$71.00
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be(...)
Contemporary Art Monographs
December 2010
Catherine Gfeller : pulsations
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be captured. In other groups of works, the artist takes a thoroughly different look at the symbiotic relationship between mankind and the environment, peering behind the anonymous façades of buildings and exposing intimate living spaces. Speed, exhileration and indulgence: "The only form of stability [can be found] in being ‘lulled by the loop’, as if caught up in the unfathomable delirium of repetition." This volume is being published to accompany three museum exhibitions to be held at the Musée des Beaux-art La Chaux-de-Fonds, the Kunstmuseum Luzern, and the Centre Régional d’Art Contemporain Languedoc-Roussillon Sète.
Contemporary Art Monographs
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800 pages : illustrations (chiefly color), maps, plans ; 25 cm
Köln ; New York : Taschen, 2001.
Harvard Design School guide to shopping / principal editors, Chuihua Judy Chung and Sze Tsung Leong ; [essays by Tae-Wook Cha and others].
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800 pages : illustrations (chiefly color), maps, plans ; 25 cm
books
Köln ; New York : Taschen, 2001.
Shenzhen architectural guide
$67.95
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The first of its kind, the Shenzhen Architectural Guide is dedicated to the city’s architecture and conceived as an atlas. The pages inside are filled with more than 150 relevant buildings and places that constitute the physical palimpsest of modern China’s most famous foundational town. Founded in 1978 as one of the first Special Economic Zones under Deng Xiaoping’s(...)
Shenzhen architectural guide
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The first of its kind, the Shenzhen Architectural Guide is dedicated to the city’s architecture and conceived as an atlas. The pages inside are filled with more than 150 relevant buildings and places that constitute the physical palimpsest of modern China’s most famous foundational town. Founded in 1978 as one of the first Special Economic Zones under Deng Xiaoping’s reforms, Shenzhen is a young city that was essentially built from the ground up at a rapid pace – hence the infamous ‘Shenzhen Speed’. Unlike most places, it has built its fortune on being propelled into the future without any connection to the past. Shenzhen is a place where business, immigration, ports, borders, and nature come together to shape a unique and, at times, mystifying architectural experience. This guide will introduce the reader to Shenzhen’s kaleidoscopic architecture with the help of bilingual coordinates and geodata. It will also refer to the city's political history and cultural geography. By photographing these state-of-the-art works in 2020, the book captures a sort of 'here-and-now' that will soon be transformed once again.
City Guides
$56.00
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"Built by Hand" is the most extensive documentation ever published of vernacular buildings throughout the world. With examples from nearly every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressive handmade finished products through this truly stunning compilation of(...)
Green Architecture
June 2003, Salt Lake City
Built by hand : vernacular buildings around the world
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"Built by Hand" is the most extensive documentation ever published of vernacular buildings throughout the world. With examples from nearly every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressive handmade finished products through this truly stunning compilation of photographs. Unlike modern buildings that rely on industrially produced materials and highly specialized electric tools and techniques, the shelters featured here represent a rapidly disappearing genre of handcrafted and beautifully composed structures. They are the work of people who, as builders and homesteaders, have integrated artistic beauty and practical form into their shelter needs. "Built by Hand" offers insights into the world of vernacular building, along with potential solutions to many of the problems that plague modern architecture. It is a must-have collection that preserves and documents the rich cultural past of each structure and its community, and offers inspiration for those looking to build in a way that is motivated by something larger than speed, efficiency, and economic profit.
Green Architecture
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Activity diagrams
$116.00
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Due to the rapid development of high-speed transportation and digital-network, the life pattern of modern people also has been rapidly desconstructed and reorganized. To respond such a flexible, multi-layered, and ambiguous period, various contermeasures have been studied in terms of modern architectural programs. As one of the solutions, activity diagrams are a(...)
March 2006, Seoul
Activity diagrams
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Due to the rapid development of high-speed transportation and digital-network, the life pattern of modern people also has been rapidly desconstructed and reorganized. To respond such a flexible, multi-layered, and ambiguous period, various contermeasures have been studied in terms of modern architectural programs. As one of the solutions, activity diagrams are a methodology which creates an architectural space through a process of analyzing people's behaviors as weel as re-organizing their systems. Modern architecture is already familiarized with the words 'program' and 'diagram'. Many architects throughout the world use these words as a design tool. Therefore, we sought for 9 architects, regardless of nationality, who used their diagrams as aninnovative design tool, and selected 30 architectural works in which their diagrams were applied. Also, we interviewed them on their architectural design methodology through diagrams they are currently using. With this, we could study out a diagram's inclusive meanings and roles within architecture. This book is published in the hope of being an architectural guide to modern architects who have to design relations. Text in English / Korean
books
March 2006, Seoul
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This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian(...)
