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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the(...)
Kim Gordon: is it my body? selected texts
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Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham.
Art Theory
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A “good book” and whatever it is that makes a book beautiful are not easy to define – the details of a design may well suit one book to perfection, but be very much out of place with another publication. With this in mind the author and designer Bernd Kuchenbeiser launched his website “A good book”, where publications of many different genres are presented and discussed(...)
61 books with black type on white cover
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A “good book” and whatever it is that makes a book beautiful are not easy to define – the details of a design may well suit one book to perfection, but be very much out of place with another publication. With this in mind the author and designer Bernd Kuchenbeiser launched his website “A good book”, where publications of many different genres are presented and discussed especially in the context of their creative design.
Book Design
books
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354 pages : illustrations (chiefly color), plans ; 33 cm
Weil am Rhein : Vitra Design Museum, 2012.
Louis Kahn : the power of architecture / [editors, Mateo Kries, Jochen Eisenbrand, Stanislaus von Moos ; translations: Brian Currid, Barbara Hauss, Anna Stüler].
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354 pages : illustrations (chiefly color), plans ; 33 cm
books
Weil am Rhein : Vitra Design Museum, 2012.
books
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
Honolulu : University of Hawaiʻi Press, [2013], ©2013
Architecturalized Asia : mapping a continent through history / edited by Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, and Peter Christensen.
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xiv, 301 pages : illustrations (some color), maps (some color) ; 27 cm.
books
Honolulu : University of Hawaiʻi Press, [2013], ©2013
books
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Published to coincide with the exhibition at the AA in London in the spring of 1999, this book explores the relationship between photography and architecture in the works of contemporary German artists by combining essays considering the political, social, architectural and art historical context of the exhibited work with extended portfolios of(...)
Reconstructing space : architecture in recent German photography
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Published to coincide with the exhibition at the AA in London in the spring of 1999, this book explores the relationship between photography and architecture in the works of contemporary German artists by combining essays considering the political, social, architectural and art historical context of the exhibited work with extended portfolios of photographs. Includes the work of Bernd & Hilla Becher, Thomas Demand, Christine Erhard, Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Heidi Specker.
books
January 1900, London
Theory of Photography
Border environments: CRA 1
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Over the past fifteen years, the Centre for Research Architecture at Goldsmiths, University of London, has brought together established and emergent scholars who convene to work with each other and share their ideas and insights. These assemblies have produced a space of critical encounter for developing new investigative methods, expanded spatial practices, and(...)
Architecture ecologies
September 2023
Border environments: CRA 1
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Over the past fifteen years, the Centre for Research Architecture at Goldsmiths, University of London, has brought together established and emergent scholars who convene to work with each other and share their ideas and insights. These assemblies have produced a space of critical encounter for developing new investigative methods, expanded spatial practices, and speculative propositions designed to respond to and intervene in the urgent political conditions of our time. This new series invites the reader into this ever-evolving pedagogical context. Each book is organized around a specific spatial issue and brings together a heterogeneous range of materials and contributors. The first work in the series, ''Border Environments'', explores the entanglement of ecology and migration. It examines the interplay between discriminatory politics, emergent technologies, and bordering practices within the context of (constructed) natures by highlighting a variety of interventions, investigative techniques, visual projects, and modes of witnessing that address the role of both human and more-than-human actors in border struggles. As such, the book is also a provocation that can be used to identify and organize new lines of struggle connecting environmental and mobility justice.
Architecture ecologies
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant(...)
Arch Southwest Asia & North Africa
January 2021
Pan-Arab modernism 1968-2018: the history of architectural practice in the middle east
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant and critical material on the individual’s education and experiences as well as the architecture practice and influence in the Middle East. Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges.
Arch Southwest Asia & North Africa
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In the work Kunsthalle Bern 1992, Asher removed the radiators from all the museum's exhibition spaces and reassembled them in its entryway gallery. Metal pipes connected the relocated radiators to their original sockets; these tubular conduits, coursing in linear fashion along the Kunsthalle's walls, kept the steam heat flowing and endowed the installation with(...)
Michael Asher : Kunsthalle Bern, 1929
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In the work Kunsthalle Bern 1992, Asher removed the radiators from all the museum's exhibition spaces and reassembled them in its entryway gallery. Metal pipes connected the relocated radiators to their original sockets; these tubular conduits, coursing in linear fashion along the Kunsthalle's walls, kept the steam heat flowing and endowed the installation with directional lines of force. This "displacement of givens" offers a perfect example of site-specific practice, one that took the gallery space and the institution itself as its subject. In this detailed examination of Kunsthalle Bern 1992, Anne Rorimer considers the work in the context of Asher's ongoing desire to fuse art with the material, economic, and social conditions of institutional presentation. Rorimer analyzes Kunsthalle Bern 1992 in relation to the earlier innovations of such minimalist artists as Donald Judd, Carl Andre, Robert Morris, Sol LeWitt, Bruce Nauman, and Dan Flavin as well as to such conceptualist contemporaries as Daniel Buren, Dan Graham, and Maria Nordman. She also considers the installation in the context of other works by Asher that have used non-art, functional elements, including walls, or that have investigated museological issues.
Art Theory
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This book outlines the history and development of large urban train stations throughout the Western world. It covers a 100-year period from roughly 1850 to 1950. Striking photographs chronicle 40 large passenger station buildings still in existence. The basic physical forms and their evolution are reviewed in the context of the rapid growth of train travel. Christopher(...)
Still standing : a century of urban train station design
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This book outlines the history and development of large urban train stations throughout the Western world. It covers a 100-year period from roughly 1850 to 1950. Striking photographs chronicle 40 large passenger station buildings still in existence. The basic physical forms and their evolution are reviewed in the context of the rapid growth of train travel. Christopher Brown discusses the arrival and impact of Beaux-Arts architecture in the 1890s and its profound effect on the American terminal.
Engineering Structures
Landscape stories
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"Landscape stories" is the fist comprehensive collection of Southam's work drawn from three completed series : The Pond at Upton Pyne, The Red River, and Rockfalls, Rivermouths, and Ponds, along with several smaller groups of pictures, from series still in the making and never before published. Southam's own brief narratives about the places and processes he captures,(...)
Landscape stories
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$101.00
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"Landscape stories" is the fist comprehensive collection of Southam's work drawn from three completed series : The Pond at Upton Pyne, The Red River, and Rockfalls, Rivermouths, and Ponds, along with several smaller groups of pictures, from series still in the making and never before published. Southam's own brief narratives about the places and processes he captures, together with essays by photo historians Gerry Badger and Andy Grundberg, create a rich context for contemplating these landscape series.
Photography monographs