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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were(...)
Michael Kenna: St. Josephs College, Upholland
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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were taken when Kenna returned to visit the now-shuttered school in the early 2000s. Kenna is also revisiting a way of life that may be disappearing—not only the, at times, ruthless discipline of the British boarding school, but also the somber beauty of religious practice. His camera captures the architecture of the school’s built environment as well as its spiritual architecture. Kenna’s detailed biographical essay about his experiences and observations at St. Joseph's reveal much about the way Kenna thinks and works. A critical essay by Vincent Miles focuses on the 110-year history of the college, contextualizing Kenna’s time there.
Photography monographs
Sandfuture
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'Sandfuture' is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects — the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York — were both destroyed on national(...)
Sandfuture
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'Sandfuture' is a book about the life of the architect Minoru Yamasaki (1912–1986), who remains on the margins of history despite the enormous influence of his work on American architecture and society. That Yamasaki’s most famous projects — the Pruitt-Igoe apartments in St. Louis and the original World Trade Center in New York — were both destroyed on national television, thirty years apart, makes his relative obscurity all the more remarkable. 'Sandfuture' is also a book about an artist interrogating art and architecture’s role in culture as New York changes drastically after a decade bracketed by terrorism and natural disaster. From the central thread of Yamasaki’s life, 'Sandfuture' spirals outward to include reflections on a wide range of subjects, from the figure of the architect in literature and film and transformations in the contemporary art market to the perils of sick buildings and the broader social and political implications of how, and for whom, cities are built.
Architectural Theory
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers,(...)
Body stages : the metamorphosis of Loïe Fuller
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers, producers, theater and film directors, painters, sculptors, architects, and other performance artists of our times. Loie Fuller played a decisive role in the art nouveau movement, she was the muse who inspired the Electricity Pavilion in 1900, and she orchestrated the first shows, in the contemporary sense of the word, in France. Through a number of photographs, paintings, sculptures, and documents, this volume attempts to unravel the various strands of her extravagant life, to chart her dedication to the performance arts, and to demonstrate her incredible technical inventiveness-in short, to provide an insight into one of the most attractive and influential figures of contemporary creation.
Contemporary Art Monographs
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic(...)
May 2015
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance Walking Sculpture, the catalogue features 50 color illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion. Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this catalogue will invite new thought into basic human movement.
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In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links(...)
Imaginary apparatus: New York city and its mediated representation
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In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links between those two efforts, showing how they fed each other. As more and more films and TV shows were shot on location in New York, mediated images of the city and its buildings proliferated—and those same images exerted a powerful influence on the imaginations of the planners who were generating ideas for New York’s future development. Included with thisbook is a DVD featuring the movie What Is the City but the People?, the film version of the 1969 "Plan for New York City" and a unique document that has never before been publicly available.
Urban Theory
Glass House
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an(...)
Glass House
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an architectural laboratory, adding nine additional structures over a forty-year period. Among them are the Ghost House, a chain-link tribute to Frank Gehry, and the witty, bright red Gate House. Glass House is a unique presentation of the Glass House complex in words and photographs. Compiled by eminent critic Toshio Nakamura under the sponsorship of YKK AP Inc., the volume features a specially commissioned suite of photographs, taken throughout the four seasons, by renowned architectural photographer Michael Moran, including cross-processed images and images taken with infrared film. The deluxe graphic presentation, with distinctive paper stocks and foldout pages reproducing Johnson's original drawings, was conceived by designer Michael Rock of 2x4.
Architecture Monographs
Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense(...)
September 2007, New York
Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense sincerity. This diary is dotted with a pastiche of rants about the extreme cold and utter loneliness, notes on Herzog's films and travels, poetic descriptions of the snowy countryside, and personal philosophizing. What is most remarkable is that the reading of the book is in continuity with the experience of watching his films; it's as if, through this walk, we witness the process in which images are born. Although he received a literary award for it, this introspective masterpiece has lingered out of print since 1979. Beautifully designed and emotionally impressive, Of Walking in Ice is the first in a color-coded series of remarkable yet long-forgotten titles being republished by Free Association.
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Life is a building site : not just since the German film of that name was released, the building site has been a popular metaphor for the patchwork plans of contemporary life. The phenomenon of the building site runs through our everyday lives, but it largely remains behind construction site fences. This volume looks behind the barriers and focuses on the building site as(...)
Construction site : metamorphoses in the city
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Life is a building site : not just since the German film of that name was released, the building site has been a popular metaphor for the patchwork plans of contemporary life. The phenomenon of the building site runs through our everyday lives, but it largely remains behind construction site fences. This volume looks behind the barriers and focuses on the building site as such for the first time. With authoritative information and reflection from a variety of perspectives, some quite surprising, the building site is presented as an extraordinary place in the city and as a microcosm that operates under heavy pressures of time and costs. With essays on specific building sites such as the megaproject Sihlcity in Zurich or the La Défense building site in Paris, interviews with architects and construction managers, and impressive illustrations, the book leaps into a gap in the urban landscape. The publication is rounded out by artistic, photographic interventions like those of Miklos Gaals, who is known for his photographs that turn urban scenes into toys.
Urban Theory
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"Modernism: designing a new world" is the first book to explore Modernism in the designed world from a truly international perspective, and across all the arts. It offers a reassessment of the idea of Modernism and reveals the fundamental ways in which it has shaped our own world and its visual culture. Modernism flourished during the years 1914 to 1939. As a movement(...)
Modernism : designing a new world, 1914-1939
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"Modernism: designing a new world" is the first book to explore Modernism in the designed world from a truly international perspective, and across all the arts. It offers a reassessment of the idea of Modernism and reveals the fundamental ways in which it has shaped our own world and its visual culture. Modernism flourished during the years 1914 to 1939. As a movement it was the key point of reference for 20th century architecture, design and art. Modernists had an utopian desire to create a better world, frequently combined with social and political beliefs that design and art could transform society. The range of objects illustrated – including painting, sculpture, film, photography, prints and collage as well as architecture, interiors, furniture, manufactured products, graphic and fashion design – reflect the period’s emphasis on the unity of the arts and the key role of the fine arts in shaping contemporary visual culture. Europe and America take centre stage but the reach of Modernism is demonstrated by selected works from around the world, including Russia, Palestine and Japan.
Architecture since 1900, Europe
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
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