The big Asian book of Landscape Architecture
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This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian sensibility. Through a tripartite structure of Continuum, Interruption, and Speed, ''The big Asian book of landscape architecture'' develops ways for conceiving design around these three characteristics that simultaneously influence an Asian practice. A dynamic structure allows readers to dip into content, rather than progress in a linear manner. Each section begins with a positioning essay, which offer theoretical, cultural, and political contextualisation for the more focused academic writing, shorter reflections, practice interviews, photo essays and design projects which are interwoven in a unique graphic design. Featuring over eighty design projects, ''The big Asian book of landscape architecture's'' significance extends well beyond Asia, offering fresh perspectives for a field that has traditionally been dominated by North American and European influences.
Landscape Theory
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur.(...)
Marcel Chassot: architecture and photography. Amazement as visual culture
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To photograph avant-garde architecture is its own particular art, requiring careful attention to geometry, composition, lighting, and the ineluctable feel of a created space. In his famous photographs of modern architectural marvels, Marcel Chassot doesn’t merely capture a building’s appearance; he transports us to the space, recreating both its ambience and its grandeur. This volume assembles buildings designed by the giants of modern architecture—from Frank Gehry’s surrealist twists and stacks to Zaha Hadid’s formal speed and fluidity, from Beijing National Stadium to the Sony Center in Berlin and the World Trade Center Transportation Hub in New York—offering a wealth of scenes from international contemporary architecture. Wolfgang Meisenheimer sheds light on the fundamental principles of Chassot’s photographic worldview and distinguishes between three layers of thought in which the work is rooted: the Euclidean orders, echoes of the modern philosophy of the lived body, and the legacy of Cubism from the beginnings of modern painting. With its felicitous interplay of brilliant architectural photography, exquisite design, and thoughtfully researched essays, this book is a total work of art.
Photography monographs
AD: Typological urbanism
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How can architecture today be simultaneously relevant to its urban context and at the very forefront of design? For a decade or so, iconic architecture has been fuelled by the market economy and consumers' insatiable appetite for the novel and the different. The relentless speed and scale of urbanisation, with its ruptured, decentralised and fast-changing context, though,(...)
AD: Typological urbanism
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How can architecture today be simultaneously relevant to its urban context and at the very forefront of design? For a decade or so, iconic architecture has been fuelled by the market economy and consumers' insatiable appetite for the novel and the different. The relentless speed and scale of urbanisation, with its ruptured, decentralised and fast-changing context, though, demands a rethink of the role of the designer and the function of architecture. This title confronts and questions the profession's and academia's current inability to confidently and comprehensively describe, conceptualise, theorise and ultimately project new ideas for architecture in relation to the city. In so doing, it provides a potent alternative for projective cities: Typological Urbanism. This develops strategies of typological reasoning in order to re-engage architecture with the city in both a critical and speculative manner. Architecture and urbanism are no longer seen as separate domains, or subservient to each other, but as synthesising disciplines and processes that allow an integrating and controlling effect on both the city and its built environment.
Magazines
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Western society is being terrorized by fear. Whether concerning national security, road safety or the protection of public health, every form of risk is meant to be spread, accounted for or eradicated. The safety and security obsession is leaving behind ever more visible traces, especially in public space. Speed bumps, smoke-free zones and surveillance cameras serve a(...)
Fear & space : the view of young designers in the Netherlands
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Western society is being terrorized by fear. Whether concerning national security, road safety or the protection of public health, every form of risk is meant to be spread, accounted for or eradicated. The safety and security obsession is leaving behind ever more visible traces, especially in public space. Speed bumps, smoke-free zones and surveillance cameras serve a society where prevention is the order of the day. This second book in the Group portraits series -a collaboration between the Netherlands architecture fund and the Netherlands foundation for visual arts, design and architecture (Fonds BKVB) - once again brings together four groups of young designers around a highly topical theme. As a sequel to the successful "City branding" book, this publication explores the various aspects of fear and prevention and considers the impact on contemporary urban space in four chapters. All the stops are pulled out: text, photography, research and design alternate in a thought-provoking sequence. This publication is the result of intensive research into the presence of fear in our Western society and the role that architecture might play herein. It is therefore an instrument for students, researchers, architects and policy-makers who are concerned with security issues.
Architectural Theory
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its(...)
Chronophobia : on time in the art of the 1960's
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time.
Contemporary Art Monographs