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179 pages : illustrations (some color) ; 22 cm
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179 pages : illustrations (some color) ; 22 cm
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New York : Princeton Architectural Press, ©1997.
New York : Princeton Architectural Press, ©1997.
Title:
Le Corbusier's Maison Curutchet / Alejandro Lapunzina.
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179 pages : illustrations (some color) ; 22 cm
Le Corbusier's Maison Curutchet / Alejandro Lapunzina.
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179 pages : illustrations (some color) ; 22 cm
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books
books
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New York : Princeton Architectural Press, ©1997.
New York : Princeton Architectural Press, ©1997.
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books
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181 pages, 43 pages non numérotées : illustrations (certaines en couleur) ; 28 cm
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181 pages, 43 pages non numérotées : illustrations (certaines en couleur) ; 28 cm
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[Paris] : Éditions Paris-Musées : Quai Voltaire, 1993.
[Paris] : Éditions Paris-Musées : Quai Voltaire, 1993.
Title:
Baudelaire/Paris / Claude Pichois et Jean-Paul Avice ; préface d'Yves Bonnefoy ; [photographies de Marville].
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181 pages, 43 pages non numérotées : illustrations (certaines en couleur) ; 28 cm
Baudelaire/Paris / Claude Pichois et Jean-Paul Avice ; préface d'Yves Bonnefoy ; [photographies de Marville].
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181 pages, 43 pages non numérotées : illustrations (certaines en couleur) ; 28 cm
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books
books
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[Paris] : Éditions Paris-Musées : Quai Voltaire, 1993.
[Paris] : Éditions Paris-Musées : Quai Voltaire, 1993.
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books
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3 volumes (xxx, 1770 pages) : illustrations, maps ; 29 cm.
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3 volumes (xxx, 1770 pages) : illustrations, maps ; 29 cm.
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Baltimore : Johns Hopkins University Press, ©2002.
Baltimore : Johns Hopkins University Press, ©2002.
Title:
Architecture and town planning in colonial North America / James D. Kornwolf, with the assistance of Georgiana W. Kornwolf.
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3 volumes (xxx, 1770 pages) : illustrations, maps ; 29 cm.
Architecture and town planning in colonial North America / James D. Kornwolf, with the assistance of Georgiana W. Kornwolf.
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3 volumes (xxx, 1770 pages) : illustrations, maps ; 29 cm.
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books
books
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Baltimore : Johns Hopkins University Press, ©2002.
Baltimore : Johns Hopkins University Press, ©2002.
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books
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Title:
Dandelions
Dandelions
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$27.50
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
$27.50
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
Title:
Dandelions
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$27.50
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
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books
books
Publication:
May 2023
May 2023
Subject:
Literature and poetry
Literature and poetry
Form:
books
books
Title:
House and home in modern Japan : architecture, domestic space, and bourgeois culture, 1880-1930
House and home in modern Japan : architecture, domestic space, and bourgeois culture, 1880-1930
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$31.50
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A house is a site, the bounds and focus of a community. It is also an artefact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artefact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally(...)
$31.50
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A house is a site, the bounds and focus of a community. It is also an artefact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artefact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally(...)
Subject:
History until 1900, Asia
History until 1900, Asia
Publication:
September 2005, Cambridge, Massachusetts
September 2005, Cambridge, Massachusetts
Title:
House and home in modern Japan : architecture, domestic space, and bourgeois culture, 1880-1930
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$31.50
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A house is a site, the bounds and focus of a community. It is also an artefact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artefact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artefact and the artefacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants' social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.
House and home in modern Japan : architecture, domestic space, and bourgeois culture, 1880-1930
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$31.50
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A house is a site, the bounds and focus of a community. It is also an artefact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artefact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artefact and the artefacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants' social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.
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books
books
Publication:
September 2005, Cambridge, Massachusetts
September 2005, Cambridge, Massachusetts
Subject:
History until 1900, Asia
History until 1900, Asia
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books
books
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$120.00
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From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype(...)
$120.00
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Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, Göttingen
January 1900, Göttingen
Title:
Young America : the daguerrotypes of Southworth & Hawes
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$120.00
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Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. "Young America" features full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It includes a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, among other scholars. Appendices include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters, and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book includes an annotated bibliography, exhibition checklist and chronology.
Young America : the daguerrotypes of Southworth & Hawes
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$120.00
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Summary:
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. "Young America" features full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It includes a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, among other scholars. Appendices include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters, and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book includes an annotated bibliography, exhibition checklist and chronology.
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books
books
Publication:
January 1900, Göttingen
January 1900, Göttingen
Subject:
Photography monographs
Photography monographs
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books
books
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$41.50
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Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are(...)
$41.50
(available to order)
Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are(...)
Title:
Here: Where the black designers are
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$41.50
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Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.
