10699 Results
Level of archival description:
Project
Project
Reference number:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
People:
Date:
1997-1998
1997-1998
Title:
Crabtree and Evelyn, United States (1997-1998)
Actions:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
Crabtree and Evelyn, United States (1997-1998)
Actions:
AP056.S1.1997.PR01
Description:
This project series documents the general design for Crabtree & Evelyn stores across the Unites States from 1997-1998. The office identified the project number as 9716. This project consisted of the prototype design for the cosmetic and homecare stores. It was first implemented in Philadelphia, with subsequent stores in Roseville, Minnesota, Farmington, Connecticut and Raleigh, North Carolina following a similar design. These stores had custom display furnishings and fixtures including leaf-shaped tables, wavy tables, round cash counters, curved wood shelves in the corners and beech wood and sandblasted glass shelves lining the walls. The project is recorded through drawings and accompanying textual records dating from 1997-1998. The drawings include sketches, plans, elevations, perspectives, furnishings, details and construction drawings.
Level of archival description:
Project
Project
Date:
1997-1998
1997-1998
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256461
ARCH256461
People:
Date:
1967
1967
Title:
View of the Polymer and Air Canada's Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256461
View of the Polymer and Air Canada's Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256461
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Georg Lippsmeier Collection
Georg Lippsmeier Collection
Reference number:
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
People:
Date:
1960s-2010
1960s-2010
Title:
Georg Lippsmeier Collection
Actions:
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Georg Lippsmeier Collection
Actions:
CD037
Synopsis:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1960s-2010
1960s-2010
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
People:
Date:
1988-1991
1988-1991
Title:
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Level of archival description:
Project
Project
Date:
1988-1991
1988-1991
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
People:
Date:
1978-1979
1978-1979
Title:
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Level of archival description:
Project
Project
Date:
1978-1979
1978-1979
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1965.PR02
Description:
This project series documents the Imperial Oil product application and technical services laboratory in Sarnia, Ontario from 1965-1966. The office identified the project number as 6509. This project consisted of a one-storey building that contained process areas, equipment rooms, testing rooms, a shipping area and offices for technicians and engineers. The project was also known as the PVC Applications Laboratory, since its purpose to support marketing of Polyvinyl Chloride. This building, resting on a 102,400 square foot site, was designed with narrow slot type windows to ensure environmental controls could be met within it. It had a steel frame with dark sable brick exteriors and a plastic fascia manufactured by the client. The client's plastics were also used throughout the interiors. The project is recorded through drawings dating from 1965-1966. The drawings are mostly reprographic copies of construction plans, elevations, details, schedules, layouts, and mechanical, electrical and structural drawings.
AP018.S1.1965.PR02
Description:
This project series documents the Imperial Oil product application and technical services laboratory in Sarnia, Ontario from 1965-1966. The office identified the project number as 6509. This project consisted of a one-storey building that contained process areas, equipment rooms, testing rooms, a shipping area and offices for technicians and engineers. The project was also known as the PVC Applications Laboratory, since its purpose to support marketing of Polyvinyl Chloride. This building, resting on a 102,400 square foot site, was designed with narrow slot type windows to ensure environmental controls could be met within it. It had a steel frame with dark sable brick exteriors and a plastic fascia manufactured by the client. The client's plastics were also used throughout the interiors. The project is recorded through drawings dating from 1965-1966. The drawings are mostly reprographic copies of construction plans, elevations, details, schedules, layouts, and mechanical, electrical and structural drawings.
People:
Date:
1965-1966
1965-1966
Title:
Imperial Oil Enterprises Ltd., Product Application and Technical Services Laboratory, Sarnia, Ontario (1965-1966)
Actions:
AP018.S1.1965.PR02
Description:
This project series documents the Imperial Oil product application and technical services laboratory in Sarnia, Ontario from 1965-1966. The office identified the project number as 6509. This project consisted of a one-storey building that contained process areas, equipment rooms, testing rooms, a shipping area and offices for technicians and engineers. The project was also known as the PVC Applications Laboratory, since its purpose to support marketing of Polyvinyl Chloride. This building, resting on a 102,400 square foot site, was designed with narrow slot type windows to ensure environmental controls could be met within it. It had a steel frame with dark sable brick exteriors and a plastic fascia manufactured by the client. The client's plastics were also used throughout the interiors. The project is recorded through drawings dating from 1965-1966. The drawings are mostly reprographic copies of construction plans, elevations, details, schedules, layouts, and mechanical, electrical and structural drawings.
Imperial Oil Enterprises Ltd., Product Application and Technical Services Laboratory, Sarnia, Ontario (1965-1966)
Actions:
AP018.S1.1965.PR02
Description:
This project series documents the Imperial Oil product application and technical services laboratory in Sarnia, Ontario from 1965-1966. The office identified the project number as 6509. This project consisted of a one-storey building that contained process areas, equipment rooms, testing rooms, a shipping area and offices for technicians and engineers. The project was also known as the PVC Applications Laboratory, since its purpose to support marketing of Polyvinyl Chloride. This building, resting on a 102,400 square foot site, was designed with narrow slot type windows to ensure environmental controls could be met within it. It had a steel frame with dark sable brick exteriors and a plastic fascia manufactured by the client. The client's plastics were also used throughout the interiors. The project is recorded through drawings dating from 1965-1966. The drawings are mostly reprographic copies of construction plans, elevations, details, schedules, layouts, and mechanical, electrical and structural drawings.
Level of archival description:
Project
Project
Date:
1965-1966
1965-1966
People:
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
People:
Date:
1972 - 1973
1972 - 1973
Title:
Metropolitan Toronto Zoo, People Mover System, Scarborough, Ontario (1972)
Actions:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
Metropolitan Toronto Zoo, People Mover System, Scarborough, Ontario (1972)
Actions:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
Level of archival description:
Project
Project
Date:
1972 - 1973
1972 - 1973
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
People:
Date:
1951
1951
Title:
Polder Tower Competition, Emmeloord, Netherlands (1951)
Actions:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
Polder Tower Competition, Emmeloord, Netherlands (1951)
Actions:
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
Level of archival description:
project
project
Date:
1951
1951
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
People:
Date:
1992-1996
1992-1996
Title:
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Level of archival description:
Project
Project
Date:
1992-1996
1992-1996
People:
