books
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252 pages, 1 unnumbered page : illustrations (some color), maps, plans ; 27 cm.
Lyon : Lieux dits éditions, [2017]
Le Havre 1517-2017 : la demeure urbaine / texte, Claire Étienne-Steiner ; photographies, Denis Couchaux, Christophe Kollmann, Yvon Miossec.
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252 pages, 1 unnumbered page : illustrations (some color), maps, plans ; 27 cm.
books
Lyon : Lieux dits éditions, [2017]
$42.00
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John Lautner is recognized as one of the foremost architects who practiced at the height of the modern movement. In The Architecture of John Lautner, stunning photography and insightful text illuminate the work of this modern master. This revised and condensed reprint of the Rizzoli title of the same name outlines all of Lautner's residential projects and details his(...)
Architecture Monographs
July 2003, New York
The architecture of John Lautner
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John Lautner is recognized as one of the foremost architects who practiced at the height of the modern movement. In The Architecture of John Lautner, stunning photography and insightful text illuminate the work of this modern master. This revised and condensed reprint of the Rizzoli title of the same name outlines all of Lautner's residential projects and details his career from his apprenticeship with Frank Lloyd Wright to his status as one of the preeminent practitioners of mid-century modernism. The book includes extensive photographs of Lautner's spacious residential interiors that have never appeared in other publications.
Architecture Monographs
$54.95
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"The Walker House, RM Schindler" is the first in a series of architecture books related to inspirational houses. It takes us to Los Angeles, the adopted home of Austrian-born American architect, RM Schindler, and tells the story of the Walker House and how came into the possession of its current owner, journalist and modernist architecture and design geek, Andrew Romano.(...)
R M Schindler, the Walker house
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"The Walker House, RM Schindler" is the first in a series of architecture books related to inspirational houses. It takes us to Los Angeles, the adopted home of Austrian-born American architect, RM Schindler, and tells the story of the Walker House and how came into the possession of its current owner, journalist and modernist architecture and design geek, Andrew Romano. The 80-page hardbound book features interior photography by longtime Apartamento contributor, Ye Rin Mok, texts by Andrew Romano, and archival imagery of the Walker House, courtesy of the private collection of Andrew Romano and the University of Santa Barbara California.
Architecture Monographs
$65.00
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From the earliest structures to today's contemporary creations, red has been one of the most traditional, and, at the same time, most cutting-edge, colors in the built world. Through photography with informative text, you can explore more than 150 of the most striking buildings in existence - from the deep-red and stainless steel of LA's Petersen Automotive Museum to(...)
Red: architecture in monochrome
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$65.00
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From the earliest structures to today's contemporary creations, red has been one of the most traditional, and, at the same time, most cutting-edge, colors in the built world. Through photography with informative text, you can explore more than 150 of the most striking buildings in existence - from the deep-red and stainless steel of LA's Petersen Automotive Museum to Moscow's red-brick State Museum and beyond. Visual pairings juxtapose works in a fresh, new approach to looking at and understanding architecture, including projects by some of the best architects of the twentieth and twenty-first centuries.
Contemporary Architecture
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil,(...)
Eliot Noyes : a pioneer of design and architecture in the age of American modernism
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Eliot Noyes (1910–77) was a remarkable figure in twentieth-century design. An architect who began his career working in the office of Walter Gropius and Marcel Breuer, he went on to become the first Director of the Industrial Design department at MoMA in the 1940s. From the late 1950s until his death in 1977 he was Consulting Director of Design for IBM, Mobil Oil, Westinghouse and Cummins Engine Company, and was responsible for bringing about a change in the way that these corporations, and others that followed, were to think about design and its impact on business. He enlisted pioneering designers, notably Charles Eames, Paul Rand, Ivan Chermayeff and Tom Geismar, to help him bring about innovative architectural, graphic and industrial design. He was personally responsible for the design of some notable twentieth-century classics, such as IBM’s Selectric typewriter and Mobil Oil’s service stations and petrol pumps. His own work includes architectural projects, such as the award-winning Noyes' family residence in Connecticut. This monograph traces the life of this unique architect, designer and businessman who devoted a great deal of his career to encouraging large American businesses to respect and develop policies that were rich in cultural expression. The author has had extended access to the Noyes' archive of personal as well as business projects, materials and letters, and he has carried out extended interviews with a great deal of Noyes' acquaintances and relations. His comprehensive and lively text is accompanied by archival and new colour photography, drawings, plans and a diverse range of documentary material, much of which is previously unpublished.
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October 2006, London, New York
Design Monographs
$63.95
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Summary:
In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules(...)
Artificial darkness: an obscure history of modern art and media
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In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of production—such as photography darkrooms, film studios, and laboratories—and their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space.
books
Description:
192 pages : color illustrations, maps ; 30 cm
[Poitiers] : Inventaire général du patrimoine culturel ; Bordeaux : Le Festin, 2017.
La vallée de la Vézère en Périgord : la fabrique d'un paysage : Nouvelle-Aquitaine / textes, Xavier Pagazani, Vincent Marabout, Line Becker ; photographies, Adrienne Barroche.
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192 pages : color illustrations, maps ; 30 cm
books
[Poitiers] : Inventaire général du patrimoine culturel ; Bordeaux : Le Festin, 2017.
$55.00
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Kosovo’s Mitrovica is a divided city. The bridge separating the Serb North and the Albanian South is one of the emblematic sites in the ongoing dispute over Kosovo. Beneath this layer of ethno-political division and post-conflict reconstruction, however, lies the fascinating heritage of the city's rapid industrial and urban development under the Socialist Yugoslav(...)
Architecture since 1900, Europe
April 2019
Layers of time in the urban landscape: visions of socialist urbanism in Mitrovica
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Kosovo’s Mitrovica is a divided city. The bridge separating the Serb North and the Albanian South is one of the emblematic sites in the ongoing dispute over Kosovo. Beneath this layer of ethno-political division and post-conflict reconstruction, however, lies the fascinating heritage of the city's rapid industrial and urban development under the Socialist Yugoslav ideological premises. "Layers of Time in the Urban Landscape" is a cooperative endeavor at the intersection of photography and history, aiming to document the overlaps in the socialist and post-conflict transformations of the city of Mitrovica.
Architecture since 1900, Europe
$51.95
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past(...)
Building desire : on the Barcelona pavilion
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past fifteen years, no scholar has yet to seriously study, at any length, the unique phenomenon that was, is and will continue to be the Barcelona Pavilion. "Building desire" focuses on the pavilion's image of an enduring myth of modernity.
Architecture Monographs
$98.00
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The book spans Murcutt's entire career, from the early modernist houses to his most recent commissions in the 21st century, identifies recurring themes in his work and analyses how his buildings 'marry modern architecture to the place, the territory, the landcape' to arrive at an ecological functionalism. The buildings themselves are an eclectic selection ranging from(...)
Glenn Murcutt : buildings + projects 1962-2003
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The book spans Murcutt's entire career, from the early modernist houses to his most recent commissions in the 21st century, identifies recurring themes in his work and analyses how his buildings 'marry modern architecture to the place, the territory, the landcape' to arrive at an ecological functionalism. The buildings themselves are an eclectic selection ranging from Murcutt's courtyard houses in Sydney to free-standing residences set in Australia's barren and isolated landscapes. The full-colour photography, much of it supplied from the architect's own private collection, testifies to the aesthetic appeal of the buildings, while Murcutt's line drawings and plans lend further insight into his work.
Architecture Monographs