Here: Where the black designers are
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$41.50
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Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Design Theory
Design Theory
Form:
books
books
Price:
$42.95
(available to order)
Summary:
The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a(...)
$42.95
(available to order)
Summary:
The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a(...)
Subject:
Green Architecture
Green Architecture
Publication:
June 2000, Barcelona
June 2000, Barcelona
Title:
2G 14 : Building in the mountains, recent architecture in Graubünden
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$42.95
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a group of young architects educated at the ETH in Zurich, many of whom are former assistants in Zumthor's studio, demonstrate the extraordinary quality of the architectonic production of this small German-speaking region of Switzerland. These increasingly well-known names present a wide range of projects ranging from single-family houses to apartment blocks, schools, and public and commercial buildings of different sorts, yet with similarities in the way they handle materials and settings, a body of work that transcends the borders of the region and attracts the attention of the international architecture world. The introduction by Daniel Bosshard, Miguel Kreisler, Myriam Sterling and Txell Vaquer places the building tradition of Graubünden in its historical context. The Nexus section features a 1913 text by Adolf Loos called "Rules for Those Building in the Mountains", plus Bruno Reichlin's "When Moderns Architects Build in the Mountains" and an extract from Christoph Schaub's video "The Vrin Project".
2G 14 : Building in the mountains, recent architecture in Graubünden
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$42.95
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Summary:
The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a group of young architects educated at the ETH in Zurich, many of whom are former assistants in Zumthor's studio, demonstrate the extraordinary quality of the architectonic production of this small German-speaking region of Switzerland. These increasingly well-known names present a wide range of projects ranging from single-family houses to apartment blocks, schools, and public and commercial buildings of different sorts, yet with similarities in the way they handle materials and settings, a body of work that transcends the borders of the region and attracts the attention of the international architecture world. The introduction by Daniel Bosshard, Miguel Kreisler, Myriam Sterling and Txell Vaquer places the building tradition of Graubünden in its historical context. The Nexus section features a 1913 text by Adolf Loos called "Rules for Those Building in the Mountains", plus Bruno Reichlin's "When Moderns Architects Build in the Mountains" and an extract from Christoph Schaub's video "The Vrin Project".
Form:
books
books
Publication:
June 2000, Barcelona
June 2000, Barcelona
Subject:
Green Architecture
Green Architecture
Form:
books
books
Title:
6,000 years of housing
6,000 years of housing
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$54.00
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous(...)
$54.00
(available to order)
Summary:
Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous(...)
Title:
6,000 years of housing
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$54.00
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Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous urban house forms in the Islamic world, India, China, and the Iberian peninsula and Latin America. After the collapse of the Roman Empire, however, outward-looking house forms replaced the ancient form in most of Europe and the New World. In the Middle Ages houses served both as homes and as places of work, but gradually the domestic and business lives of the inhabitants became separate. In the wake of the Industrial Revolution, profound changes in the residential development of the western world occurred: housing became segregated along socioeconomic lines and dwelling types polarized, with low-density, single-family houses at one extreme, and tall, high-density, multifamily tenements and apartments at the other. Side effects of America’s automobile-intensive suburban dream housing include inefficient land use, pollution, and urban decay. "6,000 Years of Housing" chronicles how this came about, and suggests solutions based on a rich variety of historical precedents.
6,000 years of housing
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$54.00
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Summary:
Part architecture, part history, and part anthropology, this encyclopedic book limns the story of housing around the world from the pre-urban dwellings of nomadic, semi-nomadic, and sedentary agricultural societies to the present. Ancient urban dwellings were inward-looking, ranged around a courtyard. Until fairly recently, these dwelling types survived in indigenous urban house forms in the Islamic world, India, China, and the Iberian peninsula and Latin America. After the collapse of the Roman Empire, however, outward-looking house forms replaced the ancient form in most of Europe and the New World. In the Middle Ages houses served both as homes and as places of work, but gradually the domestic and business lives of the inhabitants became separate. In the wake of the Industrial Revolution, profound changes in the residential development of the western world occurred: housing became segregated along socioeconomic lines and dwelling types polarized, with low-density, single-family houses at one extreme, and tall, high-density, multifamily tenements and apartments at the other. Side effects of America’s automobile-intensive suburban dream housing include inefficient land use, pollution, and urban decay. "6,000 Years of Housing" chronicles how this came about, and suggests solutions based on a rich variety of historical precedents.
Form:
books
books
Publication:
July 2003, New York
July 2003, New York
Subject:
Collective Housing
Collective Housing
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books
books
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$85.00
(available to order)
Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
$85.00
(available to order)
Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
Title:
Reza Shafahi, Diary of a gambler
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$85.00
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
Reza Shafahi, Diary of a gambler
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Price:
$85.00
(available to order)
Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
Form:
books
books
Publication:
May 2023
May 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
