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[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
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CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
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1 online resource
CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
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1 online resource
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books
books
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[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
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books
books
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$35.95
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In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their(...)
$35.95
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Summary:
In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their(...)
Title:
Revisionaries: a decade of art in Tokion
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In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their ability to work outside of the traditional fine art establishment through their own network of independent newspapers, ’zines, books, music, film, and galleries. Today’s renegade artists blur the lines between graffiti, graphic design, folk art, and stoned doodling. From streetwalls to T-shirts, sneakers, and toys, the works of these artists are instantly recognizable and are defining today’s aesthetic. In The Revisionaries, the editors of Tokion, a magazine at the helm of discovering and covering new talent, gather all of these artists in one book. Organized into three sections: graphic arts, folk art, and psychedelia, and with introductory bios and interviews with such artists as Shepherd Fairey, Geoff McFetridge, Ryan McGinness, Swoon, and many more. This book is an indispensable guide to the artists of today and tomorrow.
Revisionaries: a decade of art in Tokion
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$35.95
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Summary:
In the last fifteen years, a tremendously vibrant youth culture movement has emerged made up of DIY artists and creators, who are descended from and inspired by the 1970s to ’80s underground movements of punk, hip-hop, and skateboarding. These predecessors set the foundation for the current movement—which in the broadest sense can be called “street culture”—with their ability to work outside of the traditional fine art establishment through their own network of independent newspapers, ’zines, books, music, film, and galleries. Today’s renegade artists blur the lines between graffiti, graphic design, folk art, and stoned doodling. From streetwalls to T-shirts, sneakers, and toys, the works of these artists are instantly recognizable and are defining today’s aesthetic. In The Revisionaries, the editors of Tokion, a magazine at the helm of discovering and covering new talent, gather all of these artists in one book. Organized into three sections: graphic arts, folk art, and psychedelia, and with introductory bios and interviews with such artists as Shepherd Fairey, Geoff McFetridge, Ryan McGinness, Swoon, and many more. This book is an indispensable guide to the artists of today and tomorrow.
Form:
books
books
Publication:
October 2007, New York
October 2007, New York
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
Title:
Media art histories
Media art histories
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$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art(...)
$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art(...)
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Media art histories
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$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines--film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms--machine, media, exhibition--and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history.
Media art histories
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$44.95
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Summary:
Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines--film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms--machine, media, exhibition--and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history.
Form:
books
books
Publication:
March 2007, Cambridge
March 2007, Cambridge
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Mitch Epstein : work
Mitch Epstein : work
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$60.00
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have(...)
$60.00
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Summary:
Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have(...)
Title:
Mitch Epstein : work
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Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have transformed and influenced one another over time. This book offers a look at each of Epstein’s major projects — “Common Practice” (1973-89); “Vietnam” (1992-95); “The City” (1995-98); “Family Business” (2000-03), and his current, ongoing “American Power.” His early work on the theme of recreation is given its most natural yet unexpected configuration: images from the United States are mixed with those from other parts of the world. A short essay by the artist or an excerpt from his previously published writings orients each chapter. The book includes a DVD of his film, “Dad.” Many of the pictures here have never been seen before, let alone published. For Epstein fans and for those who would like an introduction to the artist’s work, this book is a necessary addition to their library.
Mitch Epstein : work
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$60.00
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Summary:
Widely acknowledged as one of the world’s most distinguished art photographers, here, for the first time, Epstein has gathered his photographs together into a book that presents the span of his career. "Mitch Epstein: Work" allows readers to trace the evolution of his formal and thematic concerns. We see how his aesthetic views, photographic tools, and politics have transformed and influenced one another over time. This book offers a look at each of Epstein’s major projects — “Common Practice” (1973-89); “Vietnam” (1992-95); “The City” (1995-98); “Family Business” (2000-03), and his current, ongoing “American Power.” His early work on the theme of recreation is given its most natural yet unexpected configuration: images from the United States are mixed with those from other parts of the world. A short essay by the artist or an excerpt from his previously published writings orients each chapter. The book includes a DVD of his film, “Dad.” Many of the pictures here have never been seen before, let alone published. For Epstein fans and for those who would like an introduction to the artist’s work, this book is a necessary addition to their library.
