Breathable
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An eye-opening and refreshing collection of practices, works, projects and essays are compiled in this catalogue which together explore the theme of how air, the atmosphere and our physical surrounds, work and reflect on the individual and society. Simplicity, luminosity, economy of means, the integration of non-human actors, the construction of new types of public(...)
Breathable
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An eye-opening and refreshing collection of practices, works, projects and essays are compiled in this catalogue which together explore the theme of how air, the atmosphere and our physical surrounds, work and reflect on the individual and society. Simplicity, luminosity, economy of means, the integration of non-human actors, the construction of new types of public spaces, the recovery of space as a material, and the application of technology in a natural way, are all themes central to this publication. A seminal collection of practitioners are featured here with works and writings from such names as: Mark Wigley, Olafur Eliasson, Diller & Scofidio, R, Brian Eno, Carsten Nicolai, Hans Ulrich Obrist, Decosterd & Rahm and SANAA.
Architectural Theory
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
Contemporary Art Monographs
October 2007, Berlin, New York
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
Contemporary Art Monographs
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The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan(...)
10 architectural walks in Manhattan
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The Municipal Art Society of New York recently celebrated its fiftieth year of offering walking tours to the public; in 2007 more than 10,000 people participated. This illustrated guidebook to highlights of architecture, preservation, urban planning, and public art described by two experienced guides, with pictures, route maps, and travel information, covers Manhattan from downtown skyscrapers to Harlem by way of Madison Square, Art Deco Midtown, Grand Central Terminal, Columbus Circle, Central Park, and more.
City Guides
CARTHA: Building identity
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In their new book, the international CARTHA network engages with the question of forming identity in society and the role that architecture plays in this process. Inspired by Jacques Lacan’s approach from psychoanalysis, CARTHA’s members break down the identity-formation process into four sub-steps, which they explore in interviews: Maarten Delbeke, professor of history(...)
Architectural Theory
August 2024
CARTHA: Building identity
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In their new book, the international CARTHA network engages with the question of forming identity in society and the role that architecture plays in this process. Inspired by Jacques Lacan’s approach from psychoanalysis, CARTHA’s members break down the identity-formation process into four sub-steps, which they explore in interviews: Maarten Delbeke, professor of history and theory of architecture at ETH Zurich, talks about ''Assimilation''; Frederike Lausch, researcher at TU Darmstadt’s Department of Architecture, about ''Appropriation''; Rob Krier, Berlin and Liguria-based architect and sculptor, about ''Denial'', and Jonathan Sergison, London-based architect, about ''Reconciliation''. These conversations make up the cornerstones for a new, experimental design methodology, which has been tested in practice by architecture firms Bruther (Bordeaux), Bureau Spectacular (Los Angeles), Conen Sigl (Zurich), Made In (Geneva / Zurich), Monadnock (Rotterdam), Studio Muoto (Paris), and Sam Jacob Studio (London). ''CARTHA—Building Identity'' features a variety of buildings—houses, cottages, apartments—designed in the context of these insights.
Architectural Theory
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
Sensing the future: Experiments in Art and Technology (E.A.T)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Art Theory
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is(...)
Contemporary Art Monographs
October 2017
Kara Walker: the ecstacy of St. Kara
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is an extensive examination of how Walker envisions the rise and fall of society. Richly illustrated, this publication includes plates of each drawing, as well as intimate photographs of the artist at work taken by her partner, acclaimed artist and filmmaker Ari Marcopoulos. An introduction by Reto Thüring and Beau Rutland contextualizes the importance of this latest evolution within Walker’s oeuvre; John Lansdowne addresses the topic of Christian iconography and its relationship to Walker’s new drawings; and Pulitzer Prize–winning poet Tracy K. Smith contributes a new poem. In addition, a text by Walker considers her work within the recent political climate.
Contemporary Art Monographs
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A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be(...)
The radical fool of capitalism: on Jeremy Bentham, the Panopticon, and the auto-icon
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A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be seen by an unseen observer—later seized upon by Michel Foucault as the apotheosis of the neoliberal control society. In this volume in the Untimely Meditation series, Christian Welzbacher offers a new interpretation of Bentham, arguing that his “radical foolery” (paraphrasing Goethe's characterization of Bentham) actually embodied a social ethics that was new for its time and demands proper historical contextualization rather than retroactive analysis from the vantage point of late capitalism. Welzbacher provides just such an analysis, offering an account of the two great utilitarian projects that occupied Bentham all his life: the Panopticon and the Auto-Icon.
Critical Theory
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War(...)
After the crash: architecture in post-bubble Japan
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In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand–born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crash is an anthology of essays that draw on first-hand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan. Tom Daniell is a practicing architect, critic, and educator who has based himself in Kyoto, Japan since the early 1990s.
Contemporary Asian Architecture
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the(...)
January 2018
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the richness and diversity of research at the Future Cities Laboratory (FCL). The book, which is the first in a planned series, describes new processes and types of data that are being used both to understand and improve cities. New approaches pioneered by FCL and its partners offer an important method to bridge the gap between knowledge production and action, with the aim of ensuring the sustainability of future cities. To reach this goal, FCL works closely with stakeholders in government, industry and society. The program has developed many simulation tools to help practitioners visualize the social, environmental or economic consequences of particular planning decisions.
They laid the foundation
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Beginning in the 1920s, and especially after the Nazis introduced the Nuremberg Race Laws in the 1930s, more than 130 Jewish architects chose to leave their native Germany and begin afresh in Palestine. Many of them, including Alex Baerwald and Harry Rosenthal, left behind significant buildings that were already central to the urban image of Berlin. Nevertheless, upon(...)
Architecture since 1900, Middle-East
September 2007, New York
They laid the foundation
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Beginning in the 1920s, and especially after the Nazis introduced the Nuremberg Race Laws in the 1930s, more than 130 Jewish architects chose to leave their native Germany and begin afresh in Palestine. Many of them, including Alex Baerwald and Harry Rosenthal, left behind significant buildings that were already central to the urban image of Berlin. Nevertheless, upon arriving in their new desert home, completely unaccustomed to the climate, the culture or the language, these Bauhaus-era repatriates set about laying the foundations of a new society with amazing vigor. This volume, assembled by the Israeli architect Myra Warhaftig, provides comprehensive documentation of works by this first generation of Jewish-Palestinean architects, including kibbutzim, villages and cities with housing developments, hospitals, schools, universities, theaters, administrative buildings, etc. It also includes documentation of the lives and works of many of the most entrepreneurial individuals to escape in the diaspora, who, along with their descendents, laid the foundations of modern-day Israel.
Architecture since 1900, Middle-East