7847 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
People:
Date:
1988-1992
1988-1992
Title:
Habitações em Concepcion Arenal [Housing in Concepción Arenal], Cadiz, Spain (1989)
Actions:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
Habitações em Concepcion Arenal [Housing in Concepción Arenal], Cadiz, Spain (1989)
Actions:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
Level of archival description:
Project
Project
Date:
1988-1992
1988-1992
People:
Form:
exhibitions
exhibitions
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Date:
16 November 2016 to 9 April 2017
16 November 2016 to 9 April 2017
Title:
It’s All Happening So Fast
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
It’s All Happening So Fast
Actions:
Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Form:
exhibitions
exhibitions
Date:
16 November 2016 to
9 April 2017
16 November 2016 to
9 April 2017
Form:
exhibitions
exhibitions
Title:
Arrivals
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Location:
Hall cases
Hall cases
Date:
24 January 2008 to 23 March 2008
24 January 2008 to 23 March 2008
Title:
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Form:
exhibitions
exhibitions
Date:
24 January 2008 to
23 March 2008
24 January 2008 to
23 March 2008
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Title:
Research material
Research material
Actions:
Reference number:
AP133.S2.001
Description:
Group of 2 files comprising correspondence, photocopies of archival material and publications, and photographic reproductions of the Ockham Park album.
AP133.S2.001
Description:
Group of 2 files comprising correspondence, photocopies of archival material and publications, and photographic reproductions of the Ockham Park album.
People:
Date:
1979-1985
1979-1985
Title:
Research material
Actions:
AP133.S2.001
Description:
Group of 2 files comprising correspondence, photocopies of archival material and publications, and photographic reproductions of the Ockham Park album.
Research material
Actions:
AP133.S2.001
Description:
Group of 2 files comprising correspondence, photocopies of archival material and publications, and photographic reproductions of the Ockham Park album.
Form:
textual records
textual records
Date:
1979-1985
1979-1985
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
People:
Date:
2002-2015
2002-2015
Title:
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Level of archival description:
Subseries
Subseries
Date:
2002-2015
2002-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
People:
Date:
2002-2010
2002-2010
Title:
Parque de Pedras Salgadas, Pedras Salgadas, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
Parque de Pedras Salgadas, Pedras Salgadas, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR06
Description:
This project series documents the Parque de Pedras Salgadas in Pedras Salgadas, Portugal. While the records were held in the office’s archives this project was assigned the number 50/00. The office assigned the date 2002 to this project. The project consisted of extensive work to the spa resort located in Pedras Salgadas Park for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The work included the demolition of many buildings, the restauration and alterations of others and the construction of new buildings. Work on the Hotel Avelames, the thermal spa, the public pools and the Casa de Chá were the primary focus of the site for Siza. These four components of the project were divided by the office, with the Hotel Avelames, spa and Casa de Chá arranged together under AP178.S1.2002.PR06.SS1 and the public pools arranged under AP178.S1.2002.PR06.SS2. Architect Luís Rebelo de Andrade also constructed eco-houses and treehouses on the site later on. This project was realized in tandem with a similar project by Siza, the Parque de Vidago (AP178.S1.2002.PR05), also owned by Unicer. For this reason, the materials for both projects are mixed together. A large number of materials for this project can be found in project subseries AP178.S1.2002.PR05.SS1. These files have been identified at the file level in the Parque de Vidago project subseries.
Level of archival description:
Project
Project
Date:
2002-2010
2002-2010
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1998.PR03
Description:
This project series documents the Edifício Zaida Habitação e Comércio in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90. The office assigned the dates 1998-2006 to this project. The project was divided in three components, each represented in the following project subseries: the Zaida building (AP178.S1.1998.PR03.SS1), the Caja Rural de Granada (AP178.S1.1998.PR03.SS2) and the Casa Pátio (AP178.S1.1998.PR03.SS3). The project, realized with local architect Juan Domingo Santos, redeveloped three ajacent parcels of land that faced the Plaza Puerta Real. This included the demolition of the nineteenth century Zaida Hotel that existed on the site and the incorporation of an existing nineteenth century courtyard style home (Casa Pátio). The project was built in two phases, beginning with the Zaida building in phase 1 and continuing with the Casa Pátio in phase 2. The Zaida building was six-storeys with commerical and office spaces on the first three levels and residential dwellings on the upper three. The two bottom floors of the building's exterior were constructed from grey stone, while the top four storeys were white stucco. The bank branch Caja Rural de Granada was located on the ground level of the building. While the architect sought to save and preserve the Casa Pátio, eventually it had to be reinterpretted and attached to the main volume. It was integrated with the main building using the same white stucco exterior.