Form:
books
books
Publication:
November 2006, Göttingen
November 2006, Göttingen
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Cartographic cinema
Cartographic cinema
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$31.50
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Title:
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Cartographic cinema
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$31.50
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Summary:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Form:
books
books
Publication:
December 2006, Minneapolis, London
December 2006, Minneapolis, London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$74.95
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
$74.95
(available in store)
Summary:
This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
Title:
Albers and Moholy-Nagy : from the Bauhaus to the new world
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Albers and Moholy-Nagy : from the Bauhaus to the new world
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$74.95
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Summary:
This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Form:
books
books
Publication:
August 2006, New Haven / London
August 2006, New Haven / London
Subject:
Modernism
Modernism
Form:
books
books
Price:
$34.00
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Summary:
The second annual Alchemy Lecture was presented in November 2023 at York University to a sold out in-person audience and nearly one thousand live online viewers. Moderated by Dr. Christina Sharpe, the Alchemists—agile thinkers and practitioners working across a range of disciplines and geographies—convened to discuss their radical visions of the beautiful world, and the(...)
$34.00
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Summary:
The second annual Alchemy Lecture was presented in November 2023 at York University to a sold out in-person audience and nearly one thousand live online viewers. Moderated by Dr. Christina Sharpe, the Alchemists—agile thinkers and practitioners working across a range of disciplines and geographies—convened to discuss their radical visions of the beautiful world, and the(...)
Subject:
Social
Social
Publication:
September 2024
September 2024
Title:
Five manifestos for the beautiful world. The Alchemy lectures 2
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$34.00
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The second annual Alchemy Lecture was presented in November 2023 at York University to a sold out in-person audience and nearly one thousand live online viewers. Moderated by Dr. Christina Sharpe, the Alchemists—agile thinkers and practitioners working across a range of disciplines and geographies—convened to discuss their radical visions of the beautiful world, and the manifestos that may help to guide us there. Their treatises have been captured and luminously expanded in the pages of this book. Cherokee Nation citizen and professor Joseph M. Pierce asserts that "[f]or this decolonial future to become possible, the guiding force must no longer be capital but relations." Informed by her practice of "curation as care," Brazilian film curator Janaína Oliveira evokes music and movement as a means toward this relationality: "it's almost by falling that you live. . . . The beautiful world dances the stumbles. The beautiful world dances dancing." Kenyan-British visual artist Phoebe Boswell uses the space of a virtual gallery to ask, "If we burn down the institution, what happens next? Do we trust ourselves to know?" and gestures toward the possibility of this "as yet unlived, unexperienced thing."
Five manifestos for the beautiful world. The Alchemy lectures 2
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$34.00
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Summary:
The second annual Alchemy Lecture was presented in November 2023 at York University to a sold out in-person audience and nearly one thousand live online viewers. Moderated by Dr. Christina Sharpe, the Alchemists—agile thinkers and practitioners working across a range of disciplines and geographies—convened to discuss their radical visions of the beautiful world, and the manifestos that may help to guide us there. Their treatises have been captured and luminously expanded in the pages of this book. Cherokee Nation citizen and professor Joseph M. Pierce asserts that "[f]or this decolonial future to become possible, the guiding force must no longer be capital but relations." Informed by her practice of "curation as care," Brazilian film curator Janaína Oliveira evokes music and movement as a means toward this relationality: "it's almost by falling that you live. . . . The beautiful world dances the stumbles. The beautiful world dances dancing." Kenyan-British visual artist Phoebe Boswell uses the space of a virtual gallery to ask, "If we burn down the institution, what happens next? Do we trust ourselves to know?" and gestures toward the possibility of this "as yet unlived, unexperienced thing."
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Social
Social
Form:
books
books
Price:
$52.00
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Summary:
A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
$52.00
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Summary:
A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
Title:
Communicate : independent British graphic design since the sixties
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$52.00
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
Communicate : independent British graphic design since the sixties
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$52.00
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Summary:
A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
Form:
books
books
Publication:
March 2005, New Haven
March 2005, New Haven
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
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$49.95
(available to order)
Summary:
This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
$49.95
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Summary:
This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to(...)
Title:
Cruelty & utopia : cities and landscapes of Latin America
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$49.95
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Summary:
This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
Cruelty & utopia : cities and landscapes of Latin America
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$49.95
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Summary:
This landmark collection of illustrated essays explores the vastly under-appreciated history of America's other cities — the great metropolises found south of our borders in Central and South America. Buenos Aires, Sao Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragan, Juan O'Gorman, Lucio Costa, Roberto Burle Marx, Carlos Raul Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, "Cruelty and Utopia" features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzun, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film "From the Other Side". Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
Form:
books
books
Publication:
January 2005, New York
January 2005, New York
Subject:
Arch Middle East
Arch Middle East
Form:
books
books
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$35.95
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Summary:
Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
$35.95
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Summary:
Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
Title:
Mysterious skin: male bodies in contemporary cinema
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$35.95
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
Mysterious skin: male bodies in contemporary cinema
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$35.95
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Summary:
Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
Form:
books
books
Publication:
January 1900
January 1900
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
