm of land" unfolds into a 731.52 cm wide miniature landscape. Composed of hand-painted and digitally illustrated images stitched together into a continuous sequence, the book includes a poem and short narrative by the artist, an essay co-authored with Daniella Sanader, and an afterword by Heather Canlas(...)
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731.52 cm of land
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Building loosely on the form of a pocket-sized travel guide, "731.52 cm of land" unfolds into a 731.52 cm wide miniature landscape. Composed of hand-painted and digitally illustrated images stitched together into a continuous sequence, the book includes a poem and short narrative by the artist, an essay co-authored with Daniella Sanader, and an afterword by Heather Canlas Rigg. A sticker sheet featuring animal and plant forms is included as an insert. Functioning as a poetic visual-textual essay, the book unsettles the familiar logic of travel guides and the explorer’s gaze. It troubles the impulses of sightseeing, navigation, and tourism, while calling into question the authoritative languages of archaeology, botany, taxonomy, and cartography. It emerges from ongoing inquiries in Nour Bishouty’s practice around permission, legibility, and understanding.
731.52 cm of land
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Building loosely on the form of a pocket-sized travel guide, "731.52 cm of land" unfolds into a 731.52 cm wide miniature landscape. Composed of hand-painted and digitally illustrated images stitched together into a continuous sequence, the book includes a poem and short narrative by the artist, an essay co-authored with Daniella Sanader, and an afterword by Heather Canlas Rigg. A sticker sheet featuring animal and plant forms is included as an insert. Functioning as a poetic visual-textual essay, the book unsettles the familiar logic of travel guides and the explorer’s gaze. It troubles the impulses of sightseeing, navigation, and tourism, while calling into question the authoritative languages of archaeology, botany, taxonomy, and cartography. It emerges from ongoing inquiries in Nour Bishouty’s practice around permission, legibility, and understanding.
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books
books
Publication:
September 2025
September 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.00
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This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to(...)
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This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to(...)
Title:
Knowing and unknowing: The lives of repair. 16th Biennale di Venezia
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This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to look anew at a plant community that has been overlooked as a site only for human use, to the extent that there is only 1% now left and to reflect on the ground, what it supports, what is displaced. As presented through our premier cultural institution, La Biennale di Venezia, this exhibition will live on through seed the authors of this investigation have already started to collect and through relationships they are building with research institutes in Europe.
Knowing and unknowing: The lives of repair. 16th Biennale di Venezia
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Summary:
This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to look anew at a plant community that has been overlooked as a site only for human use, to the extent that there is only 1% now left and to reflect on the ground, what it supports, what is displaced. As presented through our premier cultural institution, La Biennale di Venezia, this exhibition will live on through seed the authors of this investigation have already started to collect and through relationships they are building with research institutes in Europe.
Form:
books
books
Publication:
December 2023
December 2023
Subject:
Biennial
Biennial
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books
books
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$60.00
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient(...)
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient(...)
Title:
The art of architectural grafting
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$60.00
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient practice continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants. Grafting is also a useful paradigm for how architecture can address climate change on a broadly impactful scale by reusing and expanding older structures. Addressing both the environmental and cultural value of reuse, Gang shows how the concept of grafting can inform architecture across many scales, provoking the imagination and shaping tectonic, programmatic, formal, and regenerative adaptations.
The art of architectural grafting
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$60.00
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Summary:
Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient practice continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants. Grafting is also a useful paradigm for how architecture can address climate change on a broadly impactful scale by reusing and expanding older structures. Addressing both the environmental and cultural value of reuse, Gang shows how the concept of grafting can inform architecture across many scales, provoking the imagination and shaping tectonic, programmatic, formal, and regenerative adaptations.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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$66.95
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In the coming years, “Novartis Campus” is destined to fundamentally alter the appearance and character of the Novartis plant located in the Johan quarter of Basel Stadt – transforming the former production site into a centre of knowledge, innovation and encounter. Vittorio Magnago Lampugnani's master-plan envisages having particular buildings designed and constructed by(...)
$66.95
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In the coming years, “Novartis Campus” is destined to fundamentally alter the appearance and character of the Novartis plant located in the Johan quarter of Basel Stadt – transforming the former production site into a centre of knowledge, innovation and encounter. Vittorio Magnago Lampugnani's master-plan envisages having particular buildings designed and constructed by(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
June 2005, Basel
June 2005, Basel
Title:
Diener, Federle, Wiederin : Novartis Campus - Forum 3
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In the coming years, “Novartis Campus” is destined to fundamentally alter the appearance and character of the Novartis plant located in the Johan quarter of Basel Stadt – transforming the former production site into a centre of knowledge, innovation and encounter. Vittorio Magnago Lampugnani's master-plan envisages having particular buildings designed and constructed by invited architects. This monograph focuses on the first building in the Novartis Campus. Designed and built by Roger Diener, Helmut Federle and Gerold Wiederin, the impressive house has a glass facade with staggered coloured windowpanes and exquisite interiors. The different aspects of the building are highlighted by Vittorio Magnago Lampugnani, Martin Steinmann, Jan Thorn-Prikker and Ulrike Jehle-Schulte Strathaus. The volume also includes an essay by Christian Richters, illustrated by photographs, numerous plans and an inventory.