AP178.S1.1998.PR03
Description:
This project series documents the Edifício Zaida Habitação e Comércio in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90. The office assigned the dates 1998-2006 to this project. The project was divided in three components, each represented in the following project subseries: the Zaida building (AP178.S1.1998.PR03.SS1), the Caja Rural de Granada (AP178.S1.1998.PR03.SS2) and the Casa Pátio (AP178.S1.1998.PR03.SS3). The project, realized with local architect Juan Domingo Santos, redeveloped three ajacent parcels of land that faced the Plaza Puerta Real. This included the demolition of the nineteenth century Zaida Hotel that existed on the site and the incorporation of an existing nineteenth century courtyard style home (Casa Pátio). The project was built in two phases, beginning with the Zaida building in phase 1 and continuing with the Casa Pátio in phase 2. The Zaida building was six-storeys with commerical and office spaces on the first three levels and residential dwellings on the upper three. The two bottom floors of the building's exterior were constructed from grey stone, while the top four storeys were white stucco. The bank branch Caja Rural de Granada was located on the ground level of the building. While the architect sought to save and preserve the Casa Pátio, eventually it had to be reinterpretted and attached to the main volume. It was integrated with the main building using the same white stucco exterior.
People:
Date:
1989-2006
1989-2006
Title:
Edifício Zaida [Zaida Building and Courtyard House], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03
Description:
This project series documents the Edifício Zaida Habitação e Comércio in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90. The office assigned the dates 1998-2006 to this project. The project was divided in three components, each represented in the following project subseries: the Zaida building (AP178.S1.1998.PR03.SS1), the Caja Rural de Granada (AP178.S1.1998.PR03.SS2) and the Casa Pátio (AP178.S1.1998.PR03.SS3). The project, realized with local architect Juan Domingo Santos, redeveloped three ajacent parcels of land that faced the Plaza Puerta Real. This included the demolition of the nineteenth century Zaida Hotel that existed on the site and the incorporation of an existing nineteenth century courtyard style home (Casa Pátio). The project was built in two phases, beginning with the Zaida building in phase 1 and continuing with the Casa Pátio in phase 2. The Zaida building was six-storeys with commerical and office spaces on the first three levels and residential dwellings on the upper three. The two bottom floors of the building's exterior were constructed from grey stone, while the top four storeys were white stucco. The bank branch Caja Rural de Granada was located on the ground level of the building. While the architect sought to save and preserve the Casa Pátio, eventually it had to be reinterpretted and attached to the main volume. It was integrated with the main building using the same white stucco exterior.
Edifício Zaida [Zaida Building and Courtyard House], Granada, Spain (1998-2006)
Actions:
AP178.S1.1998.PR03
Description:
This project series documents the Edifício Zaida Habitação e Comércio in Granada, Spain. While the records were held in the office’s archives this project was assigned the number 98/90. The office assigned the dates 1998-2006 to this project. The project was divided in three components, each represented in the following project subseries: the Zaida building (AP178.S1.1998.PR03.SS1), the Caja Rural de Granada (AP178.S1.1998.PR03.SS2) and the Casa Pátio (AP178.S1.1998.PR03.SS3). The project, realized with local architect Juan Domingo Santos, redeveloped three ajacent parcels of land that faced the Plaza Puerta Real. This included the demolition of the nineteenth century Zaida Hotel that existed on the site and the incorporation of an existing nineteenth century courtyard style home (Casa Pátio). The project was built in two phases, beginning with the Zaida building in phase 1 and continuing with the Casa Pátio in phase 2. The Zaida building was six-storeys with commerical and office spaces on the first three levels and residential dwellings on the upper three. The two bottom floors of the building's exterior were constructed from grey stone, while the top four storeys were white stucco. The bank branch Caja Rural de Granada was located on the ground level of the building. While the architect sought to save and preserve the Casa Pátio, eventually it had to be reinterpretted and attached to the main volume. It was integrated with the main building using the same white stucco exterior.
