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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
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Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
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books
books
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November 2013
November 2013
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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For Norman Foster, the drawing is a significant analytical and working tool, a way of relating to reality and an expression of his belief that design can improve our environment and quality of life. Within this multimedia publication are emblematic projects such as the Hearst Building in New York, the Beijing Airport and 30 St Mary Axe in London. Arranged chronologically,(...)
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For Norman Foster, the drawing is a significant analytical and working tool, a way of relating to reality and an expression of his belief that design can improve our environment and quality of life. Within this multimedia publication are emblematic projects such as the Hearst Building in New York, the Beijing Airport and 30 St Mary Axe in London. Arranged chronologically,(...)
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How much does your building weigh, Mr. Foster? Book and DVD.
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For Norman Foster, the drawing is a significant analytical and working tool, a way of relating to reality and an expression of his belief that design can improve our environment and quality of life. Within this multimedia publication are emblematic projects such as the Hearst Building in New York, the Beijing Airport and 30 St Mary Axe in London. Arranged chronologically, the drawings offer a concise history of work by Foster spanning 50 years and supplement a DVD of the award-winning documentary film directed by Norberto López Amado and Carlos Carcas, plus a second DVD with more than 100 minutes of interviews and images and an audio CD of the film’s original soundtrack.
How much does your building weigh, Mr. Foster? Book and DVD.
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For Norman Foster, the drawing is a significant analytical and working tool, a way of relating to reality and an expression of his belief that design can improve our environment and quality of life. Within this multimedia publication are emblematic projects such as the Hearst Building in New York, the Beijing Airport and 30 St Mary Axe in London. Arranged chronologically, the drawings offer a concise history of work by Foster spanning 50 years and supplement a DVD of the award-winning documentary film directed by Norberto López Amado and Carlos Carcas, plus a second DVD with more than 100 minutes of interviews and images and an audio CD of the film’s original soundtrack.
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books
books
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January 2014
January 2014
Subject:
Architecture Monographs
Architecture Monographs
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books
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2023
October 2023
Title:
Dóra Maurer: See like this and see differently
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
Dóra Maurer: See like this and see differently
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
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books
books
Publication:
October 2023
October 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$56.00
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the(...)
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the(...)
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Maya Deren: Choreographed for camera
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the history of cinema is immeasurable. This is the first full biography of Deren. Based on years of research, interviews with some of Deren’s closest collaborators, and generously illustrated with film stills and photographs, author Mark Alice Durant creates a vivid and accessible narrative exploring the complexities and contradictions in the life and work of this remarkable and charismatic artist.
Maya Deren: Choreographed for camera
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Born in Kiev in 1917, at the start of the Russian Revolution, Maya Deren died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. Although Deren completed only six short films in her lifetime, her impact on the history of cinema is immeasurable. This is the first full biography of Deren. Based on years of research, interviews with some of Deren’s closest collaborators, and generously illustrated with film stills and photographs, author Mark Alice Durant creates a vivid and accessible narrative exploring the complexities and contradictions in the life and work of this remarkable and charismatic artist.
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books
books
Publication:
July 2022
July 2022
Subject:
Photography monographs
Photography monographs
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books
books
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube(...)
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, London
January 1900, London
Title:
Herzog & de Meuron : Eberswalde Library
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube sheathed in glazing and cast-concrete panels, arranged in horizontal bands. Each band shows a single image, repeated sixty-six times, like a static film strip. The images are drawn from Ruff’s own archive of newspaper photographs, and encompass the decorative, the symbolic, and the politically charged. Combining elements which have long been deemed incompatible – minimalism and ornament, purity and baroque fullness, concrete box and pictorial façade, space and surface – Herzog & de Meuron’s new library challenges the conventions of modernism.
Herzog & de Meuron : Eberswalde Library
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The Eberswalde Library has been compared to a Warhol painting. Designed in collaboration with artist Thomas Ruff, it carries the idea of a pictorial façade further than any other Herzog & de Meuron project. The building is a simple cube sheathed in glazing and cast-concrete panels, arranged in horizontal bands. Each band shows a single image, repeated sixty-six times, like a static film strip. The images are drawn from Ruff’s own archive of newspaper photographs, and encompass the decorative, the symbolic, and the politically charged. Combining elements which have long been deemed incompatible – minimalism and ornament, purity and baroque fullness, concrete box and pictorial façade, space and surface – Herzog & de Meuron’s new library challenges the conventions of modernism.
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books
books
Publication:
January 1900, London
January 1900, London
Subject:
Architecture Monographs
Architecture Monographs
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books
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62 Seiten : Pläne
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62 Seiten : Pläne
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Berlin Aedes [2017]
Berlin Aedes [2017]
Title:
Willst du wirklich wohnen wie deine Mutter? = Do you really want to live like your mother? / PPAG architects ; publisher: Kristin Feireiss, Hans Jürgen Commerell.