Diener, Federle, Wiederin : Novartis Campus - Forum 3
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Summary:
In the coming years, “Novartis Campus” is destined to fundamentally alter the appearance and character of the Novartis plant located in the Johan quarter of Basel Stadt – transforming the former production site into a centre of knowledge, innovation and encounter. Vittorio Magnago Lampugnani's master-plan envisages having particular buildings designed and constructed by invited architects. This monograph focuses on the first building in the Novartis Campus. Designed and built by Roger Diener, Helmut Federle and Gerold Wiederin, the impressive house has a glass facade with staggered coloured windowpanes and exquisite interiors. The different aspects of the building are highlighted by Vittorio Magnago Lampugnani, Martin Steinmann, Jan Thorn-Prikker and Ulrike Jehle-Schulte Strathaus. The volume also includes an essay by Christian Richters, illustrated by photographs, numerous plans and an inventory.
Form:
books
books
Publication:
June 2005, Basel
June 2005, Basel
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$24.95
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
$24.95
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Summary:
This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Title:
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Form:
books
books
Publication:
July 2014
July 2014
Subject:
Art Theory
Art Theory
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books
books
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$70.00
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
$70.00
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Summary:
The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
Publication:
February 2015
February 2015
Title:
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
In the wake: japanese photographers respond to 3/11
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Summary:
The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
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books
books
Publication:
February 2015
February 2015
Form:
books
books
Price:
$36.95
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Summary:
The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are(...)
$36.95
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Summary:
The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are(...)
Title:
The mill
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities. Expanded from two contemporary art exhibitions, Silva Part I: O Horizon and Silva Part II: Booming Grounds, The Mill examines forgotten or under-acknowledged histories, while considering both local sites and forms of cultural expression that surround international forestry practices.
The mill
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities. Expanded from two contemporary art exhibitions, Silva Part I: O Horizon and Silva Part II: Booming Grounds, The Mill examines forgotten or under-acknowledged histories, while considering both local sites and forms of cultural expression that surround international forestry practices.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$62.50
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Summary:
Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to(...)
$62.50
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Summary:
Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to(...)
Title:
Mario del Curto: seeds of the earth
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$62.50
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Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to fade. One hundred years after Vavilov's first expedition, the photographer Mario Del Curto retraced his footsteps. For four years he met with those who, despite overwhelming obstacles, perpetuate Vavilov's seed prospecting, selection and conservation work in order to save the planet's staple food crops. This book is the unprecedented story of his journey to the heart of the Vavilov Institute and its twelve research stations.
Mario del Curto: seeds of the earth
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$62.50
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Nikolai Vavilov anticipated the disappearance of plant diversity and within the space of a few decades through study and travel all over the world he found the means of saving it. For political and ideological reasons, Vavilov was condemned to death and left to starve in the dungeon of a Soviet prison. Gradually, on both sides of the iron curtain, his memory began to fade. One hundred years after Vavilov's first expedition, the photographer Mario Del Curto retraced his footsteps. For four years he met with those who, despite overwhelming obstacles, perpetuate Vavilov's seed prospecting, selection and conservation work in order to save the planet's staple food crops. This book is the unprecedented story of his journey to the heart of the Vavilov Institute and its twelve research stations.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
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$115.00
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis(...)
$115.00
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Summary:
The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis(...)
Title:
AV Mongraphs 211-212 : BIG Bjarke Ingels Group
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The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis Fernández-Galiano, in which the Danish architect goes over his career, the monograph presents 35 works and designs drawn up since 2013, including the Maritime Museum of Denmark in Helsingør, the VIA 57 West residential building in New York, the LEGO House in Billund, the Amager waste treatment plant and skiing slope in Copenhagen, the 2 World Trade Center in New York, and the experimental project to build cities on Mars.
AV Mongraphs 211-212 : BIG Bjarke Ingels Group
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$115.00
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Summary:
The second monograph that AV devotes to BIG is a snapshot of the busy moment that the studio is currently living. Their mediatic buildings have managed to combine the freedom of formal and ludic gestures that empathize with all kinds of clients and audiences, with a rigorous analysis of economic and environmental conditions. Opening with a conversation with Luis Fernández-Galiano, in which the Danish architect goes over his career, the monograph presents 35 works and designs drawn up since 2013, including the Maritime Museum of Denmark in Helsingør, the VIA 57 West residential building in New York, the LEGO House in Billund, the Amager waste treatment plant and skiing slope in Copenhagen, the 2 World Trade Center in New York, and the experimental project to build cities on Mars.
Form:
journals and magazines
journals and magazines
Publication:
April 2019
April 2019
Subject:
Magazines
Magazines
