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From Tudor knot gardens, to Victorian extravaganzas and minimalist gardens of the new millennium, Charles Quest-Ritson has produced a new kind of gardening history. Whilst the gardens of the rich have always been impressive symbols of social and economic success, the gardens of the poor, by contrast, began as a basic means of survival. In a survey spanning the last(...)
The English garden : a social history
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From Tudor knot gardens, to Victorian extravaganzas and minimalist gardens of the new millennium, Charles Quest-Ritson has produced a new kind of gardening history. Whilst the gardens of the rich have always been impressive symbols of social and economic success, the gardens of the poor, by contrast, began as a basic means of survival. In a survey spanning the last five hundred years, the author shows how gardens have altered across the generations in direct response to changes in society. This is an illuminating piece of social history which reflects England's constant fascination with its gardens and their owners.
books
June 2001, London
Gardens
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Necessity and investigation are prerequisites for the design of housing: Total Housing refers to the need to understand that social, environmental, and economic factors affect form, and that living space is a base for our increasingly complex and varied societies. This new survey into multi-family housing focuses on the responses proposed by architects who are dealing(...)
Total housing: Alternatives to urban sprawl
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Necessity and investigation are prerequisites for the design of housing: Total Housing refers to the need to understand that social, environmental, and economic factors affect form, and that living space is a base for our increasingly complex and varied societies. This new survey into multi-family housing focuses on the responses proposed by architects who are dealing with the dynamic and diverse demands of contemporary society. Featuring works by Lacaton-Vassal, BIG, + JDS, Sadar Vuga Arhitekti, Ryue Nishizawa, FOA, SHoP, and many emerging new architects, this volume is not a simple catalog, but rather a studied collection of inventive projects.
Residential Architecture
Social design
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Architects and designers have always played a vital role in shaping society. ''Social Design'' presents a long-overdue survey of current international activity in this realm, from new infrastructures and the reclaiming of cities by their inhabitants as seen in the work of Assemble and Gehl Architects to build-it-yourself housing by Urban Think Tank, all the way to GRAFT's(...)
Social design
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Architects and designers have always played a vital role in shaping society. ''Social Design'' presents a long-overdue survey of current international activity in this realm, from new infrastructures and the reclaiming of cities by their inhabitants as seen in the work of Assemble and Gehl Architects to build-it-yourself housing by Urban Think Tank, all the way to GRAFT's solar kiosk, an energy source that is driving sustainable development opportunities for communities.
Urban Theory
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Olin: placemaking
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With increased attention to sustainability and environmental concerns, landscape architects now lead teams of urban planners and architects in developing new outdoor space and reconfiguring existing designs. As the preeminent landscape architecture firm in the United States, Olin is at the forefront of this movement with completed projects across the country and in(...)
Olin: placemaking
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With increased attention to sustainability and environmental concerns, landscape architects now lead teams of urban planners and architects in developing new outdoor space and reconfiguring existing designs. As the preeminent landscape architecture firm in the United States, Olin is at the forefront of this movement with completed projects across the country and in Europe. The firm was awarded the gold medal of the American Society of Landscape Architects, the profession's highest honor, in 2006.
books
October 2008
Landscape Architecture, Monographs
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and(...)
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and controversial book is augmented with contemporary essays by writer and curator David Chandler and Errata Creative Director Jeffrey Ladd.
Photography monographs
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic(...)
Fairy tales: when architecture tells a story
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic array of forms - from stories, to poems, memoirs, and comics - these entries bring new meaning to architecture, its value, and its place in society.
Literature and poetry
journals and magazines
Open 6 (in)security
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There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation(...)
Magazines
August 2004, Rotterdam
Open 6 (in)security
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There is a yearning for security in today's public domain. The individual and the community are increasingly demanding protection from and control over the space, themselves and others. A society of control is looming, but one lacking a clear idea about the nature and the origin of its underlying fears. This cahier examines the consequences of the current preoccupation with security for the public space and the visual arts. What are the implications for the functioning of the public domain, for its arrangement, design and experience? And how does this influence the task and perception of art? From art, architecture, philosophy and politics come theoretical and practical scenarios, proposals and visions that expose something of today's security paradigm, advocate alternative (conceptual) models or offer insights into the current ethics and aesthetics of security. Gijs van Oenen subjects the 'new securityscape' to a critical analysis. Lieven De Cauter digs into the various strata of the new fear. Sean Snyder presents images from his Temporary Occupation project. Thomas Y. Levin looks at how artists deal with surveillance in the public space. Sven Lütticken reflects on the concept of a 'human park' in philosophy, art and media. Harm Tilman focuses on architecture in a society of control. Mark Wigley analyses the issue of security in relation to the World Trade Center buildings in New York. Hans Boutellier wishes art would apply the brakes to the security Utopia. Jouke Kleerebezem calls for vigilance in the information society. Willem van Weelden discusses the project in Kanaleneiland, Utrecht. Q.S. Serafijn shows multiple dimensions of the interactive D-Tower in Doetinchem. Mark Wigley dissects the abode of the Unabomber.
journals and magazines
August 2004, Rotterdam
Magazines
The second digital turn
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Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo(...)
The second digital turn
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Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adopted—no longer tools for making but tools for thinking. In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scale—a flat marginal cost society where bigger markets will not make anything cheaper. But today, the unprecedented power of computation also favors a new kind of science where prediction can be based on sheer information retrieval, and form finding by simulation and optimization can replace deduction from mathematical formulas. Designers have been toying with machine thinking and machine learning for some time, and the apparently unfathomable complexity of the physical shapes they are now creating already expresses a new form of artificial intelligence, outside the tradition of modern science and alien to the organic logic of our mind.
Digital Architecture
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From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to(...)
Prometheus wired: the hope for democracy in the age of network technology
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From all sides, we hear that computer technology, with its undeniable power to disseminate information and connect individuals, holds enormous potential for a reinvigoration of political life. But will the Internet really spark a democratic revolution? And will the changes it brings be so profound that past political thought will be of little use in helping us to understand them? In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks. Darin Barney is assistant professor of communication at the University of Ottawa.
Epistemology
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
Transformative beauty: art museums in industrial Britain
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Museology