Level of archival description:
Project
Project
Date:
1989-2006
1989-2006
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
People:
Date:
1983-1984
1983-1984
Title:
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Level of archival description:
Project
Project
Date:
1983-1984
1983-1984
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1965.PR06
Description:
This project series documents the Plano Urbanistico para a Marginal de Leça e Zona da Boa Nova in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 22/60. In the past the office identified the project as number 113. The office assigned the dates 1965-1974 for this project. This project was part of an urban renewal program of Matosinhos. Originally, the Avenida Marginal de Leça da Palmeira was a ring road mainly used to access the beaches but it later became a central road to access north and east parts of the city. Traffic and lack of parking spaces became problematic. The project consisted of an urbanization plan for Leça da Palmeira and Boa Nova, a new design for the layout of the pipelines between the Port of Leixões and SACOR Refinery, and a new design for da Marginal street that improve access to the Ocean swimming pool and others facilities of the area. Drawings include topographic surveys, studies, sketches, plans and profiles. Textual materials include a building program, notes and correspondence between Siza, the city of Matosinhos, and SACOR. Photographic materials and slides document the project site and model. It is also important to note that several Siza's projects were built in this area and are present in some sketches of this project, including the Casa de Chá, Restaurante da Boa Nova, Ocean swimming pool, and Monumento ao poeta António Nobre.
AP178.S1.1965.PR06
Description:
This project series documents the Plano Urbanistico para a Marginal de Leça e Zona da Boa Nova in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 22/60. In the past the office identified the project as number 113. The office assigned the dates 1965-1974 for this project. This project was part of an urban renewal program of Matosinhos. Originally, the Avenida Marginal de Leça da Palmeira was a ring road mainly used to access the beaches but it later became a central road to access north and east parts of the city. Traffic and lack of parking spaces became problematic. The project consisted of an urbanization plan for Leça da Palmeira and Boa Nova, a new design for the layout of the pipelines between the Port of Leixões and SACOR Refinery, and a new design for da Marginal street that improve access to the Ocean swimming pool and others facilities of the area. Drawings include topographic surveys, studies, sketches, plans and profiles. Textual materials include a building program, notes and correspondence between Siza, the city of Matosinhos, and SACOR. Photographic materials and slides document the project site and model. It is also important to note that several Siza's projects were built in this area and are present in some sketches of this project, including the Casa de Chá, Restaurante da Boa Nova, Ocean swimming pool, and Monumento ao poeta António Nobre.
People:
Date:
1960-1984
1960-1984
Title:
Plano Urbanístico para a Marginal de Leça e Zona da Boa Nova [Leça and Boa Nova coastal development plan], Leça da Palmeira, Matosinhos, Portugal (1966)
Actions:
AP178.S1.1965.PR06
Description:
This project series documents the Plano Urbanistico para a Marginal de Leça e Zona da Boa Nova in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 22/60. In the past the office identified the project as number 113. The office assigned the dates 1965-1974 for this project. This project was part of an urban renewal program of Matosinhos. Originally, the Avenida Marginal de Leça da Palmeira was a ring road mainly used to access the beaches but it later became a central road to access north and east parts of the city. Traffic and lack of parking spaces became problematic. The project consisted of an urbanization plan for Leça da Palmeira and Boa Nova, a new design for the layout of the pipelines between the Port of Leixões and SACOR Refinery, and a new design for da Marginal street that improve access to the Ocean swimming pool and others facilities of the area. Drawings include topographic surveys, studies, sketches, plans and profiles. Textual materials include a building program, notes and correspondence between Siza, the city of Matosinhos, and SACOR. Photographic materials and slides document the project site and model. It is also important to note that several Siza's projects were built in this area and are present in some sketches of this project, including the Casa de Chá, Restaurante da Boa Nova, Ocean swimming pool, and Monumento ao poeta António Nobre.
Plano Urbanístico para a Marginal de Leça e Zona da Boa Nova [Leça and Boa Nova coastal development plan], Leça da Palmeira, Matosinhos, Portugal (1966)
Actions:
AP178.S1.1965.PR06
Description:
This project series documents the Plano Urbanistico para a Marginal de Leça e Zona da Boa Nova in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 22/60. In the past the office identified the project as number 113. The office assigned the dates 1965-1974 for this project. This project was part of an urban renewal program of Matosinhos. Originally, the Avenida Marginal de Leça da Palmeira was a ring road mainly used to access the beaches but it later became a central road to access north and east parts of the city. Traffic and lack of parking spaces became problematic. The project consisted of an urbanization plan for Leça da Palmeira and Boa Nova, a new design for the layout of the pipelines between the Port of Leixões and SACOR Refinery, and a new design for da Marginal street that improve access to the Ocean swimming pool and others facilities of the area. Drawings include topographic surveys, studies, sketches, plans and profiles. Textual materials include a building program, notes and correspondence between Siza, the city of Matosinhos, and SACOR. Photographic materials and slides document the project site and model. It is also important to note that several Siza's projects were built in this area and are present in some sketches of this project, including the Casa de Chá, Restaurante da Boa Nova, Ocean swimming pool, and Monumento ao poeta António Nobre.
Level of archival description:
Project
Project
Date:
1960-1984
1960-1984
People:
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