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62 Seiten : Pläne
Willst du wirklich wohnen wie deine Mutter? = Do you really want to live like your mother? / PPAG architects ; publisher: Kristin Feireiss, Hans Jürgen Commerell.
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62 Seiten : Pläne
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Berlin Aedes [2017]
Berlin Aedes [2017]
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Unfamiliar journeys
Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar(...)
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar(...)
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Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar journeys" captures deserted warehouses, boarded-up butchers’ shops, the cathedral glimpsed between shabby terraces. Signs of Liverpool’s recent economic boom – billboards, towering high-rises, skeletal construction cranes – also feature. It takes a moment to realize that there are no people in McKernan’s vision of the city. The unusual viewpoints and stark pattern of cast shadows caught on black and white silver-based film enhances this feeling of eerie enchantment.
Unfamiliar journeys
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In "Unfamiliar journeys", photographer Alan McKernan takes us on an unconventional excursion through his home town, the ever-changing city of Liverpool. McKernan has spent the past ten years documenting the city’s evolution, and these photographs reflect both the grandeur and decay of this modern urban landscape. As well as Liverpool’s architectural landmarks, "Unfamiliar journeys" captures deserted warehouses, boarded-up butchers’ shops, the cathedral glimpsed between shabby terraces. Signs of Liverpool’s recent economic boom – billboards, towering high-rises, skeletal construction cranes – also feature. It takes a moment to realize that there are no people in McKernan’s vision of the city. The unusual viewpoints and stark pattern of cast shadows caught on black and white silver-based film enhances this feeling of eerie enchantment.
Form:
books
books
Publication:
July 2006, Liverpool
July 2006, Liverpool
Subject:
Photography monographs
Photography monographs
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books
books
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$49.75
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An eminent professor at Cooper Union and principal of her own firm, Diane Lewis is a leading figure in contemporary New York architecture. Inside Out: Architecture offers an insider's view of her work over the last 25 years, a portfolio embracing galleries, museums and performance spaces, from Kent to Paul Kasmin, Claude Bernard and the New York Kunsthalle, not to mention(...)
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An eminent professor at Cooper Union and principal of her own firm, Diane Lewis is a leading figure in contemporary New York architecture. Inside Out: Architecture offers an insider's view of her work over the last 25 years, a portfolio embracing galleries, museums and performance spaces, from Kent to Paul Kasmin, Claude Bernard and the New York Kunsthalle, not to mention(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2006, Milan
January 2006, Milan
Title:
Inside-out : architecture New York city
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An eminent professor at Cooper Union and principal of her own firm, Diane Lewis is a leading figure in contemporary New York architecture. Inside Out: Architecture offers an insider's view of her work over the last 25 years, a portfolio embracing galleries, museums and performance spaces, from Kent to Paul Kasmin, Claude Bernard and the New York Kunsthalle, not to mention film studios, theaters, museums and residences. A recipient of the Rome Prize who trained at the offices of I.M. Pei and Richard Meier, Lewis creates civic works attuned to the relationships between contemporary forms and existing structural history. Inside Out brings readers a unique vision of architecture as a parallel medium to contemporary literature and conceptual art, and showcases Diane Lewis's highly articulate and accomplished designs.
Inside-out : architecture New York city
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An eminent professor at Cooper Union and principal of her own firm, Diane Lewis is a leading figure in contemporary New York architecture. Inside Out: Architecture offers an insider's view of her work over the last 25 years, a portfolio embracing galleries, museums and performance spaces, from Kent to Paul Kasmin, Claude Bernard and the New York Kunsthalle, not to mention film studios, theaters, museums and residences. A recipient of the Rome Prize who trained at the offices of I.M. Pei and Richard Meier, Lewis creates civic works attuned to the relationships between contemporary forms and existing structural history. Inside Out brings readers a unique vision of architecture as a parallel medium to contemporary literature and conceptual art, and showcases Diane Lewis's highly articulate and accomplished designs.
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books
books
Publication:
January 2006, Milan
January 2006, Milan
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$80.00
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak(...)
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak(...)
Title:
William Eggleston: The last dyes
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak in the 1940s—allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for this exhibition, "The last dyes" marks the final presentation of new works completed in this medium.
William Eggleston: The last dyes
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak in the 1940s—allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for this exhibition, "The last dyes" marks the final presentation of new works completed in this medium.
Form:
books
books
Publication:
November 2025
November 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
John Gossage: LAMF
John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city.(...)
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city.(...)
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John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city. This new facsimile edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) and a new interview with Gossage about the book's genesis and his long affinity for Berlin, which is also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city. This new facsimile edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) and a new interview with Gossage about the book's genesis and his long affinity for Berlin, which is also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
Form:
books
books
Publication:
May 2026
May 2026
Subject:
Photography monographs
Photography monographs
